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"In Chicago, I walked in knowing what the dancers were going to need."
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"In Chicago, I walked in knowing what the dancers were going to need."
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"In Chicago, I walked in knowing what the dancers were going to need."
Coordination

"In real life, a lot of people at that level will have their kimonos made especially for them."
Life

"Planet of the Apes was a gigantic challenge, making the clothes work so people could do stunts and action in the clothes. I really learned a lot about that in that movie."
Work

"Costumes are the first impression that you have of the character before they open their mouth-it really does establish who they are."
Impression

"Sleepy Hollow had a lot of action in it, even though it was a fairy-tale movie."
Action

"Some of the kimonos took as long as four to five months to make, with all the layers that go into it."
Fashion

"Knowing who the actors were as you were designing them helped, with Catherine's beauty and Renee's frailty, they directed me visually just by who they were."
Beauty

"Each simian had a much different body suit, so besides trying to define class across species, there was a definite attempt to dress each group in different styles."
Body

"As a designer, you have to solve a lot of problems. Even though people are wearing clothes that are supposed to look beautiful, they'll have to do all kinds of things."
People

"I had to work out that it was something that could move, without having everybody in spray painted leotards."
Work
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