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Colleen Atwood

"In Chicago, I walked in knowing what the dancers were going to need."

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"In Chicago, I walked in knowing what the dancers were going to need."

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Akshay Vasu

"In Chicago, I walked in knowing what the dancers were going to need."

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Personal Development

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Colleen Atwood
"Sleepy Hollow had a lot of action in it, even though it was a fairy-tale movie."

Action

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Colleen Atwood
"As a designer, you have to solve a lot of problems. Even though people are wearing clothes that are supposed to look beautiful, they'll have to do all kinds of things."

People

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Colleen Atwood
"I've always loved movies, art and clothes."

Art

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Colleen Atwood
"If you want someone to feel warm, you dress them in a warm color and put a warm light on them and you get the picture. Sometimes, all that needs pushing a little bit to help tell the story."

Dress

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Colleen Atwood
"I'd seen the current stage production and the 1975 production of Chicago. I liked them both very much, but I didn't use them necessarily as inspiration."

Inspirational

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Colleen Atwood
"Each simian had a much different body suit, so besides trying to define class across species, there was a definite attempt to dress each group in different styles."

Body

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Colleen Atwood
"In Chicago, I walked in knowing what the dancers were going to need."

Coordination

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Colleen Atwood
"Some of the kimonos took as long as four to five months to make, with all the layers that go into it."

Fashion

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Colleen Atwood
"Planet of the Apes was a gigantic challenge, making the clothes work so people could do stunts and action in the clothes. I really learned a lot about that in that movie."

Work

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Colleen Atwood
"The designs were based on quite a lot of research of what a movie musical is, filtered through the eyes of today. If we'd gone strictly with the '20s, the movement would have been impaired."

Film

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