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"The practical reality is that any present-tense version of the world is unstable. What we currently consider to be true-both objectively and subjectively-is habitually provisional."
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"The practical reality is that any present-tense version of the world is unstable. What we currently consider to be true-both objectively and subjectively-is habitually provisional."

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8
"Necessity used to be the mother of invention, but then we ran out of things that were necessary."
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"Necessity used to be the mother of invention, but then we ran out of things that were necessary."

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9
"Every night, we're all having multiple metaphysical experiences, wholly constructed by our subconscious. Almost one-third of our lives happens inside surreal mental projections we create without trying. A handful of highly specific dreams, such as slowly losing one's teeth, are experienced unilaterally by unrelated people in unconnected cultures. But these events are so personal and inscrutable that we've stopped trying to figure out what they mean."
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"Every night, we're all having multiple metaphysical experiences, wholly constructed by our subconscious. Almost one-third of our lives happens inside surreal mental projections we create without trying. A handful of highly specific dreams, such as slowly losing one's teeth, are experienced unilaterally by unrelated people in unconnected cultures. But these events are so personal and inscrutable that we've stopped trying to figure out what they mean."

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7
"Wishing for control is like wishing for the rapture."
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"Wishing for control is like wishing for the rapture."

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6
"And the quality all these reasonable failures share is an inability to accept that the statue quo is temporary."
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"And the quality all these reasonable failures share is an inability to accept that the statue quo is temporary."

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5
"When you're writing for newspapers you have all these parameters. You can't swear, you have to use short paragraphs, all that. If you stay within those parameters, you have lots of freedom because you're writing for the next day."
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"When you're writing for newspapers you have all these parameters. You can't swear, you have to use short paragraphs, all that. If you stay within those parameters, you have lots of freedom because you're writing for the next day."

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60
"We spend our lives learning many things, only to discover (again and again) that most of what we've learned is either wrong or irrelevant. A big part of our mind can handle this; a smaller, deeper part cannot. And it's that smaller part that matters more, because that part of our mind is who we really are (whether we like it or not)."
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"We spend our lives learning many things, only to discover (again and again) that most of what we've learned is either wrong or irrelevant. A big part of our mind can handle this; a smaller, deeper part cannot. And it's that smaller part that matters more, because that part of our mind is who we really are (whether we like it or not)."

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7
"Pundits are always blaming TV for making people stupid, movies for desensitizing the world to violence, and rock music for making kids take drugs and kill themselves. These things should be the least of our worries. The main problem with mass media is that it makes it impossible to fall in love with any acumen of normalcy. There is no 'normal,' because everybody is being twisted by the same sources simultaneously."
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"Pundits are always blaming TV for making people stupid, movies for desensitizing the world to violence, and rock music for making kids take drugs and kill themselves. These things should be the least of our worries. The main problem with mass media is that it makes it impossible to fall in love with any acumen of normalcy. There is no 'normal,' because everybody is being twisted by the same sources simultaneously."

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7
"I care about strangers when they're abstractions, but I feel almost nothing when they're literally in front of me."
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"I care about strangers when they're abstractions, but I feel almost nothing when they're literally in front of me."

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10
"It's hard for Americans to differentiate between talent and notoriety, TV confuses people."
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"It's hard for Americans to differentiate between talent and notoriety, TV confuses people."

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10
"The biggest hurdle to writing Fargo Rock City was that I couldn't afford a home computer - I had to get a new job so I could buy a computer. It could all change though. In five years, I could be back at some daily newspaper, which wouldn't be so bad."
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"The biggest hurdle to writing Fargo Rock City was that I couldn't afford a home computer - I had to get a new job so I could buy a computer. It could all change though. In five years, I could be back at some daily newspaper, which wouldn't be so bad."

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36
"When you start thinking about what your life was like 10 years ago-and not in general terms, but in highly specific detail-it's disturbing to realize how certain elements of your being are completely dead. They die long before you do. It's astonishing to consider all the things from your past that used to happen all the time but (a) never happen anymore, and (b) never even cross your mind. It's almost like those things didn't happen. Or maybe it seems like they just happened to someone else. To someone you don't really know. To someone you just hung out with for one night, and now you can't even remember her name."
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"When you start thinking about what your life was like 10 years ago-and not in general terms, but in highly specific detail-it's disturbing to realize how certain elements of your being are completely dead. They die long before you do. It's astonishing to consider all the things from your past that used to happen all the time but (a) never happen anymore, and (b) never even cross your mind. It's almost like those things didn't happen. Or maybe it seems like they just happened to someone else. To someone you don't really know. To someone you just hung out with for one night, and now you can't even remember her name."

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8
"People will look at the world without seeing anything beyond their unconscious expectation."
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"People will look at the world without seeing anything beyond their unconscious expectation."

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7
"Crazy things seem normal, normal things seem crazy."
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"Crazy things seem normal, normal things seem crazy."

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8
"His lazy eye drifting around the room like a child looking for the bathroom."
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"His lazy eye drifting around the room like a child looking for the bathroom."

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13
"It's natural to think of one's own life as a novel (or a movie or a play), and within that narrative we are always the central character. Thoughtful people try to overcome this compulsion, but they usually fail (in fact, trying makes it worse). In a commencement speech at Kenyon College, David Foster Wallace argued that conquering the preoccupation with self is pretty much the whole objective of being aliveS-Sbut if we are to believe Wallace succeeded at this goal, it must be the darkest success imaginable."
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"It's natural to think of one's own life as a novel (or a movie or a play), and within that narrative we are always the central character. Thoughtful people try to overcome this compulsion, but they usually fail (in fact, trying makes it worse). In a commencement speech at Kenyon College, David Foster Wallace argued that conquering the preoccupation with self is pretty much the whole objective of being aliveS-Sbut if we are to believe Wallace succeeded at this goal, it must be the darkest success imaginable."

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11
"I suppose we'll never know what really happened in that room, though he did tell police, 'I did it because I'm a dirty dog.' This is not a very convincing alibi. He may as well have said, 'I got 99 problems, but a bitch ain't one."
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"I suppose we'll never know what really happened in that room, though he did tell police, 'I did it because I'm a dirty dog.' This is not a very convincing alibi. He may as well have said, 'I got 99 problems, but a bitch ain't one."

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10
"It didn't seem remotely possible. I had no idea how people got those jobs, I didn't know what the steps were, it never even dawned on me. It seemed so outside the realm of possibility."
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"It didn't seem remotely possible. I had no idea how people got those jobs, I didn't know what the steps were, it never even dawned on me. It seemed so outside the realm of possibility."

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34
"And all I could do while I listened to this dude tell me how punk rock saved his life was think, Wow. Why did my friend waste all that time going to chemotherapy? I guess we should have just played him a bunch of shitty Black Flag records."
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"And all I could do while I listened to this dude tell me how punk rock saved his life was think, Wow. Why did my friend waste all that time going to chemotherapy? I guess we should have just played him a bunch of shitty Black Flag records."

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6
"F. Scott Fitzgerald believed inserting exclamation points was the literary equivalent of an author laughing at his own jokes, but that's not the case in the modern age; now, the exclamation point signifies creative confusion. All it illustrates is that even the writer can't tell if what they're creating is supposed to be meaningful, frivolous, or cruel. It's an attempt to insert humor where none exists, on the off chance that a potential reader will only be pleased if they suspect they're being entertained. Of course, the reader isn't really sure, either. They just want to know when they're supposed to pretend to be amused."
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"F. Scott Fitzgerald believed inserting exclamation points was the literary equivalent of an author laughing at his own jokes, but that's not the case in the modern age; now, the exclamation point signifies creative confusion. All it illustrates is that even the writer can't tell if what they're creating is supposed to be meaningful, frivolous, or cruel. It's an attempt to insert humor where none exists, on the off chance that a potential reader will only be pleased if they suspect they're being entertained. Of course, the reader isn't really sure, either. They just want to know when they're supposed to pretend to be amused."

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7
"Book writing is a little different because, in my case, my editor is a year younger than me and basically has the same sensibility as me."
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"Book writing is a little different because, in my case, my editor is a year younger than me and basically has the same sensibility as me."

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35
"It's easier to believe there's a monster under the bed if you've spent the last six months arguing with a monster."
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"It's easier to believe there's a monster under the bed if you've spent the last six months arguing with a monster."

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7
"Even though I wanted to experience all these things I was interested in, I couldn't get them. So I had to think critically and culturally about what was available."
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"Even though I wanted to experience all these things I was interested in, I couldn't get them. So I had to think critically and culturally about what was available."

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45
"Anybody who says they are a good liar obviously is not, because any legitimately savvy liar would always insist they're honest about everything."
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"Anybody who says they are a good liar obviously is not, because any legitimately savvy liar would always insist they're honest about everything."

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8
"Everyone knows history is written by the winners, but that cliche misses a crucial detail: Over time, the winners are always the progressives. Conservatism can only win in the short term, because society cannot stop evolving (and social evolution inevitably dovetails with the agenda of those who see change as an abstract positive). It might take seventy years, but it always happens eventually. Serious historians are, almost without exception, self-styled progressives. Radical views-even the awful ones-improve with age."
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"Everyone knows history is written by the winners, but that cliche misses a crucial detail: Over time, the winners are always the progressives. Conservatism can only win in the short term, because society cannot stop evolving (and social evolution inevitably dovetails with the agenda of those who see change as an abstract positive). It might take seventy years, but it always happens eventually. Serious historians are, almost without exception, self-styled progressives. Radical views-even the awful ones-improve with age."

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6
"Now, obviously, all old people seem cool whenever we see black-and-white images of their younger selves. It's human nature to inject every old picture with positive abstractions. We can't help ourselves. We all do it. We want those things to be true, because we all hope future generations will have the same thoughts when they come across forgotten photographs of us."
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"Now, obviously, all old people seem cool whenever we see black-and-white images of their younger selves. It's human nature to inject every old picture with positive abstractions. We can't help ourselves. We all do it. We want those things to be true, because we all hope future generations will have the same thoughts when they come across forgotten photographs of us."

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8
"Art and love are the same thing: It's the process of seeing yourself in things that are not you."
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"Art and love are the same thing: It's the process of seeing yourself in things that are not you."

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10
"Women intrinsically understand human dynamics, and that makes them unstoppable. Unfortunately, the average man is less adroit at fostering such rivalries, which is why most men remain average; males are better at hating things that can't hate them back (e.g., lawnmowers, cats, the Denver Broncos, et cetera). They don't see the big picture."
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"Women intrinsically understand human dynamics, and that makes them unstoppable. Unfortunately, the average man is less adroit at fostering such rivalries, which is why most men remain average; males are better at hating things that can't hate them back (e.g., lawnmowers, cats, the Denver Broncos, et cetera). They don't see the big picture."

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6
"I've been asked about this constantly, and I compare it to how if you're walking down the street and some schizo guy comes up to you and vomits on you: You wouldn't be hurt by that, you'd just think it's weird."
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"I've been asked about this constantly, and I compare it to how if you're walking down the street and some schizo guy comes up to you and vomits on you: You wouldn't be hurt by that, you'd just think it's weird."

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66
"Outcasts may grow up to be novelists and filmmakers and computer tycoons, but they will never be the athletic ruling class."
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"Outcasts may grow up to be novelists and filmmakers and computer tycoons, but they will never be the athletic ruling class."

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9
"The first moment someone calls for a revolution is usually the last moment I take them seriously."
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"The first moment someone calls for a revolution is usually the last moment I take them seriously."

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8
"I feel sorry for people who have to edit me. Which is why book writing is by far the most enjoyable. Really the only thing it's based on is whether it's good or not. No book editor, in my experience, is getting a manuscript and try to rewrite it."
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"I feel sorry for people who have to edit me. Which is why book writing is by far the most enjoyable. Really the only thing it's based on is whether it's good or not. No book editor, in my experience, is getting a manuscript and try to rewrite it."

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29
"I keep saying the word "weird" over and over again, but it's the only way I can describe it."
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"I keep saying the word "weird" over and over again, but it's the only way I can describe it."

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39
"At a magazine, everything you do is edited by a bunch of people, by committee, and a lot of them are, were, or think of themselves as writers. Part of that is because magazines worry about their voice."
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"At a magazine, everything you do is edited by a bunch of people, by committee, and a lot of them are, were, or think of themselves as writers. Part of that is because magazines worry about their voice."

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32
"There are two ways to look at life. The first view is that nothing stays the same and that nothing is inherently connected, and that the only driving force in anyone's life is entropy. The second is that everything pretty much stays the same (more or less) and that everything is completely connected, even if we don't realize it."
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"There are two ways to look at life. The first view is that nothing stays the same and that nothing is inherently connected, and that the only driving force in anyone's life is entropy. The second is that everything pretty much stays the same (more or less) and that everything is completely connected, even if we don't realize it."

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5
"There is not, in a material sense, any benefit to being right about a future you will not experience. But there are intrinsic benefits to constantly probing the possibility that our assumptions about the future might be wrong: humility and wonder."
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"There is not, in a material sense, any benefit to being right about a future you will not experience. But there are intrinsic benefits to constantly probing the possibility that our assumptions about the future might be wrong: humility and wonder."

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6
"Everybody is wrong about everything, just about all the time."
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"Everybody is wrong about everything, just about all the time."

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8
"Perhaps we humans are still in command, and perhaps there really will be a conventional robot war in the not-so-distant future. If so, let's roll. I'm ready. My toaster will never be the boss of me. Get ready to make me some Pop-Tarts, bitch."
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"Perhaps we humans are still in command, and perhaps there really will be a conventional robot war in the not-so-distant future. If so, let's roll. I'm ready. My toaster will never be the boss of me. Get ready to make me some Pop-Tarts, bitch."

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6
"I once loved a girl who almost loved me, but not as much as she loved John Cusack."
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"I once loved a girl who almost loved me, but not as much as she loved John Cusack."

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7
"It appears that countless women born between the years of 1965 and 1978 are in love with John Cusack. I cannot fathom how he isn't the number-one box office star in America, because every straight girl I know would seel her soul to share a milkshake with that motherfucker."
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"It appears that countless women born between the years of 1965 and 1978 are in love with John Cusack. I cannot fathom how he isn't the number-one box office star in America, because every straight girl I know would seel her soul to share a milkshake with that motherfucker."

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5
"As recently as the grunge era, there remained a bohemian cachet in casually mentioning that you didn't own a TV. But nobody thinks like that anymore. Today, claiming you don't own a TV simply means you're poor (or maybe depressed). In one ten-year span, high-end television usurped the cultural positions of film, rock, and literary fiction."
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"As recently as the grunge era, there remained a bohemian cachet in casually mentioning that you didn't own a TV. But nobody thinks like that anymore. Today, claiming you don't own a TV simply means you're poor (or maybe depressed). In one ten-year span, high-end television usurped the cultural positions of film, rock, and literary fiction."

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5
"If I knew I was going to die at a specific moment in the future, it would be nice to be able to control what song I was listening to; this is why I always bring my iPod on airplanes."
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"If I knew I was going to die at a specific moment in the future, it would be nice to be able to control what song I was listening to; this is why I always bring my iPod on airplanes."

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7
"Nothing can be appreciated in a vacuum."
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"Nothing can be appreciated in a vacuum."

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6
"Because people who talk about their dreams are actually trying to tell you things about themselves they'd never admit in normal conversation. It's a way for people to be honest without telling the truth."
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"Because people who talk about their dreams are actually trying to tell you things about themselves they'd never admit in normal conversation. It's a way for people to be honest without telling the truth."

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9
"It's far easier to write why something is terrible than why it's good. If you're reviewing a film and you decide 'This is a movie I don't like,' basically you can take every element of the film and find the obvious flaw, or argue that it seems ridiculous, or like a parody of itself, or that it's not as good as something similar that was done in a previous film. What's hard to do is describe why you like something. Because ultimately, the reason things move people is very amorphous. You can be cerebral about things you hate, but most of the things you like tend to be very emotive."
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"It's far easier to write why something is terrible than why it's good. If you're reviewing a film and you decide 'This is a movie I don't like,' basically you can take every element of the film and find the obvious flaw, or argue that it seems ridiculous, or like a parody of itself, or that it's not as good as something similar that was done in a previous film. What's hard to do is describe why you like something. Because ultimately, the reason things move people is very amorphous. You can be cerebral about things you hate, but most of the things you like tend to be very emotive."

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7
"It is impossible to examine questions we refuse to ask."
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"It is impossible to examine questions we refuse to ask."

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10
"But whenever I meet dynamic, nonretarded Americans, I notice that they all seem to share a single unifying characteristic: the inability to experience the kind of mind-blowing, transcendent romantic relationship they perceive to be a normal part of living. And someone needs to take the fall for this. So instead of blaming no one for this (which is kind of cowardly) or blaming everyone (which is kind of meaningless), I'm going to blame John Cusack."
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"But whenever I meet dynamic, nonretarded Americans, I notice that they all seem to share a single unifying characteristic: the inability to experience the kind of mind-blowing, transcendent romantic relationship they perceive to be a normal part of living. And someone needs to take the fall for this. So instead of blaming no one for this (which is kind of cowardly) or blaming everyone (which is kind of meaningless), I'm going to blame John Cusack."

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7
"I also did an Ozzy piece for him, and so I got hired. Everything happened really fast. I can't give people advice, because everything in my life changed completely in less than a year and it's still not something I am used to."
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"I also did an Ozzy piece for him, and so I got hired. Everything happened really fast. I can't give people advice, because everything in my life changed completely in less than a year and it's still not something I am used to."

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36
"I love the way music inside a car makes you feel invisible; if you play the stereo at max volume, it's almost like the other people can't see into your vehicle. It tints your windows, somehow."
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"I love the way music inside a car makes you feel invisible; if you play the stereo at max volume, it's almost like the other people can't see into your vehicle. It tints your windows, somehow."

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7
"And I'm probably wrong. Maybe not completely, but partially. And maybe not today, but eventually."
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"And I'm probably wrong. Maybe not completely, but partially. And maybe not today, but eventually."

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7
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