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Chuck Klosterman

"As recently as the grunge era, there remained a bohemian cachet in casually mentioning that you didn't own a TV. But nobody thinks like that anymore. Today, claiming you don't own a TV simply means you're poor (or maybe depressed). In one ten-year span, high-end television usurped the cultural positions of film, rock, and literary fiction."

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"As recently as the grunge era, there remained a bohemian cachet in casually mentioning that you didn't own a TV. But nobody thinks like that anymore. Today, claiming you don't own a TV simply means you're poor (or maybe depressed). In one ten-year span, high-end television usurped the cultural positions of film, rock, and literary fiction."

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"Inheritance and culture obscure people's higher capacities."

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"The principle of godliness must be believed and embedded as the culture to live by."

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"Beginning with Santa Claus as a cognitive exercise, a child is encouraged to share the same idea of reality as his peers. Even if that reality is patently invented and ludicrous, belief is encouraged with gifts that support and promote the common cultural lies. The greatest consensus in modern society is our traffic systems. The way a flood of strangers can interact, sharing a path, almost all of them traveling without incident. It only takes one dissenting driver to create anarchy."

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"Every individual is at once the beneficiary and the victim of the linguistic tradition into which he has been born."

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"A single recipe holds countless stories."

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"The part of the tradition that I knew best was mostly written (or rewritten for children) in England and northern Europe. The principal characters were men. If the story was heroic, the hero was a white man; most dark-skinned people were inferior or evil. If there was a woman in the story, she was a passive object of desire and rescue (a beautiful blond princess); active women (dark, witches) usually caused destruction or tragedy. Anyway, the stories weren't about the women. They were about men, what men did, and what was important to men."

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"When you're writing for newspapers you have all these parameters. You can't swear, you have to use short paragraphs, all that. If you stay within those parameters, you have lots of freedom because you're writing for the next day."
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"There is not, in a material sense, any benefit to being right about a future you will not experience. But there are intrinsic benefits to constantly probing the possibility that our assumptions about the future might be wrong: humility and wonder."
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"And I'm probably wrong. Maybe not completely, but partially. And maybe not today, but eventually."
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"The future is a teenage crackhead who makes shit up as he goes along."
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"We spend our lives learning many things, only to discover (again and again) that most of what we've learned is either wrong or irrelevant. A big part of our mind can handle this; a smaller, deeper part cannot. And it's that smaller part that matters more, because that part of our mind is who we really are (whether we like it or not)."
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"Outcasts may grow up to be novelists and filmmakers and computer tycoons, but they will never be the athletic ruling class."
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"It didn't seem remotely possible. I had no idea how people got those jobs, I didn't know what the steps were, it never even dawned on me. It seemed so outside the realm of possibility."
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"The biggest hurdle to writing Fargo Rock City was that I couldn't afford a home computer - I had to get a new job so I could buy a computer. It could all change though. In five years, I could be back at some daily newspaper, which wouldn't be so bad."
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"Every night, we're all having multiple metaphysical experiences, wholly constructed by our subconscious. Almost one-third of our lives happens inside surreal mental projections we create without trying. A handful of highly specific dreams, such as slowly losing one's teeth, are experienced unilaterally by unrelated people in unconnected cultures. But these events are so personal and inscrutable that we've stopped trying to figure out what they mean."
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"It's hard for Americans to differentiate between talent and notoriety, TV confuses people."
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