Quotes by Director | Beyond Motive 33/67

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Quotes by Director

"Well, you know the old line - to be nominated is what it's all about. I think that I've done pretty well - I've had about 46, or 47 nominations from my movies, and my films have won about 12 awards in total, so I don't really have any complaints."

"Well, you know the old line - to be nominated is what it's all about. I think that I've done pretty well - I've had about 46, or 47 nominations from my movies, and my films have won about 12 awards in total, so I don't really have any complaints."

Norman Jewison, Canadian Director

Movies, Awards, Complaints, Old

12

"We are going to finish this picture just the way I want it... because you cannot compromise an artist's vision."

"We are going to finish this picture just the way I want it... because you cannot compromise an artist's vision."

Ed Wood, American Director

Vision, Artist, Compromise, Want

12

"Cedric Gibbons was the grand cardinal of the art department."

"Cedric Gibbons was the grand cardinal of the art department."

Vincente Minnelli, American Director

12

"The basic premise of this is that, yes, people have learned to clone each other, but that cloning is illegal. Not that it's bad, just that the law as it is now, is that if you die, you're dead."

"The basic premise of this is that, yes, people have learned to clone each other, but that cloning is illegal. Not that it's bad, just that the law as it is now, is that if you die, you're dead."

Roger Spottiswoode, Canadian Director

People, Law, Now

12

"But, number one, I think traditional noir doesn't work in contemporary storytelling because we don't live in that world anymore."

"But, number one, I think traditional noir doesn't work in contemporary storytelling because we don't live in that world anymore."

Brian De Palma, American Director

12

"It took me a long time to realize that you have to have a bit of an interlanguage with actors. You have to give them something that they can act with."

"It took me a long time to realize that you have to have a bit of an interlanguage with actors. You have to give them something that they can act with."

James Cameron, American Director

Time, Act, Actors

12

"It's the unusual leading man. Most of the Hollywood leading men are powerful and capable and strong, heroes. He has this vulnerability, he's fragile, he struggles to find a way to live from day to day that we can identify with, that we can understand."

"It's the unusual leading man. Most of the Hollywood leading men are powerful and capable and strong, heroes. He has this vulnerability, he's fragile, he struggles to find a way to live from day to day that we can identify with, that we can understand."

Mark Rydell, American Director

Man, Men, Day, Heroes, Hollywood

12

"Previously the same Polish audiences would have been pressured into seeing cinema made for adults, films made by us about those spheres of life that were significant for us and which should be significant for our society."

"Previously the same Polish audiences would have been pressured into seeing cinema made for adults, films made by us about those spheres of life that were significant for us and which should be significant for our society."

Andrzej Wajda, Polish Director

Life, Society, Audiences, Cinema

12

"We made connections between the monsters created by war and the monsters he created, the typical outcast that Whale was attracted to, and the monster in himself, that's inside all of us."

"We made connections between the monsters created by war and the monsters he created, the typical outcast that Whale was attracted to, and the monster in himself, that's inside all of us."

Bill Condon, American Director

12

"It is not I who become addicted, it is my body."

"It is not I who become addicted, it is my body."

Jean Cocteau, French Director

12

"He looked like such a Republican. He dressed like Pee-Wee Herman. But had I known what he had done when I was reading about him, I might have thought different."

"He looked like such a Republican. He dressed like Pee-Wee Herman. But had I known what he had done when I was reading about him, I might have thought different."

Matthew Bright, American Director

Reading, Thought, Republican

12

"Once you have heard a strange audience burst into laughter at a film you directed, you realize what the word joy is all about."

"Once you have heard a strange audience burst into laughter at a film you directed, you realize what the word joy is all about."

Chuck Jones, American Director

Film, Joy, Laughter, Word

12

"We can do things that we never could before. Stop-motion lets you build tiny little worlds, and computers make that world even more believable."

"We can do things that we never could before. Stop-motion lets you build tiny little worlds, and computers make that world even more believable."

Nick Park, British Director

Computer, Computers, World

12

"I had very strong feelings, so the chance to make a film that deals in an imaginative way with stuff you care tremendously about is a real high. It's a really amazing thing to be able to do."

"I had very strong feelings, so the chance to make a film that deals in an imaginative way with stuff you care tremendously about is a real high. It's a really amazing thing to be able to do."

Jonathan Demme, American Director

Emotional, Feelings, Care, Chance, Deals

12

"An actor is never so great as when he reminds you of an animal - falling like a cat, lying like a dog, moving like a fox."

"An actor is never so great as when he reminds you of an animal - falling like a cat, lying like a dog, moving like a fox."

Francois Truffaut, French Director

12

"Understand that sexuality is as wide as the sea. Understand that your morality is not law. Understand that we are you. Understand that if we decide to have sex whether safe, safer, or unsafe, it is our decision and you have no rights in our lovemaking."

"Understand that sexuality is as wide as the sea. Understand that your morality is not law. Understand that we are you. Understand that if we decide to have sex whether safe, safer, or unsafe, it is our decision and you have no rights in our lovemaking."

Derek Jarman, British Director

Sex, Morality, Decision, Rights

12

"There's so few people in this town with a conscience."

"There's so few people in this town with a conscience."

Blake Edwards, American Director

People, Conscience

12

"The Opera was a very cold film, a hopeless and dark film, no hope, no love."

"The Opera was a very cold film, a hopeless and dark film, no hope, no love."

Dario Argento, Italian Director

Love, Hope, Film, Opera

12

"If government and media and all of us in the Australian tribe got together, and the rock industry, we'd just be the greatest cultural force the world has ever seen - we're such an amazing race."

"If government and media and all of us in the Australian tribe got together, and the rock industry, we'd just be the greatest cultural force the world has ever seen - we're such an amazing race."

Yahoo Serious, Australian Director

Government, Force, Media, Race

12

"IBM was the original contractor for much of the computer interface design on the film."

"IBM was the original contractor for much of the computer interface design on the film."

Douglas Trumbull, American Director

Design, Computer, Film

12

"There's nothing more difficult to do than comedy."

"There's nothing more difficult to do than comedy."

Robert Evans, American Director

Comedy, Nothing

12

"I'm terrible at horror movies, by the way. I get scared so easily."

"I'm terrible at horror movies, by the way. I get scared so easily."

Oliver Stone, American Director

12

"Whenever a situation develops to its extreme, it is bound to turn around and become its opposite."

"Whenever a situation develops to its extreme, it is bound to turn around and become its opposite."

Frank Capra, American Director

Transformation, Extreme

12

"After Lock, Stock, all these really nasty small town characters came knocking at my door trying to tell me stories, and somehow I ended up with this guy whose brother was feeding people to pigs, and that's what he did to get rid of people."

"After Lock, Stock, all these really nasty small town characters came knocking at my door trying to tell me stories, and somehow I ended up with this guy whose brother was feeding people to pigs, and that's what he did to get rid of people."

Guy Ritchie, British Director

Family, Brother, People, Trying

12

"You walk through a series of arches, so to speak, and then, presently, at the end of a corridor, a door opens and you see backward through time, and you feel the flow of time, and realize you are only part of a great nameless procession."

"You walk through a series of arches, so to speak, and then, presently, at the end of a corridor, a door opens and you see backward through time, and you feel the flow of time, and realize you are only part of a great nameless procession."

John Huston, American Director

12

"At those times I got into... I suppose you call it a rut. I used to do comedy, comedy, comedy and I suddenly thought I ought to break away from this somehow."

"At those times I got into... I suppose you call it a rut. I used to do comedy, comedy, comedy and I suddenly thought I ought to break away from this somehow."

Val Guest, British Director

Thought, Comedy

12

"I have come to know Bugs so well that I no longer have to think about what he is doing in any situation."

"I have come to know Bugs so well that I no longer have to think about what he is doing in any situation."

Chuck Jones, American Director

Creativity, Bugs

12

"I got a nomination for director, which means the world to me; it's just the most exciting thing for me and my family. You do the good hard work, and the rest of it is something you shouldn't get too caught up in, but when it happens - boy! I respect it."

"I got a nomination for director, which means the world to me; it's just the most exciting thing for me and my family. You do the good hard work, and the rest of it is something you shouldn't get too caught up in, but when it happens - boy! I respect it."

David O. Russell, American Director

Family, Work, Hardwork, Respect

12

"People in misery is what most important in art."

"People in misery is what most important in art."

Zhang Yimou, Chinese Director

Art, People, Misery

12

"When I became the chair of the British Film Institute, I didn't understand how much of my time would be taken up with trying to make a case for the British Film Institute: what it's for, why it exists, why it needs its money."

"When I became the chair of the British Film Institute, I didn't understand how much of my time would be taken up with trying to make a case for the British Film Institute: what it's for, why it exists, why it needs its money."

Anthony Minghella, British Director

Money, Time, Film, Needs

12

"You make the movie through the cinematography - it sounds quite a simple idea, but it was like a huge revelation to me."

"You make the movie through the cinematography - it sounds quite a simple idea, but it was like a huge revelation to me."

Nicolas Roeg, English Director

Creativity, Idea

12

"I am scared easily, here is a list of my adrenaline - production: 1: small children, 2: policemen, 3: high places, 4: that my next movie will not be as good as the last one."

"I am scared easily, here is a list of my adrenaline - production: 1: small children, 2: policemen, 3: high places, 4: that my next movie will not be as good as the last one."

Alfred Hitchcock, English Director

Family, Children, Will

12

"We want the best actor, and that's why Matt Damon worked so well in this role, because he's a great actor."

"We want the best actor, and that's why Matt Damon worked so well in this role, because he's a great actor."

Bobby Farrelly, American Director

12

"I watched a couple of really bad directors work, and I saw how they completely botched it up and missed the visual opportunities of the scene when we had put things in front of them as opportunities. Set pieces, props and so on."

"I watched a couple of really bad directors work, and I saw how they completely botched it up and missed the visual opportunities of the scene when we had put things in front of them as opportunities. Set pieces, props and so on."

James Cameron, American Director

12

"I don't make films to win prizes. I make films to make films."

"I don't make films to win prizes. I make films to make films."

Norman Jewison, Canadian Director

12

"I got involved with an acting school and studied for a couple years. They used to have improv exercises that you would work on and you would do improvs."

"I got involved with an acting school and studied for a couple years. They used to have improv exercises that you would work on and you would do improvs."

Barry Levinson, American Director

Work, Acting, School, Years

12

"British actors behave like Europeans; they are also extremely well trained."

"British actors behave like Europeans; they are also extremely well trained."

Jean-Jacques Annaud, French Director

12

"We really want to see how the idea of an intellectual action movie is received by the world."

"We really want to see how the idea of an intellectual action movie is received by the world."

Larry Wachowski, American Director

Creativity, Idea, Action, Want, World

12

"Technical skill counts for nothing if it is used only to manufacture films which have little to do with humanity."

"Technical skill counts for nothing if it is used only to manufacture films which have little to do with humanity."

Edward Dmytryk, American Director

Humanity, Nothing, Skill

12

"You have to show violence the way it is. If you don't show it realistically, then that's immoral and harmful. If you don't upset people, then that's obscenity."

"You have to show violence the way it is. If you don't show it realistically, then that's immoral and harmful. If you don't upset people, then that's obscenity."

Roman Polanski, French Director

People, Violence

12

"My idea at this time, which was slowly developing, was to create a comedie humaine with little people, average people - samples from every period in American life."

"My idea at this time, which was slowly developing, was to create a comedie humaine with little people, average people - samples from every period in American life."

Douglas Sirk, German Director

Life, Time, People, Idea

12

"I have always believed that there is a need for life-affirming films."

"I have always believed that there is a need for life-affirming films."

Anthony Minghella, British Director

12

"What's really exciting for me is communicating to other people and not just going somewhere to make a movie. That's Hollywood to me and it would mean nothing."

"What's really exciting for me is communicating to other people and not just going somewhere to make a movie. That's Hollywood to me and it would mean nothing."

Alejandro Amenabar, Spanish Director

People, Hollywood, Nothing

12

"I wouldn't mind taking a rest for three or four months, but I have to keep on making films for the sake of my crew, who just wait for the next film because they're not on a fixed salary."

"I wouldn't mind taking a rest for three or four months, but I have to keep on making films for the sake of my crew, who just wait for the next film because they're not on a fixed salary."

Satyajit Ray, Indian Director

Film, Mind, Months, Rest

12

"I was getting frustrated with America. It's interesting how as simple a thing as, like, letting your hair grow longer changed in the world in those days."

"I was getting frustrated with America. It's interesting how as simple a thing as, like, letting your hair grow longer changed in the world in those days."

Terry Gilliam, American Director

Nostalgia, America, Hair, World

12

"My Aunt Minnie would always be punctual and never hold up production, but who would pay to see my Aunt Minnie?"

"My Aunt Minnie would always be punctual and never hold up production, but who would pay to see my Aunt Minnie?"

Billy Wilder, American Director

Entertainment, Production

12

"You have no idea how fragile an actor's self-worth is."

"You have no idea how fragile an actor's self-worth is."

Elia Kazan, American Director

Creativity, Idea, Actor, Self

12

"I loved the idea of Travolta sitting on the kid's swing, pining away for his girlfriend."

"I loved the idea of Travolta sitting on the kid's swing, pining away for his girlfriend."

Randal Kleiser, American Director

Creativity, Idea, Girlfriend

12

"All my movies are difficult to classify because they are very eclectic in mixing genres."

"All my movies are difficult to classify because they are very eclectic in mixing genres."

Pedro Almodovar, Spanish Director

12

"I look at other filmmakers and see skills in them that I wish I had but I know that I don't. I feel like I have to work really hard to keep myself afloat, doing what I do. But I find it pleasurable."

"I look at other filmmakers and see skills in them that I wish I had but I know that I don't. I feel like I have to work really hard to keep myself afloat, doing what I do. But I find it pleasurable."

Steven Soderbergh, American Director

12

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