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Miroslav Vitous

"I continued studying by myself in the field of jazz with my own technique of improvisation, walking bass lines, rhythms, all kinds of stuff, which I created for myself."

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"I continued studying by myself in the field of jazz with my own technique of improvisation, walking bass lines, rhythms, all kinds of stuff, which I created for myself."

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A.E. Samaan

"Jazz was more of a tool for me to use to enhance my musicality."

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A.E. Samaan

"That's the exact concept behind the music: to take that kind of, I guess whatever you want to call it, jazz sensibility - but not have it be about solos."

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A.E. Samaan

"If you play jazz, then you play with your fingers. If you're playing rock, you use a pick. There's really no rhyme or reason to that other than that's just the way it has been."

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A.E. Samaan

"You need better technique than I have to play jazz, but what you have to do is the same thing, isn't it?"

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A.E. Samaan

"I think Wes Montgomery is the greatest jazz guitarist that ever lived."

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A.E. Samaan

"Personally, I think young musicians need to learn to play more than one style. Jazz can only enhance the classical side, and classical can only enhance the jazz. I started out playing classical, because you have to have that as a foundation."

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A.E. Samaan

"Jazz has an audience all around the globe and has had for many decades, I think speaking of the United States, let's say that what we need is more of an official recognition."

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A.E. Samaan

"I've played with all of the heavyweights in the modern jazz, progressive jazz movement. I've been fortunate enough to play with them, a who's who. All of those guys, I've been fortunate enough to have performed with."

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A.E. Samaan

"I'm a freak, everything has to be totally flat when I play. Ed Will, my jazz teacher, set up everything completely flat, and then you'd tilt your snare drum away from you, so I do that too. So my snare tilts away from me."

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A.E. Samaan

"Clifford Brown was in the jazz circles considered to be probably the greatest trumpet player who ever lived."

Explore more quotes by Miroslav Vitous

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Miroslav Vitous
"I basically started playing violin at the age of six. That lasted about three years because my previous teacher died and the second teacher didn't really know how to successfully get me going."
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Miroslav Vitous
"I thought it was time to get a group together and the first person I thought of was Wayne Shorter. I called Wayne and in the meantime, Wayne called me to make an album with him, which was Super Nova."
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Miroslav Vitous
"I actually met Chick Corea in New York, where I was staying with a bass player friend."
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Miroslav Vitous
"There was the best teachers from the Czech Philharmonic, highly dedicated people, some of the best musicians in the world passing on the knowledge about the country, about the principles, and about the music."
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Miroslav Vitous
"I was very much fascinated with the technology we had that we could edit in the computer our compositions, but all the sounds that were available on the market were crap."
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Miroslav Vitous
"So I am one of those bass players who can do something and musically, it was back then and now it is even more, if you noticed on the new album, I am not playing all the time anymore."
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Miroslav Vitous
"The main thing that those two albums have in common aside from my music, which of course, a sense of it, you can recognize, it is that the bass on Infinite Search was playing much, much less like a bass."
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Miroslav Vitous
"That was really so upsetting when you are trying to pass on some very serious knowledge and be basically, treated worse than a student coming off the street because his father pays the tuition. Come on. Give me a break. This is no school. This is a joke."
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Miroslav Vitous
"I had a vision how it should sound and I put all my knowledge into this product and it is a fantastic product. People still tell me that I have the best musical thing there."
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Miroslav Vitous
"The money in the schools overpowers the principles of the purpose."
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