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Miroslav Vitous

"I continued studying by myself in the field of jazz with my own technique of improvisation, walking bass lines, rhythms, all kinds of stuff, which I created for myself."

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"I continued studying by myself in the field of jazz with my own technique of improvisation, walking bass lines, rhythms, all kinds of stuff, which I created for myself."

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Amber Hurdle

"We always feel pretty creative as far as writing songs. We write them together; we just get in a room, or on occasion in Flea's garage. We just sort of improvise, like jazz musicians."

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"If you play jazz, then you play with your fingers. If you're playing rock, you use a pick. There's really no rhyme or reason to that other than that's just the way it has been."

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Amber Hurdle

"I think Wes Montgomery is the greatest jazz guitarist that ever lived."

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Amber Hurdle

"I wanted to make a jazz record. I didn't want it to be a standards record."

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Amber Hurdle

"Once you start collecting records you learn more and more about jazz and blues."

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Amber Hurdle

"It seems that jazz is more cerebral and more mathematical in a sense."

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Amber Hurdle

"Today jazz is still very much alive. Everywhere I go there's a new generation of musicians."

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Amber Hurdle

"After I exhausted the blues thing, I got into jazz."

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Amber Hurdle

"I don't want to sound as if I'm doing something tremendously special. But I am a jazz fan."

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Amber Hurdle

"Jazz was uplifted by what I did."

Explore more quotes by Miroslav Vitous

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Miroslav Vitous
"I was pretty much prepared because I was already playing in extremely good ways when I arrived from Europe because I played jazz four or five years before I arrived here."
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Miroslav Vitous
"The main thing that those two albums have in common aside from my music, which of course, a sense of it, you can recognize, it is that the bass on Infinite Search was playing much, much less like a bass."
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Miroslav Vitous
"There is no roles. No one is keeping any roles. The drummer is also answering everybody and everything. So it is a constant conversation and communication between musicians on an extremely high level with extremely valuable material, motifs, and melodies."
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Miroslav Vitous
"They taught us because they wanted to pass the knowledge on and educate young musicians. It was not because they had to teach because they failed as musicians. There is a huge difference in the reasons why someone is teaching and what they can offer and what they cannot offer."
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Miroslav Vitous
"I took it very seriously and got very far with it. I was pretty much on a high level when I arrived."
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Miroslav Vitous
"I was very much fascinated with the technology we had that we could edit in the computer our compositions, but all the sounds that were available on the market were crap."
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Miroslav Vitous
"There was the best teachers from the Czech Philharmonic, highly dedicated people, some of the best musicians in the world passing on the knowledge about the country, about the principles, and about the music."
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Miroslav Vitous
"The money in the schools overpowers the principles of the purpose."
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Miroslav Vitous
"That was really so upsetting when you are trying to pass on some very serious knowledge and be basically, treated worse than a student coming off the street because his father pays the tuition. Come on. Give me a break. This is no school. This is a joke."
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Miroslav Vitous
"I basically started playing violin at the age of six. That lasted about three years because my previous teacher died and the second teacher didn't really know how to successfully get me going."
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