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"I'm a freak, everything has to be totally flat when I play. Ed Will, my jazz teacher, set up everything completely flat, and then you'd tilt your snare drum away from you, so I do that too. So my snare tilts away from me."
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"Personally, I think young musicians need to learn to play more than one style. Jazz can only enhance the classical side, and classical can only enhance the jazz. I started out playing classical, because you have to have that as a foundation."

"My roots and Victor's are jazz, basically, but these two young fellows that we have with us come out of rock bands. And they're tremendously exciting players."
Jazz,

"I stayed with them for about a year up there and, at night, worked over in Long Island at a club called The High Hat Club which was like a pseudo jazz / blues place."

"Well I went to New Orleans to cover the jazz festival for Trio, it's this new arts channel, it's really great."
Jazz,

"For years, Jazz At The Philharmonic albums were the only ones of their kind."

"As a kid, I used to go see all the jazz players, Oscar Peterson, Stan Kenton, Dave Brubeck, Dizzy Gillespe."
Jazz,
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"And I was in another band called Flash In The Pan, which was soca, Latin music, down in Laguna Beach."


"In junior high, I sang in madrigals, men's' and women's' choir. I played piano too, but then I got out of it."


"I was playing with the Aquabats, and then I quit to join a band called Suicide Machine in Detroit."


"I used to have friends come on tour and work as my drum tech, but they get bummed out when I have to tell them what to do. This time I'm just going to fly them out and let them hang. It's all good."


"Then I tried out for the Fontana High School drum line, in Riverside, and I did really well. I got second chair, and played snare in that drum line for three years."


"I learned the songs and played the gigs, and then they called me about a month later. They told me they were like super stoked on me and asked me to join their band."
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