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Bill Bruford

"I have been steadily exchanging a rock audience who were nervous about what they had just bought for a jazz audience who not only were happy with their purchase, but are increasingly coming again."

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"I have been steadily exchanging a rock audience who were nervous about what they had just bought for a jazz audience who not only were happy with their purchase, but are increasingly coming again."

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Amber Hurdle

"Writing is like jazz. It can be learned, but it can't be taught."

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Amber Hurdle

"I haven't a great jazz band, and I don't want one."

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Amber Hurdle

"We always feel pretty creative as far as writing songs. We write them together; we just get in a room, or on occasion in Flea's garage. We just sort of improvise, like jazz musicians."

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Amber Hurdle

"If you play jazz, then you play with your fingers. If you're playing rock, you use a pick. There's really no rhyme or reason to that other than that's just the way it has been."

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Amber Hurdle

"I think Wes Montgomery is the greatest jazz guitarist that ever lived."

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Amber Hurdle

"I wanted to make a jazz record. I didn't want it to be a standards record."

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Amber Hurdle

"Once you start collecting records you learn more and more about jazz and blues."

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Amber Hurdle

"Well, I guess my unease with that is... I'm always a little uneasy with that phrase - smooth jazz, as opposed to what?"

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Amber Hurdle

"I've been saying for almost 20 years that I need to do a jazz project and it ought to be either big band or I should do some jazz songs with a trio or quartet."

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Amber Hurdle

"Most of the stuff I learned to play, I learned in high school. I had a band in high school, a jazz-fusion thing, and I was the keyboard player. I was interested in how the instruments worked and the theory behind playing with them."

Explore more quotes by Bill Bruford

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Bill Bruford
"We used to drink an awful lot of alcohol."
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Bill Bruford
"This amateurism however, can sometimes be helpful in forging a style; you have to work around your weaknesses."
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Bill Bruford
"Close to the Edge, Red, One of a kind, Discipline, Earthworks, The Sound of Surprise, all seem to me to be albums that captured the essence of the intention."
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Bill Bruford
"We were from totally different social backgrounds. This is what is very hard for an American to understand, but we could have been five guys from Mars."
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Bill Bruford
"My harmony is passable but is usually made more eloquent at the hands of Steve Hamilton."
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Bill Bruford
"We all lived in the same house, or most of us did. And as far as I can make out we were confined to the property, because at twenty-four hours' notice we'd have to do a gig somewhere. So you couldn't leave the building for more than twelve hours in case a gig came through."
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Bill Bruford
"I mean, Chris is, I'm sure, a wonderful guy. But in those days he also very, very late. For all appointments and departures and arrivals and sound checks and anything."
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Bill Bruford
"And I like messing around in the engine room of music. Seeing what happens in the rhythm section area."
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Bill Bruford
"I saw it as a challenge to play with Pat and we put hours and hours into it, usually on the bus. The trick was to find something that we both wanted to play within our different styles which would add up to being greater than the sum of its parts."
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Bill Bruford
"I don't really remember a whole lot of sex, drugs and rock n' roll, really."
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