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Miroslav Vitous

"So our ears got used to listening to jazz in the place that it was that the bass player could not play. No one really realized it and really addressed it until the bass players who could play their instrument came along and started doing something with it."

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"So our ears got used to listening to jazz in the place that it was that the bass player could not play. No one really realized it and really addressed it until the bass players who could play their instrument came along and started doing something with it."

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A.E. Samaan

"Jazz was more of a tool for me to use to enhance my musicality."

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Personal Development

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A.E. Samaan

"That's the exact concept behind the music: to take that kind of, I guess whatever you want to call it, jazz sensibility - but not have it be about solos."

Author Name

Personal Development

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A.E. Samaan

"If you play jazz, then you play with your fingers. If you're playing rock, you use a pick. There's really no rhyme or reason to that other than that's just the way it has been."

Author Name

Personal Development

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A.E. Samaan

"You need better technique than I have to play jazz, but what you have to do is the same thing, isn't it?"

Author Name

Personal Development

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A.E. Samaan

"I think Wes Montgomery is the greatest jazz guitarist that ever lived."

Author Name

Personal Development

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A.E. Samaan

"Personally, I think young musicians need to learn to play more than one style. Jazz can only enhance the classical side, and classical can only enhance the jazz. I started out playing classical, because you have to have that as a foundation."

Author Name

Personal Development

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A.E. Samaan

"Jazz has an audience all around the globe and has had for many decades, I think speaking of the United States, let's say that what we need is more of an official recognition."

Author Name

Personal Development

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A.E. Samaan

"I've played with all of the heavyweights in the modern jazz, progressive jazz movement. I've been fortunate enough to play with them, a who's who. All of those guys, I've been fortunate enough to have performed with."

Author Name

Personal Development

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A.E. Samaan

"I'm a freak, everything has to be totally flat when I play. Ed Will, my jazz teacher, set up everything completely flat, and then you'd tilt your snare drum away from you, so I do that too. So my snare tilts away from me."

Author Name

Personal Development

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A.E. Samaan

"Clifford Brown was in the jazz circles considered to be probably the greatest trumpet player who ever lived."

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Personal Development

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Miroslav Vitous
"I basically started playing violin at the age of six. That lasted about three years because my previous teacher died and the second teacher didn't really know how to successfully get me going."

Age

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Miroslav Vitous
"There was the best teachers from the Czech Philharmonic, highly dedicated people, some of the best musicians in the world passing on the knowledge about the country, about the principles, and about the music."

Music

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Miroslav Vitous
"The main thing that those two albums have in common aside from my music, which of course, a sense of it, you can recognize, it is that the bass on Infinite Search was playing much, much less like a bass."

Music

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Miroslav Vitous
"I had a vision how it should sound and I put all my knowledge into this product and it is a fantastic product. People still tell me that I have the best musical thing there."

People

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Miroslav Vitous
"The money in the schools overpowers the principles of the purpose."

Money

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Miroslav Vitous
"But I have returned to one hundred percent playing this year. I am fully back to playing full time."

Time

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Miroslav Vitous
"I am touring in Europe. I am putting together a trio and a quartet. I am playing solo concerts with my symphonic sounds. I am very much engaged back to playing and recording and everything."

Europe

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Miroslav Vitous
"There is no roles. No one is keeping any roles. The drummer is also answering everybody and everything. So it is a constant conversation and communication between musicians on an extremely high level with extremely valuable material, motifs, and melodies."

Communication

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Miroslav Vitous
"So our ears got used to listening to jazz in the place that it was that the bass player could not play. No one really realized it and really addressed it until the bass players who could play their instrument came along and started doing something with it."

Jazz

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Miroslav Vitous
"I took it very seriously and got very far with it. I was pretty much on a high level when I arrived."

Pretty

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