Loading...
"For Sabina, living in truth, lying neither to ourselves nor to others, was possible only away from the public: the moment someone keeps an eye on what we do, we involuntarily make allowances for that eye, and nothing we do is truthful. Having a public, keeping a public in mind, means living in lies."
"For the first time in his life, sex is located away from all danger, away from conflict and drama, away from persecution, away from any accusation, away from worries; he has nothing to take care of, love is taking care of him, love as he's always wanted it and never had it: love-repose; love-oblivion; love-desertion; love-carefreeness; love-meaningless."
"Revolution in Love'. Can you tell me what you mean by that? Do you want free love as against bourgeois marriage, or monogamy as against bourgeois promiscuity?"
"The situation is very slightly solemn and thus embarrassing, as are all such situations when after the initial lovemaking, the lovers confront a future they are suddenly required to take on."
"If we cannot accept the importance of the world, which considers itself important, if in the midst of that world our laughter finds no echo, we have but one choice: to take the world as a whole and make it the object of our game; to turn it into a toy."
"The unification of the planet's history, that humanist dream which God has spitefully allowed to come true, has been accompanied by a process of dizzying reduction. True, the termites of reduction have always gnawed away at life: even the greatest love ends up as a skeleton of feeble memories. But the character of modern society hideously exacerbates this curse: it reduces man's life to its social function; the history of a people to a small set of events that are themselves reduced to a tendentious interpretation; social life is reduced to political struggle, and that in turn to the confrontation of just two great global powers."
"For there is nothing heavier than compassion. Not even one's own pain weighs so heavy as the pain one feels with someone, for someone, a pain intensified by the imagination and prolonged by a hundred echoes."
"The old duality of body and soul has become shrouded in scientific terminology, and we can laugh at it as merely an obsolete prejudice.But just make someone who has fallen in love listen to his stomach rumble, and the unity of body and soul, that lyrical illusion of the age of science, instantly fades away."
"Mysticism and exaggeration go together. A mystic must not fear ridicule if he is to push all the way to the limits of humility or the limits of delight."
"The beauty of New York rests on a completely different base. It's unintentional. It arose independent of human design, like a stalagmitic cavern. Forms which are in themselves quite ugly turn up fortuitously, without design, in such incredible surroundings that they sparkle with a sudden wondrous poetry."
"They were ready to sell people a future in exchange for their past... They wanted to compel him to cast his life away and become a shadow, a man without past, an actor without a role, and turn even his castaway life, even the role the actor had abandoned, into a shadow. Having turned him into a shadow, they would let him live."
"She admired her passion, knowing that passion is by definition excessive."
"Dogs do not have many advantages over people, but one of them is extremely important: euthanasia is not forbidden by law in their case; animals have the right to a merciful death."
"I understand you, and I shall not attempt to make you change your mind. I am too old to want to improve the world. I have told you what I think, and that is all. I shall remain your friend even if you act contrary to my convictions, and I shall help you even if I disagree with you."
"For it is clear immediately: human life as such is a defeat. All we can do in the face of that ineluctable defeat called life is to try to understand it. That - that is the raison d'Aatre of the art of the novel."
"The meaning did not precede the dream; the dream preceded the meaning. So the way to read the tale is to let the imagination carry one along. Not, above all, as a rebus to be decoded."
"What drove such people to their sinister occupations? Spite? Certainly, but also the desire for order. Because the desire for order tries to transform the human world into an inorganic reign in which everything goes well, everything functions as a subject of an impersonal will. The desire for order is at the same time a desire for death, because life is a perpetual violation of order. Or, inversely, the desire for order is a virtuous pretext by which man's hatred for man justifies its crimes."
"Darling, my darling, don't think that I don't love you or that I didn't love you, but it's precisely because I love you that I couldn't have become what I am today if you were still here. It's impossible to have a child and despise the world as it is, because that's the world we've put the child into. The child makes us care about the world, think about it's future, willingly join in its racket and its turmoils, take its incurable stupidity seriously."
"I've always had the sense that my life is run by other people. Except for a few years after Martin died. Those were the toughest years, I was alone with my children, I had to cope by myself. Complete poverty. You won't believe this, but nowadays when I look back, those are my happiest years."
"Looking out over the courtyard at the dirty walls, he realized he had no idea whether it was hysteria or love."
"Tereza's mother never stopped reminding her that being a mother meant sacrificing everything. Her words had the ring of truth, backed as they were by the experience of a woman who had lost everything because of her child. Tereza would listen and believe that being a mother was the highest value in life and that being a mother was a great sacrifice. If a mother was Sacrifice personified, then a daughter was Guilt, with no possibility of redress."
"And therein lies the whole of man's plight. Human time does not turn in a circle, it runs ahead in a straight line. That is why man cannot be happy: happiness is the longing for repetition."
"Anyone whose goal is 'something higher' must expect someday to suffer vertigo. What is vertigo? Fear of falling? No, Vertigo is something other than fear of falling. It is the voice of the emptiness below us which tempts and lures us, it is the desire to fall, against which, terrified, we defend ourselves."
"Youth is terrible: it is a stage trod by children in buskins and a variety of costumes mouthing speeches they've memorized and fanatically believe but only half understand. And history is terrible because it so often ends up a playground for the immature; a playground for the young Nero, a playground for the young Bonaparte, a playground for the easily roused mobs of children whose simulated passions and simplistic poses suddenly metamorphose into a catastrophically real reality."
"Does he love me? Does he love anyone more than me? Does he love me more than I love him? Perhaps all the questions we ask of love, to measure, test, probe, and save it, have the additional effect of cutting it short. Perhaps the reason we are unable to love is that we yearn to be loved, that is, we demand something (love) from our partner instead of delivering ourselves up to him demand-free and asking for nothing but his company."
"How was she to reconcile men's desire with the desire to be beautiful in their eyes? At first she had tried for a compromise (desperate journeys abroad, where nobody knew her and no indiscretion could betray her); then, later on, she had gone radical and sacrificed her erotic life to her beauty."
"I cannot hate them because nothing binds me to them, I have nothing in common with them."
"Agnes subtracts from her self everything that is exterior and borrowed, in order to come closer to her sheer essence (even with the risk that zero lurks at the bottom of the subtraction). Laura's method is precisely the opposite: in order to make her self ever more visible, perceivable, seizable, sizeable, she keeps adding to it more and more attributes and she attempts to identify herself with them (with the risk that the essence of the self may be buried by the additional attributes)."
"Tomas did not realize at the time that metaphors are dangerous. Metaphors are not to be trifled with. A single metaphor can give birth to love."
"Humanity's true moral test, its fundamental test consists of its attitude towards those who are at its mercy: animals."
"Indeed, the only truly serious questions are ones that even a child can formulate. Only the most naive of questions are truly serious. They are the questions with no answers. A question with no answer is a barrier that cannot be breached. In other words, it is questions with no answers that set the limit of human possibilities, describe the boundaries of human existence."
"Fortunately, I read (the books) without knowing what I was in for, and the best thing that can ever happen to a reader happened to me: I loved something that, by conviction (or by my nature) I should not have loved."
"That conversation with the taxi driver suddenly made clear to me the essence of the writer's occupation. We write books because our children aren't interested in us. We address ourselves to an anonymous world because our wives plug their ears when we speak to them."