Flannery O'Connor, the acclaimed American author, left an indelible legacy with her Southern Gothic tales that probed the depths of human nature and redemption. With unflinching honesty and theological depth, O'Connor explored the complexities of faith and morality against the backdrop of the American South, earning her widespread acclaim as one of the foremost writers of the 20th century.
"The type of mind that can understand good fiction is not necessarily the educated mind, but it is at all times the kind of mind that is willing to have its sense of mystery deepened by contact with reality, and its sense of reality deepened by contact with mystery."
"When you can assume that your audience holds the same beliefs you do, you can relax and use more normal means of talking to it; when you have to assume that it does not, then you have to make your vision apparent by shock -- to the hard of hearing you shout, and for the almost-blind you draw large and startling figures."
"The fiction writer has to engage in a continual examination of conscience. He has to be aware of the freak in himself."
"In the last twenty years the colleges have been emphasizing creative writing to such an extent that you almost feel that any idiot with a nickel's worth of talent can emerge from a writing class able to write a competent story. In fact, so many people can now write competent stories that the short story as a medium is in danger of dying of competence. We want competence, but competence by itself is deadly. What is needed is the vision to go with it, and you do not get this from a writing class."
"It is when the individual's faith is weak, not strong, that he will be afraid of an honest fictional representation of life; and when there is a tendency to compartmentalize the spiritual and make it resident in a certain type of life only, the supernatural is apt gradually to be lost."
"The writer who position is Christian, and probably also the writer whose position is not, will begin to wonder at this point if there could not be some ugly correlation between our unparalleled prosperity and the stridency of these demands for a literature that shows us the joy of life. He may at least be permitted to ask if these screams for joy would be quite so piercing if joy were really more abundant in our prosperous society."
"Dogma is the guardian of mystery. The doctrines are spiritually significant in ways that we cannot fathom."
"No one can be an atheist who does not know all things. Only God is an atheist."
"The thing you do with a boy it is to show him all the to show. Don't hold nothing back."
"I once received a letter from an old lady in California who informed me that when the tired reader comes home at night, he wishes to read something that will lift up his heart. And it seems her heart had not been lifted up by anything of mine she had read. I think that if her heart had been in the right place, it would have been lifted up."
"The basic experience of everyone is the experience of human limitation."
"He had a winning smile and it was evident that he didn't think he was any better than anybody else even though he was."
"It's always wrong of course to say that you can't do this or you can't do that in fiction. You can do anything you can get away with, but nobody has ever gotten away with much."
"The operation of the Church is entirely set up for the sinner; which creates much misunderstanding among the smug."
"If you live today, you breath in nihilism ... it's the gas you breathe. If I hadn't had the Church to fight it with or to tell me the necessity of fighting it, I would be the stinkingest logical positivist you ever saw right now."
"Everywhere I go I'm asked if I think the university stifles writers. My opinion is that they don't stifle enough of them. There's many a best-seller that could have been prevented by a good teacher."
"Where you come from is gone, where you thought you were going to never was there, and where you are is no good unless you can get away from it."
"The Catholic novelist in the South will see many distorted images of Christ, but he will certainly feel that a distorted image of Christ is better than no image at all. I think he will feel a good deal more kinship with backwoods prophets and shouting fundamentalists than he will with those politer elements for whom the supernatural is an embarrassment and for whom religion has become a department of sociology or culture or personality development."
"For nearly two centuries the popular spirit of each succeeding generation has tended more and more to the view that the mysteries of life will eventually fall before the mind of man. Many modern novelists have been more concerned with the processes of consciousness than with the objective world outside the mind. In twentieth-century fiction it increasingly happens that a meaningless, absurd world impinges upon the sacred consciousness of author or character; author and character seldom now go out to explore and penetrate a world in which the sacred is reflected."
"Our spiritual character is formed as much by what we endure and what is taken from us as it is by our achievements and our conscious choices."
"You shall know the truth and the truth shall make you odd."
"You have to quit confusing a madness with a mission."
"If other ages felt less, they saw more, even though they saw with the blind, prophetical, unsentimental eye of acceptance, which is to say, of faith. In the absence of this faith now, we govern by tenderness. It is a tenderness which, long cut off from the person of Christ, is wrapped in theory. When tenderness is detached from the source of tenderness, its logical outcome is terror. It ends in forced-labor camps and in the fumes of the gas chamber."
"Writing a novel is a terrible experience, during which the hair often falls out and the teeth decay."
"For me it is the virgin birth, the Incarnation, the resurrection which are the true laws of the flesh and the physical. Death, decay, destruction are the suspension of these laws. I am always astonished at the emphasis the Church puts on the body. It is not the soul she says that will rise but the body, glorified."
"There is a great tendency today to want everybody to write just the way everybody else does, to see and to show the same things in the same way to the same middling audience. But the writer, in order best to use the talents he has been given, has to write at his own intellectual level. For him to do anything else is to bury his talents. This doesn't mean that, within his limitations, he shouldn't try to reach as many people as possible, but it does mean that he must not lower his standards to do so."
"If you do the same thing every day at the same time for the same length of time you'll save yourself from many a sink. Routine is a condition of survival."
"He had measured five feet four inches of pure gamecock."
"Your beliefs will be the light by which you see, but they will not be what you see and they will not be a substitute for seeing."
"The old woman was the kind who would not cut down a large old tree because it was a large old tree."
"Those who are long on logic, definitions, abstractions, and formulas are frequently short on a sense of the concrete."
"Remember that you don't write a story because you have an idea but because you have a believable character."
"I don't deserve any credit for turning the other cheek as my tongue is always in it."
"There is no excuse for anyone to write fiction for public consumption unless he has been called to do so by the presence of a gift. It is the nature of fiction not to be good for much unless it is good in itself."
"The sorry religious novel comes about when the writer supposes that because of his belief, he is somehow dispensed from the obligation to penetrate concrete reality. He will think that the eyes of the Church or of the Bible or of his particular theology have already done the seeing for him, and that his business is to rearrange this essential vision into satisfying patterns, getting himself as little dirty in the process as possible."
"I do not like the raw sound of the human voice in unison unless it is under the discipline of music."
"I think it is safe to say that while the South is hardly Christ-centered, it is most certainly Christ-haunted."
"The fiction writer is an observer, first, last, and always, but he cannot be an adequate observer unless he is free from uncertainty about what he sees. Those who have no absolute values cannot let the relative remain merely relative; they are always raising it to the level of the absolute. The Catholic fiction writer is entirely free to observe. He feels no call to take on the duties of God or to create a new universe. He feels perfectly free to look at the one we already have and to show exactly what he sees."
"When people have told me that because I am a Catholic, I cannot be an artist, I have had to reply, ruefully, that because I am a Catholic I cannot afford to be less than an artist."