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"The writer who position is Christian, and probably also the writer whose position is not, will begin to wonder at this point if there could not be some ugly correlation between our unparalleled prosperity and the stridency of these demands for a literature that shows us the joy of life. He may at least be permitted to ask if these screams for joy would be quite so piercing if joy were really more abundant in our prosperous society."
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"So you've been gone a couple days,' Alison said. 'Hmm, what'd you miss...A celebrity did drugs. Politicians disagreed. A different celebrity wore a bikini that revealed a bodily imperfection. A team won a sporting event, but another team lost.' I smiled. 'You can't go disappearing on everybody like this, Hazel. You miss too much."
"A society becomes a breeding ground of violence and terrorism when it closes its door to new ideas and forces the citizens to live in the prison of conforming thoughts."
"Oh shit did you just dis the feminine genderI'll pummel your ass then stick you in a blenderYou think I like Tori and Ani so I can't rhymeBut I got flow like Ghostbusters got slimeObjectify women and it's fuckin' onYou'll be dead and gone like ancient Babylon."
"I was pure, before you defiled me, and don't you forget it. As though the concept of purity is anything more than the construct of selfish, competitive men stampeding toward the women to call dibs. I'll be damned if I'm not worth stampeding toward, but the prize had better be me, hymen or no hymen."
Explore more quotes by Flannery O'Connor
"Our age not only does not have a very sharp eye for the almost imperceptible intrusions of grace, it no longer has much feeling for the nature of the violences which precede and follow them."
"The isolated imagination is easily corrupted by theory, but the writer inside his community seldom has such a problem."
"From 15 to 18 is an age at which one is very sensitive to the sins of others, as I know from recollections of myself. At that age you don't look for what is hidden. It is a sign of maturity not to be scandalized and to try to find explanations in charity."
"Fiction is about everything human and we are made out of dust, and if you scorn getting yourself dusty, then you shouldn't try to write fiction. It's not a grand enough job for you."
"Manners are of such great consequence to the novelist that any kind will do. Bad manners are better than no manners at all, and because we are losing our customary manners, we are probably overly conscious of them; this seems to be a condition that produces writers."
"Most of us have learned to be dispassionate about evil, to look it in the face and find, as often as not, our own grinning reflections with which we do not argue, but good is another matter. Few have stared at that long enough to accept that its face too is grotesque, that in us the good is something under construction. The modes of evil usually receive worthy expression. The modes of good have to be satisfied with a cliche or a smoothing down that will soften their real look."
"He has the mistaken notion that a concern with grace is a concern with exalted human behavior, that it is a pretentious concern. It is, however, simply a concern with the human reaction to that which, instant by instant, gives life to the soul. It is a concern with a realization that breeds charity and with the charity that breeds action. Often the nature of grace can be made plain only by describing its absence."
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