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"It's always wrong of course to say that you can't do this or you can't do that in fiction. You can do anything you can get away with, but nobody has ever gotten away with much."

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"It's always wrong of course to say that you can't do this or you can't do that in fiction. You can do anything you can get away with, but nobody has ever gotten away with much."

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Amber Hurdle

"We do not enjoy a story fully at the first reading."

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Amber Hurdle

"Every healthy person at some period must feed on fiction as well as fact; because fact is a thing which the world gives to him, whereas fiction is a thing which he gives to the world."

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Amber Hurdle

"My only advantage as a reporter is that I am so physically small, so temperamentally unobtrusive, and so neurotically inarticulate that people tend to forget that my presence runs counter to their interests. And it always does. That is one last thing to remember: writers are always selling somebody out."

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Amber Hurdle

"They say Alexander the Great slept with 'The Iliad' beneath his pillow. Though I have never led an army, I am a wanderer. During the waning moon, I cradle Homer's 'Odyssey' as if it were the sweet body of a woman."

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Amber Hurdle

"Shakespeare shook his head and sunk his chin into his ruff, making him look more owl-like than ever. "I have written about other worlds often enough. I have said what I can say. There are many kinds of reality. This is but one kind."

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Amber Hurdle

"Pages entertain me more than pictures do."

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Amber Hurdle

"I think that [William] Faulkner and I each had to escape certain particulars of our lives, and we found salvation through words. I understand the Bible story of Babel so much better now. I think that moments of extremity, desires of escape, lead us to foreign languages--not those learned in schools, but those plucked from the human heart, the searing conditions of isolation. I did not have to be limited to my biography because of words, and I shared this with Faulkner, who invented new words and punctuation and expression and worlds. He utterly reshaped the world."

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Amber Hurdle

"People should decide on the books' meanings for themselves. They'll find a story that attacks such things as cruelty, oppression, intolerance, unkindness, narrow-mindedness, and celebrates love, kindness, open-mindedness, tolerance, curiosity, human intelligence."

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Amber Hurdle

"Come, let's be calm: no one incapable of restraint was ever a writer."

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Amber Hurdle

"The novel is a formidable mass, and it is so amorphous - no mountain in it to climb, no Parnassus or Helicon, not even a Pisgah. It is most distinctly one of the moister areas of literature - irrigated by a hundred rills and occasionally degenerating into a swamp. I do not wonder that the poets despise it, though they sometimes find themselves in it by accident. And I am not surprised at the annoyance of the historians when by accident it finds itself among them."

Explore more quotes by Flannery O'Connor

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"I am not afraid that the book will be controversial, I'm afraid it will not be controversial."
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"To expect too much is to have a sentimental view of life and this is a softness that ends in bitterness."
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"I find that most people know what a story is until they sit down to write one."
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"The writer operates at a peculiar crossroads where time and place and eternity somehow meet. His problem is to find that location."
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"Children know by instinct that hell is an absence of love, and they can pick out theirs without missing."
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"He has the mistaken notion that a concern with grace is a concern with exalted human behavior, that it is a pretentious concern. It is, however, simply a concern with the human reaction to that which, instant by instant, gives life to the soul. It is a concern with a realization that breeds charity and with the charity that breeds action. Often the nature of grace can be made plain only by describing its absence."
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"It is better to be young in your failures than old in your successes."
Old,
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"Fiction operates through the senses, and I think one reason that people find it so difficult to write stories is that they forget how much time and patience is required to convince through the senses. No reader who doesn't actually experience, who isn't made to feel, the story is going to believe anything the fiction writer merely tells him. The first and most obvious characteristic of fiction is that it deals with reality through what can be seen, heard, smelt, tasted, and touched."
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"The writer has no rights at all except those he forges for himself inside his own work. We have become so flooded with sorry fiction based on unearned liberties, or on the notion that fiction must represent the typical, that in the public mind the deeper kinds of realism are less and less understandable."
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"He felt he knew now what time would be like without seasons and what heat would be like without light and what man would be like without salvation. He didn't care if he never made the train and if it had not been for what suddenly caught his attention, like a cry out of the gathering dusk, he might have forgotten there was a station to go to."
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