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Anais Nin

"I stress the expansion and elaboration of language. In simplifying it, reducing it, we reduce the power of our expression and our power to communicate. Standardization, the use of worn-out formulas, impedes communication because it does not match the subtlety of our minds or emotions, the multimedia of our unconscious life."

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"I stress the expansion and elaboration of language. In simplifying it, reducing it, we reduce the power of our expression and our power to communicate. Standardization, the use of worn-out formulas, impedes communication because it does not match the subtlety of our minds or emotions, the multimedia of our unconscious life."

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Amber Hurdle

"Language is fossil poetry. As the limestone of the continent consists of infinite masses of the shells of animalcules, so language is made up of images, or tropes, which now, in their secondary use, have long ceased to remind us of their poetic origin."

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Amber Hurdle

"Homo Americanus is going to go on speaking and writing the way he always has, no matter what dictionary he owns."

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Amber Hurdle

"I want to hear you wound my lovely language with your rough barbarian tongue."

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Amber Hurdle

"English is capable of defining sentiments that the human nervous system is quite incapable of experiencing."

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Amber Hurdle

"There has to be new words to explain new worlds."

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Amber Hurdle

"The dream vocabulary shaves meanings finer and closer than do the world's daytime dictionaries."

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Amber Hurdle

"In my dream, it was the tongue of what is, and anything spoken in it becomes real, because nothing said in that language can be a lie. It is the most basic building brick of everything."

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Amber Hurdle

"I liked, as I like still, to make words look self-conscious and foolish, to bind them by mock marriage of a pun, to turn them inside out, to come upon them unawares. What is this jest in majesty? This ass in passion? How do god and devil combine to form a live dog?"

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Amber Hurdle

"She wanted more, more slang, more figures of speech, the bee's knees, the cats pajamas, horse of a different color, dog-tired, she wanted to talk like she was born here, like she never came from anywhere else."

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Amber Hurdle

"A dog is der Hund the dog; a women is die Frau the wom[an]; a horse is das Pferd, the horse; now you put that dog in the Genitive case, & is he the same dog he was before? No sir; he is das Hundes; put him in the Dative case & what is he? Why, he is dem Hund. Now you snatch him into the accusative case & how is it with him? Why he is den Hunden? ... Read moreBut suppose he happens to be twins & you have to pluralize him, what then? Why sir they'll swap that twin dog around thro' the four cases till he'll think he's an entire International Dog Show all in his own person. I don't like dogs, but I wouldn't treat a dog like that. I wouldn't even treat a borrowed dog that way."

Explore more quotes by Anais Nin

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Anais Nin
"We travel, some of us forever, to seek other states, other lives, other souls."
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Anais Nin
"We do not escape into philosophy, psychology, and art--we go there to restore our shattered selves into whole ones."
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Anais Nin
"I loved your breaking down that door, repeated Djuna. Through Rango she had breathed some other realm she had never attained before. She had touched through his act some climate of violence she had never known before."
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Anais Nin
"Luxury is not a necessity to me, but beautiful and good things are."
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Anais Nin
"You sought to preserve your creative instincts and what would nourish them. But neurosis itself does not nourish the artist, you know; he creates in spite of it, out of anything, any material given to him. The torments and hells of [crazy men], are not for you."
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Anais Nin
"We write to lure and enchant and console others. We write to serenade our lovers. We write to taste life twice, in the moment, and in retrospection... We write to be able to transcend our life, to reach beyond it... We write to expand our world when we feel strangled, or constricted, or lonely."
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Anais Nin
"And the time came when the risk to remain tight in a bud was more painful than the risk it took to blossom."
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Anais Nin
"In our twenties we have conflicts. We think everything is either-or, black or white: we are caught between them and we lose all our energy in the conflicts. My answer, later on in maturity, was to do them all. Not to exclude any, not to make a choice. I wanted to be everything. And I took everything in, and the more you take in, the more strength you find waiting to accomplish things and to expand your life, instead of the other (which is what we have been taught to do) which is to look for structure and to fear change, above all to fear change. Now I didn't fear change."
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Anais Nin
"When she closed her eyes she felt he had many hands, which touched her everywhere, and many mouths, which passed so swiftly over her, and with a wolflike sharpness, his teeth sank into her fleshiest parts. Naked now, he lay his full length over her. She enjoyed his weight on her, enjoyed being crushed under his body. She wanted him soldered to her, from mouth to feet. Shivers passed through her body."
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Anais Nin
"Each friend represents a world in us, a world not born until they arrive, and it is only by this meeting that a new world is born."
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