Quotes by Director | Beyond Motive 30/66

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Quotes by Director

"A lot of life is dealing with your curse, dealing with the cards you were given that aren't so nice. Does it make you into a monster, or can you temper it in some way, or accept it and go in some other direction?"

"A lot of life is dealing with your curse, dealing with the cards you were given that aren't so nice. Does it make you into a monster, or can you temper it in some way, or accept it and go in some other direction?"

Wes Craven, American Director

Life, Cards, Direction, Temper

4

"All the characters in my films are fighting these problems, needing freedom, trying to find a way to cut themselves loose, but failing to rid themselves of conscience, a sense of sin, the whole bag of tricks."

"All the characters in my films are fighting these problems, needing freedom, trying to find a way to cut themselves loose, but failing to rid themselves of conscience, a sense of sin, the whole bag of tricks."

Michelangelo Antonioni, Italian Director

Conscience, Fighting, Freedom, Problems

4

"I don't want to be made pacified or made comfortable. I like stuff that gets your adrenaline going."

"I don't want to be made pacified or made comfortable. I like stuff that gets your adrenaline going."

Kathryn Bigelow, American Director

4

"I took the name Green Destiny from - well there is such a sword called Green Destiny. It is green because you keep twisting it, it's an ancient skill, you keep twisting it and knocking it and twisting it until it is very elastic and light."

"I took the name Green Destiny from - well there is such a sword called Green Destiny. It is green because you keep twisting it, it's an ancient skill, you keep twisting it and knocking it and twisting it until it is very elastic and light."

Ang Lee, Chinese Director

Destiny, Light, Name, Skill

4

"It did remind me of something out of Greek mythology - the richest king who gets everything he wants, but ultimately his family has a curse on it from the Gods."

"It did remind me of something out of Greek mythology - the richest king who gets everything he wants, but ultimately his family has a curse on it from the Gods."

Martin Scorsese, American Director

Family, Gods, Mythology

4

"I think I avoid stepping into sentimentality by trying to be as truthful as possible with performances."

"I think I avoid stepping into sentimentality by trying to be as truthful as possible with performances."

Lasse Hallstrom, Swedish Director

Acting, Sentimentality, Trying

4

"Because if you lived, as I did, several years under Nazi totalitarianism, and then 20 years in communist totalitarianism, you would certainly realize how precious freedom is, and how easy it is to lose your freedom."

"Because if you lived, as I did, several years under Nazi totalitarianism, and then 20 years in communist totalitarianism, you would certainly realize how precious freedom is, and how easy it is to lose your freedom."

Milos Forman, Czechoslovakian Director

4

"I mean, I don't mind promoting a movie, or talking to the press if it's going to be used in some way."

"I mean, I don't mind promoting a movie, or talking to the press if it's going to be used in some way."

Brian De Palma, American Director

Mind, Press, Talking

4

"HATE, even if it's making money. is an underground movie, that's how it was made. It's a film about police brutality in the largest sense, it's about the whole of society and not just about the hood."

"HATE, even if it's making money. is an underground movie, that's how it was made. It's a film about police brutality in the largest sense, it's about the whole of society and not just about the hood."

Mathieu Kassovitz, French Director

Society, Money, Film, Hate

4

"Now a movie goes out to two, three thousand theaters and by Friday night at 10 o'clock they know if you are in or out. That desperate competition is, I think, horrendous. It's awful."

"Now a movie goes out to two, three thousand theaters and by Friday night at 10 o'clock they know if you are in or out. That desperate competition is, I think, horrendous. It's awful."

Mark Rydell, American Director

Competition, Night, Now

4

"I'd rather direct than produce. Any day. And twice on Sunday."

"I'd rather direct than produce. Any day. And twice on Sunday."

Steven Spielberg, American Director

4

"I never regarded my pictures as very much to be proud of, except in this, the craft, the style."

"I never regarded my pictures as very much to be proud of, except in this, the craft, the style."

Douglas Sirk, German Director

4

"My education was an education by movies."

"My education was an education by movies."

Robert Benton, American Director

Education, Movies

4

"A movie like House of the Dead with around $7 million budget or Alone in the Dark with around $16 million budget are much easier to make profit than the typical $50 million major motion picture."

"A movie like House of the Dead with around $7 million budget or Alone in the Dark with around $16 million budget are much easier to make profit than the typical $50 million major motion picture."

Uwe Boll, German Director

4

"Hospitals are places that you have to stay in for a long time, even if you are a visitor. Time doesn't seem to pass in the same way in hospitals as it does in other places. Time seems to almost not exist in the same way as it does in other places."

"Hospitals are places that you have to stay in for a long time, even if you are a visitor. Time doesn't seem to pass in the same way in hospitals as it does in other places. Time seems to almost not exist in the same way as it does in other places."

Pedro Almodovar, Spanish Director

Time, Hospitals

4

"I think the book struck me in a few ways that I thought very interesting to pick it as my first martial arts film. It has a very strong female character and it was very abundant in classic Chinese textures."

"I think the book struck me in a few ways that I thought very interesting to pick it as my first martial arts film. It has a very strong female character and it was very abundant in classic Chinese textures."

Ang Lee, Chinese Director

Thought, Character, Film, First

4

"My goal is to make as many films as possible about different aspects of American life."

"My goal is to make as many films as possible about different aspects of American life."

Frederick Wiseman, American Director

4

"Ten Days That Shook The World, by Eisenstein, I went to see it, and I was so impressed with this film, so impressed with what cinema could do."

"Ten Days That Shook The World, by Eisenstein, I went to see it, and I was so impressed with this film, so impressed with what cinema could do."

Francis Ford Coppola, American Director

Cinema, Film, World

4

"I got a chance to work with Mel Brooks on two of his films: Silent Movie and High Anxiety."

"I got a chance to work with Mel Brooks on two of his films: Silent Movie and High Anxiety."

Barry Levinson, American Director

Work, Anxiety, Brooks, Chance

4

"I think the Matrix effect is over-used and I don't do it anymore."

"I think the Matrix effect is over-used and I don't do it anymore."

Uwe Boll, German Director

Technology, Effect

4

"Being a hooker does not mean being evil. The same with a pick-pocket, or even a thief. You do what you do out of necessity."

"Being a hooker does not mean being evil. The same with a pick-pocket, or even a thief. You do what you do out of necessity."

Samuel Fuller, American Director

Being, Evil, Necessity

4

"You have to edit the material. That assumes that some kind of a mind is operating in relation to the material. Not all minds are the same. Every aspect of filmmaking requires choice. The selection of the subject, the shooting, editing and length are all aspects of choice."

"You have to edit the material. That assumes that some kind of a mind is operating in relation to the material. Not all minds are the same. Every aspect of filmmaking requires choice. The selection of the subject, the shooting, editing and length are all aspects of choice."

Frederick Wiseman, American Director

4

"Usually, I don't want to sit down and listen to the director gas on about his movie. I just can't actually imagine myself sitting down and having that much to say."

"Usually, I don't want to sit down and listen to the director gas on about his movie. I just can't actually imagine myself sitting down and having that much to say."

Joel Coen, American Director

4

"Poets are always ahead of things in a certain way, their sense of language and their vision."

"Poets are always ahead of things in a certain way, their sense of language and their vision."

Jim Jarmusch, American Director

Vision, Language, Poets, Sense

4

"I started working with friends of mine and that, to some degree, continues."

"I started working with friends of mine and that, to some degree, continues."

Jim Jarmusch, American Director

Friendship, Friends

4

"One of the people that became a major source was Clarence Tripp who worked with Kinsey."

"One of the people that became a major source was Clarence Tripp who worked with Kinsey."

Bill Condon, American Director

4

"I think one of the privileges of being a filmmaker is the opportunity to remain a kind of perpetual student."

"I think one of the privileges of being a filmmaker is the opportunity to remain a kind of perpetual student."

Edward Zwick, American Director

Opportunity, Being

4

"I think decor says a lot about someone's social position, their taste, their sensibility, their work - and also about the aesthetic way I have chosen to tell their story."

"I think decor says a lot about someone's social position, their taste, their sensibility, their work - and also about the aesthetic way I have chosen to tell their story."

Pedro Almodovar, Spanish Director

Work, Sensibility, Taste

4

"The 1980s really ended for me in 1992 with the film Kika."

"The 1980s really ended for me in 1992 with the film Kika."

Pedro Almodovar, Spanish Director

4

"There is no end. There is no beginning. There is only the passion of life."

"There is no end. There is no beginning. There is only the passion of life."

Federico Fellini, Italian Director

Life, Beginning, End, Passion

4

"I look at the story, I look at the idea and just try to think of it in terms of that whole body of myth and see where the characters fit in and what they ought to be doing-all those archetypes are there to play with."

"I look at the story, I look at the idea and just try to think of it in terms of that whole body of myth and see where the characters fit in and what they ought to be doing-all those archetypes are there to play with."

John Boorman, British Director

Creativity, Idea, Body, Myth, Play

4

"The question in their minds was, why did the outside world, and particularly the Western world, produce all these landmines, and send them to Afghanistan? This business must be stopped. It's a dirty business to produce such a horrible device."

"The question in their minds was, why did the outside world, and particularly the Western world, produce all these landmines, and send them to Afghanistan? This business must be stopped. It's a dirty business to produce such a horrible device."

Mohsen Makhmalbaf, Iranian Director

Business, Afghanistan, Question, World

4

"I lost a year or two in there, trying to get films financed that I didn't know would never get financing."

"I lost a year or two in there, trying to get films financed that I didn't know would never get financing."

Richard Linklater, American Director

4

"I'm less comfortable making American movies because I don't know them so well."

"I'm less comfortable making American movies because I don't know them so well."

Neil Jordan, Irish Director

Movies, American

4

"Good luck has its storms."

"Good luck has its storms."

George Lucas, American Director

4

"You're not a historian, but most historians will tell you that they make very discrete judgment as to what facts to omit in order to make their book into some shape, some length that can be managed."

"You're not a historian, but most historians will tell you that they make very discrete judgment as to what facts to omit in order to make their book into some shape, some length that can be managed."

Oliver Stone, American Director

Fact, Facts, Historians, Judgment, Order

4

"Agents are still asking for millions of dollars for actors that don't sell one ticket."

"Agents are still asking for millions of dollars for actors that don't sell one ticket."

Uwe Boll, German Director

4

"I'm certainly getting a lot more mail... that's basically it."

"I'm certainly getting a lot more mail... that's basically it."

Sam Mendes, British Director

4

"You know, I listen to contemporary music all the time."

"You know, I listen to contemporary music all the time."

Brian De Palma, American Director

4

"I think the audience would like to see movies that are stunning to watch. I really think they'd like to see spectacles."

"I think the audience would like to see movies that are stunning to watch. I really think they'd like to see spectacles."

Jan de Bont, Dutch Director

4

"I've always had trouble with authority."

"I've always had trouble with authority."

John Milius, American Director

Authority, Trouble

4

"One of the characteristics of the dream is that nothing surprises us in it. With no regret, we agree to live in it with strangers, completely cut off from our habits and friends."

"One of the characteristics of the dream is that nothing surprises us in it. With no regret, we agree to live in it with strangers, completely cut off from our habits and friends."

Jean Cocteau, French Director

Friendship, Dream, Friends, Habits, Nothing

4

"War scenes are less difficult than love scenes."

"War scenes are less difficult than love scenes."

Jean-Jacques Annaud, French Director

4

"I wanted to make connections between Whale's past and present."

"I wanted to make connections between Whale's past and present."

Bill Condon, American Director

4

"I'm such a good lover because I practice a lot on my own."

"I'm such a good lover because I practice a lot on my own."

Woody Allen, American Director

4

"There's not really much destruction in New York besides the weather and it's a natural force so it's not like any destruction. But LA gets leveled (laughs). That's my comment to Hollywood."

"There's not really much destruction in New York besides the weather and it's a natural force so it's not like any destruction. But LA gets leveled (laughs). That's my comment to Hollywood."

Roland Emmerich, German Director

Destruction, Force, Hollywood, Weather

4

"It's like everybody is obsessed with Hollywood movies worldwide. And even though everybody hates the Americans, they're still watching American movies."

"It's like everybody is obsessed with Hollywood movies worldwide. And even though everybody hates the Americans, they're still watching American movies."

Roland Emmerich, German Director

Movies, American, Americans, Hollywood

4

"The great difference between screen acting and theatre acting is that screen acting is about reacting - 75% of the time, great screen actors are great reactors."

"The great difference between screen acting and theatre acting is that screen acting is about reacting - 75% of the time, great screen actors are great reactors."

Nicolas Roeg, English Director

Time, Acting, Actors, Difference

4

"That's easy to answer: I never had any special appetite for filmmaking, but you have to make a living and it is miraculous to earn a living working in film."

"That's easy to answer: I never had any special appetite for filmmaking, but you have to make a living and it is miraculous to earn a living working in film."

Alain Resnais, French Director

Creativity, Appetite, Film, Living

4

"I was always fascinated by engineering. Maybe it was an attempt maybe to get my father's respect or interest, or maybe it was just a genetic love of technology, but I was always trying to build things."

"I was always fascinated by engineering. Maybe it was an attempt maybe to get my father's respect or interest, or maybe it was just a genetic love of technology, but I was always trying to build things."

James Cameron, American Director

Love, Technology, Father, Engineering

4

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