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Quotes by Dancer

"The practice mirror is to be used for the correction of faults, not for a love affair, and the figure you watch should not become your dearest friend."
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Agnes de Mille
"The practice mirror is to be used for the correction of faults, not for a love affair, and the figure you watch should not become your dearest friend."
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17
"Disney is thrilling and informative and important and beautiful and suspect. Butts was a detail I observed later and definitely ties in. I suppose I was programmed, yeah."
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Mark Morris
"Disney is thrilling and informative and important and beautiful and suspect. Butts was a detail I observed later and definitely ties in. I suppose I was programmed, yeah."
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17
"I am a woman who enjoys herself very much; sometimes I lose, sometimes I win."
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Mata Hari
"I am a woman who enjoys herself very much; sometimes I lose, sometimes I win."
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17
"Most ballet teachers in the United States are terrible. If they were in medicine, everyone would be poisoned."
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George Balanchine
"Most ballet teachers in the United States are terrible. If they were in medicine, everyone would be poisoned."
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17
"Exactly the same with dancing, you can't dance until you've learnt steps, the things your feet can do."
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Ninette de Valois
"Exactly the same with dancing, you can't dance until you've learnt steps, the things your feet can do."
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17
"God creates, I do not create. I assemble and I steal everywhere to do it - from what I see, from what the dancers can do, from what others do."
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George Balanchine
"God creates, I do not create. I assemble and I steal everywhere to do it - from what I see, from what the dancers can do, from what others do."
God,
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17
"With each piece I've completed I have worked to make it intact, and each of them has been an equal high. It's like children. A mother refuses to pick out one as a favorite, and I can't do any better with the dances."
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Twyla Tharp
"With each piece I've completed I have worked to make it intact, and each of them has been an equal high. It's like children. A mother refuses to pick out one as a favorite, and I can't do any better with the dances."
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17
"People often argue about this. Obviously one of the skills in performance is acting, and you can't expect every Romeo to really be in love with their Juliet!"
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Deborah Bull
"People often argue about this. Obviously one of the skills in performance is acting, and you can't expect every Romeo to really be in love with their Juliet!"
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16
"My sound is very smooth. Not to be to cliche, but really sensual and sultry."
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Paul Taylor
"My sound is very smooth. Not to be to cliche, but really sensual and sultry."
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16
"I did not want to be a tree, a flower or a wave. In a dancer's body, we as audience must see ourselves, not the imitated behavior of everyday actions, not the phenomenon of nature, not exotic creatures from another planet, but something of the miracle that is a human being."
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Martha Graham
"I did not want to be a tree, a flower or a wave. In a dancer's body, we as audience must see ourselves, not the imitated behavior of everyday actions, not the phenomenon of nature, not exotic creatures from another planet, but something of the miracle that is a human being."
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16
"So many dancers paint. I used to paint. I started again recently. While I was dancing, I was very busy with my career. Start something else that makes use of your creative ability because if you don't you will die inside as a person."
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Katherine Dunham
"So many dancers paint. I used to paint. I started again recently. While I was dancing, I was very busy with my career. Start something else that makes use of your creative ability because if you don't you will die inside as a person."
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16
"Those 25 dancers we worked with for a day, in as highly productive a way as possible - a long class, a period of teaching bits of the repertory - in fact I didn't teach Bank, I've used parts of Oil and Water."
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Siobhan Davies
"Those 25 dancers we worked with for a day, in as highly productive a way as possible - a long class, a period of teaching bits of the repertory - in fact I didn't teach Bank, I've used parts of Oil and Water."
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16
"We're all in the same room, so I want people to be involved with one another, but again you can't decide exactly to what extent that operates. It varies all the time and it depends on the show, it depends on the audience, it depends on everything."
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Mark Morris
"We're all in the same room, so I want people to be involved with one another, but again you can't decide exactly to what extent that operates. It varies all the time and it depends on the show, it depends on the audience, it depends on everything."
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16
"I saw the Nutcracker to be a dummy as I thought of its mouth moving like a nutcracker - and also find them pretty scary as they almost have a life of their own."
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Matthew Bourne
"I saw the Nutcracker to be a dummy as I thought of its mouth moving like a nutcracker - and also find them pretty scary as they almost have a life of their own."
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16
"Well let's see; I'm not obsessed with... I like Walt Disney except that you know, except for the horrible fascism. I love the art of it. I like a lot of things I don't agree with and that's one of them."
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Mark Morris
"Well let's see; I'm not obsessed with... I like Walt Disney except that you know, except for the horrible fascism. I love the art of it. I like a lot of things I don't agree with and that's one of them."
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16
"Why do Greeks always open restaurants that fail?"
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George Chakiris
"Why do Greeks always open restaurants that fail?"
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16
"I would rather be having a burger and beers with my mates but I can't do that when I know I've got to dance."
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Michael Flatley
"I would rather be having a burger and beers with my mates but I can't do that when I know I've got to dance."
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16
"People know that they're going to see something which is entertaining but challenging as well because of the form it's in. It's dance theatre and it requires you to use your imagination - it's not straight forward."
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Matthew Bourne
"People know that they're going to see something which is entertaining but challenging as well because of the form it's in. It's dance theatre and it requires you to use your imagination - it's not straight forward."
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16
"I have the wherewithal to challenge myself for my entire life. That's a great gift."
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Twyla Tharp
"I have the wherewithal to challenge myself for my entire life. That's a great gift."
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16
"The only sin is mediocrity."
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Martha Graham
"The only sin is mediocrity."
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16
"We still spend more time chasing funds than we do in the studio in creative work."
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Alvin Ailey
"We still spend more time chasing funds than we do in the studio in creative work."
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16
"Dance is for everybody. I believe that the dance came from the people and that it should always be delivered back to the people."
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Alvin Ailey
"Dance is for everybody. I believe that the dance came from the people and that it should always be delivered back to the people."
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16
"Somebody must always be doing something new, or life would get very dull."
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Ninette de Valois
"Somebody must always be doing something new, or life would get very dull."
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15
"Dancing is a tough career, but I'm glad I spent it at the Royal Ballet."
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Deborah Bull
"Dancing is a tough career, but I'm glad I spent it at the Royal Ballet."
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15
"Nothing is more revealing than movement."
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Martha Graham
"Nothing is more revealing than movement."
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15
"I certainly feel my career was a great career because it inspired so many many people, literally hundreds of people to follow a new kind of life and to realize that they could make out and advance their own professional and private and social lives."
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Katherine Dunham
"I certainly feel my career was a great career because it inspired so many many people, literally hundreds of people to follow a new kind of life and to realize that they could make out and advance their own professional and private and social lives."
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15
"I had a wonderful childhood, coming from Cincinnati, and I think that it was great going into the life that I was going to have, where you have to start young as a dancer."
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Suzanne Farrell
"I had a wonderful childhood, coming from Cincinnati, and I think that it was great going into the life that I was going to have, where you have to start young as a dancer."
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15
"We can go on talking about racism and who treated whom badly, but what are you going to do about it? Are you going to wallow in that or are you going to create your own agenda?"
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Judith Jamison
"We can go on talking about racism and who treated whom badly, but what are you going to do about it? Are you going to wallow in that or are you going to create your own agenda?"
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15
"She was chronologically in luck. She corresponded to necessity."
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Lincoln Kirstein
"She was chronologically in luck. She corresponded to necessity."
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15
"There is a vitality, a life force, an energy, a quickening, that is translated through you into action, and because there is only one of you in all time, this expression is unique."
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Martha Graham
"There is a vitality, a life force, an energy, a quickening, that is translated through you into action, and because there is only one of you in all time, this expression is unique."
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15
"There would never have been a British Ballet without Diaghilev. He had a wonderful influence."
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Ninette de Valois
"There would never have been a British Ballet without Diaghilev. He had a wonderful influence."
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15
"No matter how dark the moment, love and hope are always possible."
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George Chakiris
"No matter how dark the moment, love and hope are always possible."
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15
"A pas de deux is a dialogue of love. How can there be conversation if one partner is dumb?"
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Rudolf Nureyev
"A pas de deux is a dialogue of love. How can there be conversation if one partner is dumb?"
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15
"The universe lies before you on the floor, in the air, in the mysterious bodies of your dancers, in your mind. From this voyage no one returns poor or weary."
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Agnes de Mille
"The universe lies before you on the floor, in the air, in the mysterious bodies of your dancers, in your mind. From this voyage no one returns poor or weary."
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15
"My mother was a dominant force in my life. She had a very specific idea about education, which was: you should know everything about everything. It was quite simple. There was no exclusivity, and there really was no judgment."
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Twyla Tharp
"My mother was a dominant force in my life. She had a very specific idea about education, which was: you should know everything about everything. It was quite simple. There was no exclusivity, and there really was no judgment."
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15
"Some men have thousands of reasons why they cannot do what they want to, when all they need is one reason why they can."
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Martha Graham
"Some men have thousands of reasons why they cannot do what they want to, when all they need is one reason why they can."
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15
"So it takes years to make a solid company."
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Ninette de Valois
"So it takes years to make a solid company."
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15
"And currently, there are four to five new works in the pipeline for upcoming celebrations such as the Sydney 2000 Olympics, Australian Federation, my 50th Birthday, and Sydney Dance Company's 25th Anniversary."
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Graeme Murphy
"And currently, there are four to five new works in the pipeline for upcoming celebrations such as the Sydney 2000 Olympics, Australian Federation, my 50th Birthday, and Sydney Dance Company's 25th Anniversary."
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15
"It's one of the things that looks good written down, but the reality is that you think about the pieces you're doing and try to bear in mind everyone in the audience."
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Matthew Bourne
"It's one of the things that looks good written down, but the reality is that you think about the pieces you're doing and try to bear in mind everyone in the audience."
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15
"The Russian people get so insanely close to each other as friends. Their lives are interrelated so much on an everyday basis."
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Mikhail Baryshnikov
"The Russian people get so insanely close to each other as friends. Their lives are interrelated so much on an everyday basis."
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15
"Learn by practice."
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Martha Graham
"Learn by practice."
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15
"Nothing personal; I just don't have people over."
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Alvin Ailey
"Nothing personal; I just don't have people over."
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15
"I'm attracted to long-legged girls with long arms and a little head."
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Alvin Ailey
"I'm attracted to long-legged girls with long arms and a little head."
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15
"I have not wanted to intimidate audiences. I have not wanted my dancing to be an elitist form. That doesn't mean I haven't wanted it to be excellent."
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Twyla Tharp
"I have not wanted to intimidate audiences. I have not wanted my dancing to be an elitist form. That doesn't mean I haven't wanted it to be excellent."
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15
"You increase muscle bulk by training against resistance. For example, weights. And in ballet, this isn't the case."
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Deborah Bull
"You increase muscle bulk by training against resistance. For example, weights. And in ballet, this isn't the case."
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15
"I learned very early that an audience would relax and look at things differently if they felt they could laugh with you from time to time. There's an energy that comes through the release of tension that is laughter."
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Twyla Tharp
"I learned very early that an audience would relax and look at things differently if they felt they could laugh with you from time to time. There's an energy that comes through the release of tension that is laughter."
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15
"I thought I had to make an impact on history. I had to become the greatest choreographer of my time. That was my mission. Posterity deals with us however it sees fit. But I gave it 20 years of my best shot."
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Twyla Tharp
"I thought I had to make an impact on history. I had to become the greatest choreographer of my time. That was my mission. Posterity deals with us however it sees fit. But I gave it 20 years of my best shot."
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15
"It's one of my strongest dance pieces - having just done Play Without Words which was veering away from a lot of dance - I thought it would be nice to go back to something with almost the most dance I'd done."
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Matthew Bourne
"It's one of my strongest dance pieces - having just done Play Without Words which was veering away from a lot of dance - I thought it would be nice to go back to something with almost the most dance I'd done."
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14
"I do take class because I still dance, and yes, I do slip into class with the Royal Ballet from time to time."
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Deborah Bull
"I do take class because I still dance, and yes, I do slip into class with the Royal Ballet from time to time."
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"Choreography is mentally draining, but there's a pleasure in getting into the studio with the dancers and the music."
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Alvin Ailey
"Choreography is mentally draining, but there's a pleasure in getting into the studio with the dancers and the music."
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