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Mark Morris

"Disney is thrilling and informative and important and beautiful and suspect. Butts was a detail I observed later and definitely ties in. I suppose I was programmed, yeah."

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"Disney is thrilling and informative and important and beautiful and suspect. Butts was a detail I observed later and definitely ties in. I suppose I was programmed, yeah."

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Amber Hurdle

"Only the poet can look beyond the detail and see the whole picture."

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Amber Hurdle

"In a novel, on the other hand, you not only have to describe the rooms, but the clothes, the characters and what they are thinking. It's a much more in-depth process."

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Amber Hurdle

"The really big difference is that what you make with a molecular machine can be completely precise, down to the tiniest degree of detail that can exist in the world."

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Amber Hurdle

"Since I was doing all of it myself, I had to decide where I wanted to go with the songs, how to proceed with the chords, if the sound was alright, and all that detail on my own."

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Amber Hurdle

"In the 19th century the anatomy of the eye was known in great detail and the sophisticated mechanisms it employs to deliver an accurate picture of the outside world astounded everyone who was familiar with them."

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Amber Hurdle

"My general plan is good, though in the detail there may be faults."

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Amber Hurdle

"As soon as you go into any biological process in any real detail, you discover it's open-ended in terms of what needs to be found out about it."

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Amber Hurdle

"A lot of our entertainment throws into detail the stagnation and illness of how we live today-it's sad and it's sick... and it's profitable."

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Amber Hurdle

"With Fever, the film was so made for the screen, and there's so much surround sound that was done for the film - enormous detail paid to that. I wasn't thinking video, because I didn't know how it was going to turn out."

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Amber Hurdle

"In photography, the smallest thing can be a great subject. The little, human detail can become a Leitmotiv."

Explore more quotes by Mark Morris

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Mark Morris
"I love the way in which I make up dances. It's a complicated way and the product is usually clear. Clear and simple. I don't need everybody to know that there are all of these fabulous things going on. If you CAN see it, that's wonderful."
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Mark Morris
"We're all in the same room, so I want people to be involved with one another, but again you can't decide exactly to what extent that operates. It varies all the time and it depends on the show, it depends on the audience, it depends on everything."
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Mark Morris
"Usually that's going into biology in a certain way. There's certain strengths and weaknesses to both of the sexes. And I'm not against employing those nor am I against denying those, what I am looking for is a very large array of options."
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Mark Morris
"I build duets into bigger works. I like to see people working together. What we call a giant solo in my company is about four bars long while twenty other people are doing something dynamically. I like the charge that is set up by a lot of people doing something."
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Mark Morris
"Well let's see; I'm not obsessed with... I like Walt Disney except that you know, except for the horrible fascism. I love the art of it. I like a lot of things I don't agree with and that's one of them."
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Mark Morris
"That piece has been choreographed so badly so many times. I'm loathe to do it but I may eventually because it is one of the seminal art works of the twentieth century."
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Mark Morris
"Perhaps... I mean there are people who defend that it as an art. I don't. I like it but it's not an art form as far as I'm concerned, and yet it's a similar thing, once you can't land those jumps, you're disqualified - that precludes it from ever becoming a serious art form."
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Mark Morris
"Disney is thrilling and informative and important and beautiful and suspect. Butts was a detail I observed later and definitely ties in. I suppose I was programmed, yeah."
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