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"My sound is very smooth. Not to be to cliche, but really sensual and sultry."
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"Sound.Noisethe air employs.Melodies sweet.Tweet, tweet, tweet.Soft. Loud.A roaring crowd.Cluck. Caw. Crow.Tet, tet. Tis, tis.Guttural growl.Harrowing howl.Drip, drip, drip.Tap, tap, tap.Moan and groan.Endless drone.Ding, dang, dong.A church bell song.Vibrations in my earto hear.Sound."
"I think I have a basic sound aesthetic that is in most of what I do."
"It's not about how loud you turn the amp up. That's not what makes it sound big. What makes it sound big is fooling around with different delays and reverb settings."
"I just want to do everything. I don't want to sound soppy or too cliched, but that's the way it is."
"Instead of following one another the sounds overlap; a sound which is acoustically perceived as coming after another one can be articulated simultaneously with the latter or even in part before it."
"I know that if I went to other studios, like in Vancouver, that those are set up to be as professional and as true, so it's just a different flavour, it's a different sound, but I think both have their place."
"I know when I started I would have been happy to sound like the Beatles or Joe Tex or whoever. You want to sound like most bands, you want to sound like their records and that's how you learn your chops."
"I knew that as a DJ from 1970 on up that I would eventually come with this sound. I brought out all these other break beats that you hear so much on a lot of these records."
Explore more quotes by Paul Taylor
"By the end of it, you never know how it's going to turn out. Hopefully if I pick the right songs and put the right melodies on it and all the collaboration works out. it's a win-win situation."
"A lot of people are doing something about their weight, but by their own reckoning, it isn't enough to get the results they want."
"I don't really think about dance except just before rehearsals start. I put it off. I don't live my life thinking about dance."
"I want to lift the audience to the miraculous in human nature. After all, we shouldn't be here, with all the odds against us in nature. It's kind of unusual and wonderful!"
"I know I can't do everything myself. So I know I specialize in my melodies and I do some of my demo work. I pass it on to my producers who are much better at the production level."
"I get like a melody that comes up and I try to write it down or record it. Hum it into a tape recorder or write it down on some manuscript paper. It could happen at any time, on the road or off the road, but mostly, you know, at home."
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