Rebecca Solnit is an American writer, historian, and activist known for her profound essays on culture, politics, and art. She explores themes of hope, freedom, and curiosity, often highlighting the metaphorical and literal power of walking. Rebecca's work invites deeper thought and inspires readers to challenge conventions and embrace empathy, proving that a single voice of inquiry can illuminate paths for many.
"Building a museum case and filling it with types of mussels is one way of knowing mussels; but on the shore, a mussel leads to a crab or a curious stone, which leads to another thing and eventually leads back to mussels, which is another and perhaps a more far-reaching way to know mussels. The sea that always seems like a metaphor, but one that is always moving, cannot be fixed, like a heart that is a like a tongue that is like a mystery that is like a story that is like a border that is like something altogether different and like everything at once. One thing leads to another, and this is the treasure that always runs through your fingers and never runs out."
"That made clear to me the continuum that stretches from minor social minor to violent silencing and violent death (and I think we would understand misogyny and violence against women even better if we looked at the abuse of power as a whole rather than treating domestic violence separately from rape and murder and harrassment and intimidation, online at home and in the workplace and in the streets; seen together, the pattern is clear). Having the right to show up and speak are basic to survival, to dignity, and to liberty."
"Suddenly I came out of my thoughts to notice everything around me again-the catkins on the willows, the lapping of the water, the leafy patterns of the shadows across the path. And then myself, walking with the alignment that only comes after miles, the loose diagonal rhythm of arms swinging in synchronization with legs in a body that felt long and stretched out, almost as sinuous as a snake when you give yourself to places, they give you yourself back; the more one comes to know them, the more one seeds them with the invisible crop of memories and associations that will be waiting for when you come back, while new places offer up new thoughts, new possibilities. Exploring the world is one the best ways of exploring the mind, and walking travels both terrains."
"It's the way some med say, "I'm not the problem" or that they shifted the conversation from actual corpses and victims as well as perpetrators to protecting the comfort level of bystander males. An exasperated woman remarked to me, "What do they want--a cookie for not hitting, raping, or threatening women?"
"Many of the great humanitarian and environmental campaigns of our time have been to make the unknown real, the invisible visible, to bring the faraway near, so that the suffering of sweatshop workers, torture victims, beaten children, even the destruction of other species and remote places, impinges on the imagination and perhaps prompts you to act."
"You may be told that the legal decisions lead the changes, that judges and lawmakers lead the culture in those theaters called courtrooms, but they only ratify change. They are almost never where change begins, only where it ends up, for most changes travel from the edges to the center."
"I've learned that a certain amount of self-doubt is a good tool for correcting, understanding, listening, and progressing - though too much is paralyzing and total self-confidence produces arrogant idiots. There's a happy medium between these poles to which the genders have been pushed, a warm equatorial belt of give and take where we should all meet."
"I grew up with landscape as a recourse, with the possibility of exiting the horizontal realm of social relations for a vertical alignment with earth and sky, matter and spirit. Vast open spaces speak best to this craving, the spaces I myself first found in the desert and then in the western grasslands."
"It's the way some men say, 'I'm not the problem' or that they shifted the conversation from actual corpses and victims as well as perpetrators to protecting the comfort level of bystander males. An exasperated woman remarked to me, 'What do they want--a cookie for not hitting, raping, or threatening women?"
"This is what is behind the special relationship between tale and travel, and, perhaps, the reason why narrative writing is so closely bound up with walking. To write is to carve a new path through the terrain of the imagination, or to point out new features on a familiar route. To read is to travel through that terrain that the author as guide - a guide one may not always agree with our trust, but who can at least be counted upon to take one somewhere. I have have often wished that my sentences could be written out as a single line running into distances so that it would be clear that a sentence is likewise a road and reading is traveling."
"They are all beasts of burden in a sense, ' Thoreau once remarked of animals, 'made to carry some portion of our thoughts.' Animals are the old language of the imagination; one of the ten thousand tragedies of their disappearance would be a silencing of this speech."
"Were revolutions ever really that we thought them to be?"
"Emptiness is the track on which the centered person moves," said a Tibetan sage six hundred years ago, and the book where I found this edict followed it with an explanation of the word "track" in Tibetan: shul, "a mark that remains after that which made it has passed by - a footprint for example. In other contexts, shul is used to describe the scarred hollow in the ground where a house once stood, the channel worn through rock where a river runs in flood, the indentation in the grass where an animal slept last night."
"How will you go about finding that thing the nature of which is totally unknown to you?" (Plato) The things we want are transformative, and we don't know or only think we know what is on the other side of that transformation. Love, wisdom, grace, inspiration- how do you go about finding these things that are in some ways about extending the boundaries of the self into unknown territory, about becoming someone else?"
"Yes, people of both genders pop up at events to hold forth on irrelevant things and conspiracy theories, but the out-and-out confrontational confidence of the totally ignorant is, in my experience, gendered. Men explain things to me, and other women, whether or not they know what they're talking about."
"The stars we are given. The constellations we make. That is to say, stars exist in the cosmos, but constellations are the imaginary lines we draw between them, the readings we give the sky, the stories we tell."
"Vengeance and forgiveness are about reconciling the accounts, but accounting is an ugly description of the tangled ways we're connected. I sometimes think everything comes out even in the end, but an end that arches beyond the horizon, beyond our capacity to perceive or measure, and that in many cases those who trespass against you do so out of a misery that means the punishment preceded and even precipitated the crime. Maybe that's acceptance."
"I feel often that we don't have the right language to talk about emotions in disasters. Everyone is on edge, of course, but it also pulls people away from a lot of trivial anxieties and past and future concerns and gratuitous preoccupations that we have, and refocuses us in a very intense way."
"The ability to tell your own story, in words or images, is already a victory, already a revolt."
"I made my first home there and had been happy, because to be alienated in one's own country, in one's own hometown, among one's kin and peers, was problematic, but nothing could be more natural than to be alienated in a foreign country, and so there I had at last naturalized my estrangement. This may be one of the underappreciated pleasures of travel: of being at last legitimately lost and confused."
"To write is to carve a new path through the terrain of the imagination, or to point out new features on a familiar route. To read is to travel through that terrain with the author as a guide-- a guide one might not always agree with or trust, but who can at least be counted on to take one somewhere."
"Another part of the Puritan legacy is the belief that no one should have joy or abundance until everyone does, a belief that austere at one end, in the deprivation it endorses, and fantastical in the other, since it awaits a universal utopia. Joy sneaks in anyway, abundance cascades forth uninvited...Joy doesn't betray but sustains activism. And when you face a politics that aspires to make you fearful, alienated, and isolated, joy is a fine initial act of insurrection."
"I was arguing not that everyone should read books by ladies-though shifting the balance matters-but that maybe the whole point of reading is to be able to explore and also transcend your gender (and race and class and orientation and nationality and moment in history and age and ability) and experience being others."
"To tell a story is always to translate the raw material into a specific shape, to select out of the boundless potential facts those that seem salient."
"This is a paradise of rising to the occasion that points out by contrast how the rest of the time most of us fall down from the heights of possibility, down into diminished selves and dismal societies. Many now do not even hope for a better society, but they recognize it when they encounter it, and that discovery shines out even through the namelessness of their experience. Others recognize it, grasp it, and make something of it, and long-term social and political transformations, both good and bad, arise from the wreckage. The door to this ear's potential paradises is in hell."
"That (labyrinth)...became a world whose rules I lived by, and I understood the moral of mazes: sometimes you have to turn your back on your goal to get there, sometimes you're farthest away when you're closest, sometimes the only way is the long one. After that careful walking and looking down, the stillness was deeply moving...It was breathtaking to realize that in the labyrinth, metaphors and meanings could be conveyed spatially. That when you seem farthest from your destination is when you suddenly arrive is a very pat truth in words, but a profound one to find with your feet."
"We write history with our feet and with our presece and our collective voice and vision. And yet, of course, everything in the mainstream media suggests that popular resistance is ridiculous, pointless, or criminal, unless it is far away, was long ago, or, ideally, both. These are the forces that prefer the giant remain asleep."
"To be hopeful means to be uncertain about the future, to be tender toward possibilities, to be dedicated to change all the way down to the bottom of your heart."
"The magic of the street is the mingling of the errand and the epiphany."
"To lose yourself: a voluptuous surrender, lost in your arms, lost to the world, utterly immersed in what is present so that its surroundings fade away. In Benjamin's terms, to be lost is to be fully present, and to be fully present is to be capable of being in uncertainty and mystery."
"The positive emotions that arise in...unpromising circumstances demonstrate that social ties and meaningful work are deeply desired, readily improvised, and intensely rewarding. The very structure of our economy and society prevent these goals from being achieved."
"Writing is saying to no one and to everyone the things it is not possible to say to someone."
"The famous Zen parable about the master for whom, before his studies, mountains were only mountains, but during his studies mountains were no longer mountains, and afterward mountains were again mountains could be interpreted as an alleory about [the perpetual paradox that when one is closest to a destination one is also the farthest)."
"Feminism is an endeavor to change something very old, widespread, and deeply rooted in many, perhaps most, cultures around the world, innumerable institutions, and most households on Earth-and in our minds, where it all begins and ends. That so much change has been made in four or five decades is amazing; that everything is not permanantly, definitively, irrevocably changed is not a sign of failure. A woman goes walking down a thousand-mile road. Twenty minutes after she steps forth, they proclaim that she still has nine hundred ninety-nine miles to go and will never get anywhere."
"It's rare that anyone says what this medical study does, even if in the driest way possible "Being male has been identified as a risk factor for violent criminal behavior in several studies, as have exposure to tobacco smoke before birth, having antisocial parents, and belonging to a poor family". It's not that I want to pick on men. I just think that if we noticed that women are, on the whole, radically less violent, we might be able to theorize where violence come from and what we can do about it a lot more productively. Clearly the ready availability of guns is a huge problem for United States, but despite this availability to everyone, murder is still a crime committed by men 90 percent of the time."
"The self is also a creation, the principal work of your life, the crafting of which makes everyone an artist."
"Musing takes place in a kind of meadowlands of the imagination, a part of the imagination that has not yet been plowed, developed, or put to any immediately practical use, time spent there is not work time, yet without that time the mind becomes sterile, dull, domesticated. The fight for free space - for wilderness and public space - must be accompanied by a fight for free time to spend wandering in that space."
"I like incidents of that sort, when forces that are usually so sneaky and hard to point out slither out of the grass and are as obvious as, say, an anaconda that's eaten a cow or an elephant turd on the carpet."
"The battle with Men Who Explain Things has trampled down many women - of my generation, of the up-and-coming generation we need so badly, here and in Pakistan and Bolivia and Java, not to speak of the countless women who came before me and were not allowed into the laboratory, or the library, or the conversation, or the revolution, or even the category called human."