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Rebecca Solnit

"To write is to carve a new path through the terrain of the imagination, or to point out new features on a familiar route. To read is to travel through that terrain with the author as a guide-- a guide one might not always agree with or trust, but who can at least be counted on to take one somewhere."

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"To write is to carve a new path through the terrain of the imagination, or to point out new features on a familiar route. To read is to travel through that terrain with the author as a guide-- a guide one might not always agree with or trust, but who can at least be counted on to take one somewhere."

Explore more quotes by Rebecca Solnit

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Rebecca Solnit
"Mostly we tell the story of our lives, or mostly we're taught to tell it, as a quest to avoid suffering, though if your goal is a search for meaning, honor, experience, the same events may be victories or necessary steps. Then the personal matters; it's home; but you can travel in and out of it, rather than being marooned there. The leprosy specialist Paul Brand wrote, "Pain, along with its cousin touch, is distributed universally on the body, providing a sort of boundary of self," but empathy, solidarity, allegiance--the nerves that run out into the world--expand the self beyond its physical bounds."
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Rebecca Solnit
"It's tempting to ask why if you fed your neighbors during the time of the earthquake and fire, you didn't do so before or after."
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Rebecca Solnit
"The famous Zen parable about the master for whom, before his studies, mountains were only mountains, but during his studies mountains were no longer mountains, and afterward mountains were again mountains could be interpreted as an alleory about [the perpetual paradox that when one is closest to a destination one is also the farthest)."
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Rebecca Solnit
"Despair is a form of certainty, certainty that the future will be a lot like the present or will decline from it."
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Rebecca Solnit
"Vengeance and forgiveness are about reconciling the accounts, but accounting is an ugly description of the tangled ways we're connected. I sometimes think everything comes out even in the end, but an end that arches beyond the horizon, beyond our capacity to perceive or measure, and that in many cases those who trespass against you do so out of a misery that means the punishment preceded and even precipitated the crime. Maybe that's acceptance."
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Rebecca Solnit
"Always, just beyond all these things, was the silver sea, the lace border around all land like the silence around sounds or the unknowns beyond all knowledge."
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Rebecca Solnit
"Musing takes place in a kind of meadowlands of the imagination, a part of the imagination that has not yet been plowed, developed, or put to any immediately practical use, time spent there is not work time, yet without that time the mind becomes sterile, dull, domesticated. The fight for free space - for wilderness and public space - must be accompanied by a fight for free time to spend wandering in that space."
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Rebecca Solnit
"Writing is saying to no one and to everyone the things it is not possible to say to someone."
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Rebecca Solnit
"No matter how deeply you come to know a place, you can keep coming back to know it more."
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Rebecca Solnit
"Another part of the Puritan legacy is the belief that no one should have joy or abundance until everyone does, a belief that austere at one end, in the deprivation it endorses, and fantastical in the other, since it awaits a universal utopia. Joy sneaks in anyway, abundance cascades forth uninvited...Joy doesn't betray but sustains activism. And when you face a politics that aspires to make you fearful, alienated, and isolated, joy is a fine initial act of insurrection."

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Aberjhani

"It just happens to be the way that I'm made. I have to write things down to feel I fully comprehend them."

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"Now, practically even better news than that of short assignments is the idea of shitty first drafts. All good writers write them."

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Aberjhani

"Don't say the old lady screamed. Bring her on and let her scream."

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Aberjhani

"Every article and review and book that I have ever published has constituted an appeal to the person or persons to whom I should have talked before I dared to write it. I never launch any little essay without the hope-and the fear, because the encounter may also be embarrassing-that I shall draw a letter that begins, 'Dear Mr. Hitchens, it seems that you are unaware that It is in this sense that authorship is collaborative with 'the reader.' And there's no help for it: you only find out what you ought to have known by pretending to know at least some of it already.It doesn't matter how obscure or arcane or esoteric your place of publication may be: some sweet law ensures that the person who should be scrutinizing your work eventually does do so."

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Aberjhani

"The name of a great writer is usually bigger than the title of his book. Both literally and figuratively."

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Aberjhani

"Writing is my pleasure and the play,where I find myself again and again."

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Aberjhani

"It is said that you can't write without a reader. The opposite holds true as well; you can't read without a writer. But if as a single, creative person you are one in the same, then, well.....problem solved! Great writing is born from that which we personally long to read."

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Aberjhani

"Edinburgh is a comfortable puddle for a novelist."

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Aberjhani

"One author said "I write because I want to live a footprint in the sands of history. It's hard to live a footprint in the sands of history when giants are passing through the same sands unless you are one of the giants."

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Aberjhani

"By applying their observational abilities along with full appliance of their logic and creative powers, writers attempt to create mental maps to share with other people regarding what they learned, think, and believe. The writer's vision can sway readers emotional state and in doing influence what they believe and how they behave."

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