"I'm sorry," Leon said. "I can see you loved your two friends and you miss them, and maybe they're flying around somewhere in the sky, zipping here and there and being spirits and happy. But you and I and three billion other people are not, and until it changes here it won't be enough, Phil; not enough. Despite the supreme heavenly father. He has to do something for us here, and that's the truth. If you believe in the truth--well, Phil, that's the truth. The harsh, unpleasant truth."

"Tomorrow morning, he decided, I'll begin clearing away the sand of fifty thousand centuries for my first vegetable garden. That's the initial step."

"I am life,' the girl said.'What?' he said, startled.'To you, I am life. What are you, thirty-eight? Forty? What have you learned? Have you done anything? Look at me, look. I'm life and when you're done with me, some of it rubs off on you. You don't feel so old now, do you? With me here in the squib beside you.'Nick said, 'I'm thirty-four and I don't feel old. As a matter of fact, sitting here with you makes me feel older, not younger. Nothing is rubbing off.''It will,' she said."

"Do not assume that order and stability are always good, in a society or in a universe. The old, the ossified, must always give way to new life and the birth of new things. Before the new things can be born the old must perish. This is a dangerous realization, because it tells us that we must eventually part with much of what is familiar to us. And that hurts. But that is part of the script of life. Unless we can psychologically accommodate change, we ourselves begin to die, inwardly. What I am saying is that objects, customs, habits, and ways of life must perish so that the authentic human being can live. And it is the authentic human being who matters most, the viable, elastic organism which can bounce back, absorb, and deal with the new."

"That's the existential problem," Fat said, "based on the concept that We are what we do, rather than, We are what we think. It finds its first expression in Goethe's Faust, Part One, where Faust says, 'Im Anfang war das Wort'. He's quoting the opening of the Fourth Gospel; 'In the beginning was the Word.' Faust says, 'Nein. Im Anfang war die Tat.' In the beginning was the Deed. From this, all existentialism comes."

"Maybe each human being lives in a unique world, a private world different from those inhabited and experienced by all other humans. . . If reality differs from person to person, can we speak of reality singular, or shouldn't we really be talking about plural realities? And if there are plural realities, are some more true (more real) than others? What about the world of a schizophrenic? Maybe it's as real as our world. Maybe we cannot say that we are in touch with reality and he is not, but should instead say, His reality is so different from ours that he can't explain his to us, and we can't explain ours to him. The problem, then, is that if subjective worlds are experienced too differently, there occurs a breakdown in communication ... and there is the real illness."

"Love isn't just wanting another person the way you want to own an object you see in a store. That's just desire. You want to have it around, take it home and set it up somewhere in the apartment like a lamp."

"Drug misuse is not a disease, it is a decision, like the decision to step out in front of a moving car. You would call that not a disease but an error of judgment."

"Imagine being sentient but not alive. Seeing and even knowing, but not alive. Just looking out. Recognizing but not being alive. A person can die and still go on. Sometimes what looks out at you from a person's eyes maybe died back in childhood."

"There is certainly no hope left of getting away. And it isn't even terrible; it's possibly funny, if even that. It's embarrassing. That's all. A little embarrassing to realize that I no longer control my life, that the major decisions have already been made, long before I was conscious that any change was occurring."

"Don't try to solve serious matters in the middle of the night."

"Today we live in a society in which spurious realities are manufactured by the media, by governments, by big corporations, by religious groups, political groups... So I ask, in my writing, What is real? Because unceasingly we are bombarded with pseudo-realities manufactured by very sophisticated people using very sophisticated electronic mechanisms. I do not distrust their motives; I distrust their power. They have a lot of it. And it is an astonishing power: that of creating whole universes, universes of the mind. I ought to know. I do the same thing."

"On one hand she seems so agile, so athletic, and yet I've seen her appear so awkward that it embarrassed me. She gives the impression of a hard, worldly adroitness, and in some situations she's like an adolescent: rigid with ancient, middle class attitudes, unable to think for herself, falling back on old verities...victim of her family teaching, shocked by what shocks people, wanting what people usually want. She wants a home, a husband, and her idea of a husband is a man who earns a certain amount of money, helps around the garden, does the dishes...the idea of a good husband that's found in This Week magazine; a viewpoint from the most ordinary stratum, that great ubiquitous world of family life, transmitted from generation to generation. Despite her wild language."

"The problem with introspection is that it has no end."

"There exists, for everyone, a sentence - a series of words - that has the power to destroy you. Another sentence exists, another series of words, that could heal you. If you're lucky you will get the second, but you can be certain of getting the first."

"Consciousness of unconsciousness."

"Maybe I'll go where I can see stars, he said to himself as the car gained velocity and altitude; it headed away from San Francisco, toward the uninhabited desolation to the north. To the place where no living thing would go. Not unless it felt that the end had come."

"Just tell me why; why the fucking why?" To which the universe would hollowly respond, "My ways cannot be known, oh man." Which is to say, "My ways do not make sense, nor do the ways of those who dwell in me."

"What if he could see this, his own skull, yellow and eroded? Two centuries old. Would he still speak? Would he speak, if he could see it, the grinning, aged skull? What would there be for him to say, to tell the people? What message could he bring?What action would not be futile, when a man could look upon his own aged, yellowed skull?"

"Fat realized that one of two possibilities existed and only two; either Dr. Stone was totally insane " not just insane but totally so " or else in an artful, professional fashion he had gotten Fat to talk; he had drawn Fat out and now knew that Fat was totally insane."

"If the last to know he's an addict is the addict, then maybe the last to know when a man means what he says is the man himself, he reflected."

"He could see the tall, peeling yellow building at the periphery of his range of vision. But something about it struck him as strange. A shimmer, an unsteadiness, as if the building faded forward into stability and then retreated into insubstantial uncertainty. An oscillation, each phase lasting a few seconds and then blurring off into its opposite, a fairly regular variability as if an organic pulsation underlay the structure. As if, he thought, it's alive."

"No structure, even an artificial one, enjoys the process of entropy. It is the ultimate fate of everything, and everything resists it."

"Insane people -- psychologically defined, not legally define -- are not in touch with reality."

"There is evil! It's actual, like cement.I can't believe it. I can't stand it.Evil is not a view ... it's an ingredient in us. In the world. Poured over us, filtering into our bodies, minds, hearts, into the pavement itself."

"Reality is that which, when you stop believing in it, doesn't go away."

"But an artist, he realized. Or rather so-called artist. Bohemian. That's closer to it. The artistic life without the talent."

"Empathy, he once had decided, must be limited to herbivores or anyhow omnivores who could depart from a meat diet. Because, ultimately, the empathic gift blurred the boundaries between hunter and victim, between the successful and the defeated."

"I've always told people that for each person there is a sentence--a series of words--which has the power to destroy him. When Fat told me about Leon Stone I realized (this came years after the first realization) that another sentence exists, another series of words, which will heal the person. If you're lucky you will get the second; but you can be certain of getting the first: that is the way it works."

"Science fiction writers, I am sorry to say, really do not know anything. We can't talk about science, because our knowledge of it is limited and unofficial, and usually our fiction is dreadful."

"Grief reunites you with what you've lost. It's a merging; you go with the loved thing or person that's going away. You follow it a far as you can go.But finally,the grief goes away and you phase back into the world. Without him.And you can accept that. What the hell choice is there? You cry, you continue to cry, because you don't ever completely come back from where you went with him -- a fragment broken off your pulsing, pumping heart is there still. A cut that never heals.And if, when it happens to you over and over again in life, too much of your heart does finally go away, then you can't feel grief any more. And then you yourself are ready to die. You'll walk up the inclined ladder and someone else will remain behind grieving for you."

"You know what the doctor said to me to cheer me up?" Fat said. "There are worse diseases than cancer.""Did he show you slides?"We both laughed. When you are nearly crazy with grief, you laugh at what you can."

"Matter is plastic in the face of Mind."

"They ought to make it a binding clause that if you find God you get to keep Him."

"How can days and happenings and moments so good become so quickly ugly, and for no reason, for no real reason? Just - change.With nothing causing it."

"What was on the other side?"Donna said, "He said there was another world on the other side. He could see it.""He... never went through it?""That's why he kicked the shit out of everything in his apartment; he never thought of going through it, he just admired the doorway and then later he couldn't see it at all and it was too late. It opened for him a few days and then it was closed and gone forever."

"I wonder, he wondered, if any human has ever felt this way before about an android."

"She makes life over, he realized. She controls life, whereas I just sit on my can and let it happen to me."

"Cancer... the process of creation gone wild, I thought."

"The gulf between their world and hers had manifested itself, however much they'd meditated on how to ball her, and remained."

"The mentally disturbed do not employ the Principle of Scientific Parsimony: the most simple theory to explain a given set of facts. They shoot for the baroque."

"Fear can make you do more wrong than hate or jealousy... fear makes you always, always hold something back."

"And," my dad concluded, calming down a little, "all our dignity consists in just that. I mean, man's little and can't fill time and space, but he sure can make use of the brain God gave him."

"We're all dreaming, Arctor said. If the last to know he's an addict is the addict, then maybe the last to know when a man means what he says is the man himself, he reflected. He wondered how much of the garbage that Donna had overheard he had seriously meant. He wondered how much of the insanity of the day--his insanity--had been real, or just induced as a contact lunacy, by the situation. Donna, always, was a pivot point of reality for him; for her this was the basic, natural question. He wished he could answer."

"Maybe it could be depression, like you get. I can understand now how you suffer when you're depressed; I always thought you liked it and I thought you could have snapped yourself out any time, if not alone, then by means of the mood organ. But when you get that depressed you don't care. Apathy, because you've lost a sense of worth."

"You're - psychotic. There's something wrong with you.""I know," Benteley agreed. "I'm a sick man. And the more I see, the sicker I get. I'm so sick I think everybody else is sick and I'm the only healthy person. That's pretty bad off, isn't it?"

"No one can win against kipple," he said, "except temporarily and maybe in one spot, like in my apartment I've sort of created a stasis between the pressure of kipple and nonkipple, for the time being. But eventually I'll die or go away, and then the kipple will again take over. It's a universal principle operating throughout the universe; the entire universe is moving toward a final state of total, absolute kippleization."

"What you should do," she told Fat during one of his darker hours, "is get into studying the characteristics of the T-34." Fat asked what that was. It turned out that Sherri had read a book on Russion armor during World War Two. The T-34 tank had been the Soviet Union's salvation and thereby the salvation of all the Allied Powers- and, by extension, Horselover Fat's, since without the T-34 he would be speaking - not english or Latin or the koine - but German."

"Am I racially kin to this man? Baynes wondered. So closely so that for all intents and purposes it is the same? Then it is in me, too, the psychotic streak. A psychotic world we live in. The madmen are in power. How long have we known this? Faced this? And - how many of us do know it?"

"The thing about rabbits, sir, is that everybody has one. I'd like to see you step up to the goat-class where I feel you belong. Frankly you look more like a goat man to me."