Margaret Atwood, Canadian Novelist: Margaret Atwood, a towering figure in contemporary literature, explores themes of power, oppression, and resilience with unmatched depth and nuance in her iconic works such as "The Handmaid's Tale" and "Alias Grace." With her visionary storytelling and incisive social commentary, Atwood continues to provoke thought and inspire readers around the world.
"Knowing was a temptation. What you don't know won't tempt you."
"He has to find more and better ways of occupying his time. His time, what a bankrupt idea, as if he's been given a box of time belonging to him alone, stuffed to the brim with hours and minutes that he can spend like money. Trouble is, the box has holes in it and the time is running out, no matter what he does with it."
"The Three of them were beautiful, in the way all girls of that age are beautiful. It can't be helped, that sort of beauty, nor can it be conserved; it's a freshness, a plumpness of the cells, that's unearned and temporary, and that nothing can replicate. None of them was satisfied with it, however; already they were making attempts to alter themselves into some impossible, imaginary mould, plucking and pencilling away at their faces. I didn't blame them, having done the same once myself."
"Children were vehicles for passing things along. These things could be kingdoms, rich wedding gifts, stories, grudges, blood feuds. Through children, alliances were forged; through children, wrongs were avenged. To have a child was to set loose a force in the world."
"I read for pleasure and that is the moment I learn the most."
"She did understand, or at least she understood that she was supposed to understand. She understood, and said nothing about it, and prayed for the power to forgive, and did forgive. But he can't have found living with her forgiveness all that easy. Breakfast in a haze of forgiveness: coffee with forgiveness, porridge with forgiveness, forgiveness on the buttered toast. He would have been helpless against it, for how can you repudiate something that is never spoken? She resented, too, the nurse, or the many nurses, who had attended my father in the various hospitals. She wished him to owe his recovery to her alone-to her care, to her tireless devotion. That is the other side of selflessness: its tyranny."
"They didn't realize that her clumsiness was not the ordinary kind, not poor coordination. It was just because she wasn't sure where the edges of her body ended and the rest of the world began."
"Also she went in for culture, which gave her a certain moral authority. It wouldn't now; but people believed, then, that culture could make you better - a better person. They believed it could uplift you, or the women believed it. They hadn't yet seen Hitler at the opera house."
"The beginning of Canadian cultural nationalism was not 'Am I really that oppressed?' but 'Am I really that boring?'"
"Maybe I don't really want to know what's going on. Maybe I'd rather not know. Maybe I couldn't bear to know. The Fall was a fall from innocence to knowledge."
"Experiences were what you got when you couldn't get what you wanted."
"It's impossible to say a thing exactly the way it was, because of what you say can never be exact, you always have to leave something out, there are too many parts, sides, crosscurrents, nuances; too many gestures, which could mean this or that, too many shapes which can never be fully described, too many flavors, in the air or on the tongue, half-colors, too many."
"When I am writing fiction, I believe I am much better organized, more methodical - one has to be when writing a novel. Writing poetry is a state of free float."
"Why is it we want so badly to memorialize ourselves? Even while we're still alive. We wish to assert our existence, like dogs peeing on fire hydrants."
"The Loneliness of the Military HistorianConfess: it's my professionthat alarms you.This is why few people ask me to dinner,though Lord knows I don't go out of my way to be scary.I wear dresses of sensible cutand unalarming shades of beige,I smell of lavender and go to the hairdresser's:no prophetess mane of mine,complete with snakes, will frighten the youngsters.If I roll my eyes and mutter,if I clutch at my heart and scream in horrorlike a third-rate actress chewing up a mad scene,I do it in private and nobody seesbut the bathroom mirror.In general I might agree with you:women should not contemplate war,should not weigh tactics impart."
"I lie on the floor, washed by nothing and hanging on. I cry at night. I am afraid of hearing voices, or a voice. I have come to the edge, of the land. I could get pushed over."
"Galleries are frightening places, places of evaluation, of judgement."
"Why do we want other people to like us, even if we don't really care about them all that much?"
"We still think of a powerful man as a born leader and a powerful woman as an anomaly."
"The house, and all the objects in it, crackled with static electricity; undertows washed through it, the air was heavy with things that were known but not spoken. Like a hollow log, a drum, a church, it was amplified, so that conversations whispered in it sixty years ago can be half-heard today."
"We were the people who were not in the papers. We lived in the blank white spaces at the edges of print. It gave us more freedom.We lived in the gaps between the stories."
"If one of the arguments against eating meat is to do with cruelty and animal intelligence, then lab meat avoids that. There's also the environmental argument for it."
"Point being that you don't have to get too worked up about us, dear educated minds. You don't have to think of us as real girls, real flesh and blood, real pain, real injustice. That might be too upsetting. Just discard the sordid part. Consider us pure symbol. We're no more real than money."
"No mother is ever, completely, a child's idea of what a mother should be, and I suppose it works the other way around as well. But despite everything, we didn't do too badly by one another, we did as well as most."
"Why is it we want so badly to memorialize ourselves? Even while we're still alive. We wish to assert our existence, like dogs peeing on fire hydrants. We put on display our framed photographs, our parchment diplomas, our silver-plated cups; we monogram our linen, we carve our names on trees, we scrawl them on washroom walls. It's all the same impulse. What do we hope from it? Applause, envy, respect? Or simply attention, of any kind we can get?At the very least we want a witness. We can't stand the idea of our own voices falling silent finally, like a radio running down."
"By telling you anything at all I'm at least believing in you, I believe you're there, I believe you into being."
"They spent the first three years of school getting you to pretend stuff and then the rest of it marking you down if you did the same thing."
"But then it came to me that who I really am is a person who doesn't need to know who he really is, in the usual sense. What does it mean, anyway - family background and so forth? People use it mostly as an excuse for their own snobbery, or else their failings. I'm free of the temptation, that's all. I'm free of the strings. Nothing ties me down."
"That's the kind of stories I know. Sad ones. Anyway, taken to it's logical conclusion, every story is sad, because at the end everyone dies."