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Margaret Atwood

"Children were vehicles for passing things along. These things could be kingdoms, rich wedding gifts, stories, grudges, blood feuds. Through children, alliances were forged; through children, wrongs were avenged. To have a child was to set loose a force in the world."

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"Children were vehicles for passing things along. These things could be kingdoms, rich wedding gifts, stories, grudges, blood feuds. Through children, alliances were forged; through children, wrongs were avenged. To have a child was to set loose a force in the world."

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Margaret Atwood
"I feel despised there, for having so little money; also for once having had so much. I never actually had it, of course. Father had it, and then Richard. But money was imputed to me, the same way crimes are imputed to those who've simply been present at them."
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Margaret Atwood
"You all right?" he said again.I didn't love him, I was far away from him, it was as though I was seeing him through a smeared window or glossy paper; he didn't belong here. But he existed, he deserved to be alive. I was wishing I could tell him how to change so he could get there, the place where I was."Yes," I said. I touched him on the arm with my hand. My hand touched his arm. Hand touched arm. Language divides us into fragments, I wanted to be whole."
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Margaret Atwood
"But if you happen to be a man, sometime in the future, and you've made it this far, please remember: you will never be subjected to the temptation of feeling you must forgive, a man, as a woman."
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Margaret Atwood
"Last night I felt the approach of nothing. Not too close but on its way, like a wingbeat, like the cooling of the wind, the slight initial tug of an undertow."
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Margaret Atwood
"By now you must have guessed: I come from another planet. But I will never say to you, Take me to your leaders. Even I - unused to your ways though I am - would never make that mistake. We ourselves have such beings among us, made of cogs, pieces of paper, small disks of shiny metal, scraps of coloured cloth. I do not need to encounter more of them.Instead I will say, Take me to your trees. Take me to your breakfasts, your sunsets, your bad dreams, your shoes, your nouns. Take me to your fingers; take me to your deaths.These are worth it. These are what I have come for."
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Margaret Atwood
"I wish I didn't have to think about you. You wanted to impress me; well, I'm not impressed, I'm disgusted...You wanted to make damn good and sure I'd never be able to turn over in bed again without feeling that body beside me, not there but tangible, like a leg that's been cut off. Gone but the place still hurts."
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Margaret Atwood
"The Chorus Line:A Rope-Jumping Rhymewe are the maidsthe ones you killedthe ones you failedwe danced in airour bare feet twitchedit was not fairwith every goddess, queen, and bitchfrom there to hereyou scratched your itchwe did much lessthan what you didyou judged us badyou had the spearyou had the wordat your commandwe scrubbed the bloodof our deadparamours from floors, from chairsfrom stairs, from doors,we knelt in waterwhile you staredat our bare feetit was not fairyou licked our fearit gave you pleasureyou raised your handyou watched us fallwe danced on airthe ones you failedthe ones you killed."
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Margaret Atwood
"Popular art is the dream of society; it does not examine itself."
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Margaret Atwood
"Because I am a mother, I am capable of being shocked: as I never was when I was not one."
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Margaret Atwood
"She can outstare anyone, and I am almost as good. We're impervious, we scintillate, we are thirteen. We wear long wool coats with tie belts, the collars turned up to look like those of movie stars, and rubber boots with the tops folded down and men's work socks inside. In our pockets are stuffed the kerchiefs our mothers make us wear but that we take off as soon as we're out of their sight. We scorn head coverings. Our mouths are tough, crayon-red, shiny as nails. We think we are friends."

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Aberjhani

"Hold those things that tell your history and protect them. During slavery, who was able to read or write or keep anything? The ability to have somebody to tell your story to is so important. It says: 'I was here. I may be sold tomorrow. But you know I was here.'"

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Aberjhani

"At the centre of all these noble races we cannot fail to see the blond beast of prey, the magnificent blond beast avidly prowling round for spoil and victory; this hidden centre needs release from time to time, the beast must out again, must return to the wild: - Roman, Arabian, Germanic, Japanese nobility, Homeric heroes, Scandinavian Vikings - in this requirement they are all alike. It was the noble races which left the concept of 'barbarian' in their traces wherever they went; even their highest culture betrays the fact that they were conscious of this and indeed proud of it."

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Aberjhani

"...But behind all your stories is always your mother's story, because hers is where yours begins."

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Aberjhani

"This could have occurred nowhere but in England, where men and sea interpenetrate, so to speak-the sea entering into the life of most men, and the men knowing something or everything about the sea, in the way of amusement, of travel, or of bread-winning."

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Aberjhani

"London? Paris? Berlin? Zurich? Maybe Brussels, center of the young union? They all strive to outdo one another culturally, architecturally, politically, fiscally. But Rome, it should be said, has not bothered to join the race for status. Rome doesn't compete. Rome just watches all the fussing and striving, completely unfazed, exuding an air like: 'Hey- do whatever you want, but I'm still Rome. I am inspired by the regal self-assurance of this town, so grounded and rounded, so amused and monumental, knowing that she is held securely in the palm of history. I would like to be Rome when I am an old lady."

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Aberjhani

"A land is precious, but ours is to be revered."

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Aberjhani

"I believe it is important for the university to always remember its roots."

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Aberjhani

"Heritage was everything: it was a golden skeleton key, gleaming with power, able to get the wielder through any number of locked doors; it was the christening of the marriage bed with virgin blood on snow-white sheets; it was the benediction of a pristine pedigree, refined through ages of selective breeding and the occasional mercy culling.It was life, and death, and all that spanned between.It was his birthright."

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Aberjhani

"Of course I realized that the Protestants denominations of the world have grown and matured over the years, but maybe we should not throw away the gains of the old Protestants that brought us to our modern day civilization."

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Aberjhani

"Fransisco, you're some kind of very high nobility, aren't you?" He answered, "Not yet. The reason my family has lasted for such a long time is that none of us has ever been permitted to think he is born a d'Anconia. We are expected to become one."

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