Madeleine L'Engle was an acclaimed American author, best known for her book A Wrinkle in Time, which blended science fiction, fantasy, and deep philosophical themes. L'Engle's ability to write stories that encouraged readers to think critically about love, courage, and the power of the mind made her a trailblazer in children's literature. Her works continue to inspire young readers to explore complex ideas and to never stop asking questions, encouraging others to embrace their imagination and curiosity.
"The artist cannot hold back; it is impossible, because writing, or any other discipline of art, involves participation in suffering, in the ills and the occasional stabbing joys that come from being part of the human drama."
"Very few of us understand Honorable Bird, except to acknowledge that without his power and grace nothing would be written, painted, or composed at all. To say anything beyond this about the creative process is like pulling all the petals off a flower in order to analyze it, and ending up having destroyed the flower."
"I get glimmers of the bad nineteenth-century teaching which has made Mother remove God from the realm of mystery and beauty and glory, but why do people half my age think that they don't have faith unless their faith is small and comprehensible and like a good old plastic Jesus?"
"Today we live in a society that seems to be less and less concerned with reality. We drink instant coffee and reconstituted orange juice. We buy our vegetables on cardboard trays covered with plastic. But perhaps the most dehumanizing thing of all is that we have allowed the media to call us consumers--ugly. No! I don't want to be a consumer. Anger consumes. Forest fires consume. Cancer consumes."
"Mr Jenkins. Unique, as every star in the sky is unique, every leaf on every tree, every snowflake, every farandola, every cherubim, unique: Named."
"Obedience is an unpopular word nowadays, but the artist must be obedient to the work, whether it be a symphony, a painting, or a story for a small child. I believe that each work of art, whether it is a work of great genius or something very small, comes to the artist and says, "Here I am, Enflesh me. Give birth to me." And the artist either says, "My soul doth magnify the Lord," and willingly becomes the bearer of the work, or refuses; but the obedient response is not necessarily a conscious one, and not everyone has the humble, courageous obedience of Mary."
"When we are writing or painting or composing, we are, during the time of creativity, freed from normal restrictions and opened to a wider world, where colours are brighter, sounds clearer, and people more wondrously complex than we normally realize."
"I'm apt to get drunk on words...Ontology: the word about the essence of things, the word about being."
"An infinite question is often destroyed by finite answers. To define everything is to annihilate much that gives us laughter and joy."
"But I am a storyteller, and that involves language, for me the English language, that wonderfully rich, complex, and ofttimes confusing tongue. When language is limited, I am thereby diminished, too."
"Don't try to comprehend with your mind. Your minds are very limited. Use your intuition."
"The well-intentioned mothers who don't want their children polluted by fairy tales would not only deny them their childhood, with its high creativity, but they would have them conform to the secular world, with its dirty devices. The world of fairy tale, fantasy, myth, is inimical to the secular world, and in total opposition to it, for it is interested not in limited laboratory proofs but in truth."
"Grandfather looked away from me and out to sea, and when he spoke, it was as though he spoke to himself. "The obligations of normal human kindness " chesed, as the Hebrew has it " that we all owe. But there's a kind of vanity in thinking you can nurse the world. There's a kind of vanity in goodness.I could hardly believe my ears. "But aren't we supposed to be good?"I'm not sure. Grandfather's voice was heavy. "I do know that we're not good, and there's a lot of truth to the saying that the road to hell is paved with good intentions."
"And we mustn't lose our sense of humor," Mrs. Which said. "The only way to cope with something deadly serious is to try to treat it a little lightly."
"One night after dinner a group of us were talking about the supernatural, and one of our dinner guests said that when the electric light was invented, people began to lose the dimension of the supernatural. In the days before we could touch a switch and flood every section of the room with light, there were always shadows in the corner, shadows which moved with candlelight, with firelight; and these shadows were an outward and visible sign that things are not always what they seem; there are things which are not visible to the mortal human being; there are things beyond our ken."
"Charles Wallace and the unicorn moved through the time-spinning reaches of a far glazy, and he realized that the galaxy itself was part of a mighty orchestra, and each star and planet within the galaxy added its own instrument to the music of the spheres. As long as the ancient harmonies were sung, the universe would not entirely lose its joy."
"In the final exam in the Chaucer course we were asked why he used certain verbal devices, certain adjectives, why he had certain characters behave in certain ways. And I wrote, 'I don't think Chaucer had any idea why he did any of these things. That isn't the way people write.'I believe this as strongly now as I did then. Most of what is best in writing isn't done deliberately."
"Ridicule is a terrible witherer of the flower of imagination. It binds us where we should be free."
"Stories make us more alive, more human, more courageous, more loving."
"A book, too, can be a star, a living fire to lighten the darkness, leading out into the expanding universe."
"Charles Wallace, the danger here is greatest for you." "Why?""Because of what you are. Just exactly because of what you are you will be by far the most vulnerable. You must stay with Meg and Calvin. You must not go off on your own. Beware of pride and arrogance, Charles, for they may betray you."
"Life is not easy and comfortable, with nothing ever going wrong as long as you buy the right product. It's not true that if you have the right insurance everything is going to be fine. That's not what it's really like. Terrible things happen. And those are the things we learn from."
"If I do wrong, I may do it unwittingly, thinking I am doing something for the best; but if it turns out to be wrong, I have done it, and I must bear the responsibility. It is not somebody else's or something else's fault. If it is I am less than human. Like everybody else, I tend to rationalize and alibi, before I let myself admit, "Yes, I did this. I am sorry. I will do what I can to make reparation. Our sins defeat us unless we are willing to recognize them, confess them, and become healed and whole and holy-not qualified, mind you; just holy."
"It's idiotic, it's crazy. If you die and then you're just nothing, there isn't any point to anything. Why do we live at all if we die and stop being? Father wasn't ready to be stopped. No one's ready to be stopped. We don't have *time* to be ready to be stopped. It's all crazy. . . . Look at my glasses. I can't even see that there are any stars in the sky without them, but it's not the glasses that are doing the seeing, it's me, Madeleine. I don't think Father's eyes are seeing now, but *he* is. And maybe his brain isn't thinking, but a brain's just something to think through, the way my glasses are something to see through."
"Truth is what is true, and it's not necessarily factual. Truth and fact are not the same thing. Truth does not contradict or deny facts, but it goes through and beyond facts. This is something that it is very difficult for some people to understand. Truth can be dangerous."
"It's not my brain that's writing the book, it's these hands of mine."
"It might be a good idea if, like the White Queen, we practiced believing six impossible things every morning before breakfast, for we are called on to believe what to many people is impossible. Instead of rejoicing in this glorious "impossible" which gives meaning and dignity to our lives, we try to domesticate God, to make his might actions comprehensible to our finite minds."
"How long your closet held a whiff of you,Long after hangers hung austere and bare.I would walk in and suddenly the trueSharp sweet sweat scent controlled the airAnd life was in that small still living breath.Where are you? since so much of you is here,Your unique odour quite ignoring death.My hands reach out to touch, to hold what's dearAnd vital in my longing empty arms.But other clothes fill up the space, your space,And scent on scent send out strange false alarms.Not of your odour there is not a trace.But something unexpected still breaks throughThe goneness to the presentness of you."
"I was at the annual meeting of a state library association a few years later, when the children were in the process of leaving the nest, and one of the librarians asked me, "What do you think you and Hugh have done which was the best for your children?"I answered immediately and without thinking, "We love each other."
"Story always tells us more than the mere words, and that is why we love to write it, and to read it."
"When I am constantly running there is no time for being. When there is no time for being there is no time for listening."
"It may be that we have lost our ability to hold a blazing coal, to move unfettered through time, to walk on water, because we have been taught that such things have to be earned; we should deserve them; we must be qualified. We are suspicious of grace. We are afraid of the very lavishness of the gift. But a child rejoices in presents!"
"Because it is the nature of love to create, a marriage itself is something which has to be created, so that, together we become a new creature. To marry is the biggest risk in human relations that a person can take. If we commit ourselves to one person for life this is not, as many people think, a rejection of freedom; rather it demands the courage to move into all the risks of freedom, and the risk of love which is permanent; into that love which is not possession, but participation. It takes a lifetime to learn another person. When love is not possession, but participation, then it is part of that co-creation which is our human calling, and which implies such risk that it is often rejected."
"We, and I think I'm speaking for many writers, don't know what it is that sometimes comes to make our books alive. All we can do is write dutifully and day after day, every day, giving our work the very best of what we are capable. I don't that we can consciously put the magic in; it doesn't work that way. When the magic comes, it's a gift."
"Because to take away a man's freedom of choice, even his freedom to make the wrong choice, is to manipulate him as though he were a puppet and not a person."
"Thinking I'm a moron gives people something to feel smug about," Charles Wallace said. "Why should I disillusion them?"
"Jesus, who comes across in the Gospels as extraordinarily strong, begged in the garden, with drops of sweat like blood running down his face, that he might be spared the terrible cup ahead of him, the betrayal and abandonment by his friends, death on the cross. Because Jesus cried out in anguish, we may too. But our fear is less frequent and infinitely less if we are close to the Creator. Jesus, having cried out, then let his fear go, and moved on."
"But there is something about Time. The sun rises and sets. The stars swing slowly across the sky and fade. Clouds fill with rain and snow, empty themselves, and fill again. The moon is born, and dies, and is reborn. Around millions of clocks swing hour hands, and minute hands, and second hands. Around goes the continual circle of the notes of the scale. Around goes the circle of night and day, the circle of weeks forever revolving, and of months, and of years."