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"For me, every day is a new thing. I approach each project with a new insecurity, almost like the first project I ever did. And I get the sweats. I go in and start working, I'm not sure where I'm going. If I knew where I was going I wouldn't do it."
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"Maybe once in a while, you know, after a hard day of shooting or something like that, I'd kick back."
Day,

"I could talk about him all day. He's one of the most wonderful things that ever happened to me."

"Don't look forward to the day you stop suffering, because when it comes you'll know you're dead."

"When someone is impatient and says, "I haven't got all day," I always wonder, How can that be? How can you not have all day?"

"One day, we were doing a serious scene and fast talking like we do and we could not stop laughing and the director had to stop the production. We had to go to our trailer and calm down and do it all again."

"So let's be honest with ourselves and not take ourselves too serious, and never condemn the other fellow for doing what we are doing every day, only in a different way."
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"Well, I've always just - I've never really gone out looking for work. I always waited for it to sort of hit me on the head."
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"Liquid architecture. It's like jazz - you improvise, you work together, you play off each other, you make something, they make something. And I think it's a way of - for me, it's a way of trying to understand the city, and what might happen in the city."

"For me, every day is a new thing. I approach each project with a new insecurity, almost like the first project I ever did. And I get the sweats. I go in and start working, I'm not sure where I'm going. If I knew where I was going I wouldn't do it."
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