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"I think this goes more to the idea of 'relentless irony' than 'divine providence."
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"I always think it's funny when Indians celebrate Thanksgiving. I mean, sure, the Indians and Pilgrims were best friends during the first Thanksgiving, but a few years later, the Pilgrims were shooting Indians.So I'm never quite sure why we eat turkey like everybody else."

"You're right, my problems are the biggest problems ever," George said. "No, honestly, it's horrible to be me. I'm rich, talented, and I make girls cry.""How do you make girls cry, exactly?"George turned to her. His blue eyes widened. His lovely face took on a forlorn, deeply troubled expression. He leaned forward, and, in a theatrical whisper, said, "My past is tragic. I wouldn't want to burden you with it. It's a pain I must suffer alone. In the rain. In silence."
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"Taking on challenging projects is the way that one grows and extends one's range as a writer, one's technical command, so I consider the time well-spent."


"Richard Papen: As it happened, I knew Gartrell. He was a bad painter and a vicious gossip, with a vocabulary composed almost entirely of obscenities, gutteral verbs, and the world "postmodernist."


"We don't like to admit it, but the idea of losing control is one that fascinates controlled people such as ourselves more than almost anything. All truly civilized people " the ancients no less than us " have civilized themselves through the wilful repression of the old, animal self."


"When we are sad-at least I am like this-it can be comforting to cling to familiar objects, to the things that don't change."


"And I'm hoping there's some larger truth about suffering here, or at least my understanding of it - although I've come to realize that the only truths that matter to me are the ones I don't, and can't, understand. What's mysterious, ambiguous, inexplicable. What doesn't fit into a story, what doesn't have a story. Glint of brightness on a barely-there chain. Patch of sunlight on a yellow wall. The loneliness that separates every living creature from every other living creature. Sorrow inseparable from joy."


"So I'm not a Southern writer in the commonly held sense of the term, like Faulkner or Eudora Welty, who took the South for their entire literary environment and subject matter."


"What if our badness and mistakes are the very thing that set our fate and bring us round to good? What if, for some of us, we can't get there any other way?"


"The novel is about five students of classics who are studying with a classics professor, and they take the ideas of the things that they're learning from him a bit too seriously, with terrible consequences."


"It's a very Greek idea, and a very profound one. Whatever we call beautiful, we quiver before it. And what could be more terrifying and beautiful, to lose control completely? To throw off all the chains of being for an instant, to shatter the accident of our mortal selves?"
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