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Robert Rauschenberg

"There was a whole language that I could never make function for myself in relationship to painting and that was attitudes like tortured, struggle, pain."

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"There was a whole language that I could never make function for myself in relationship to painting and that was attitudes like tortured, struggle, pain."

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Amber Hurdle

"Words are the fallen ruins of silent majesty."

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Amber Hurdle

"If Bengali is my mother, then English is my father and friend."

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Amber Hurdle

"In the wildlife sanctuaries of literature, we study the species of speech, the flight patterns of individual words, the herd behavior of words together, and we learn what language does and why it matters. this is excellent training for going out into the world and looking at all the unhallowed speech of political statements and news headlines and CDC instructions and seeing how it makes the word or in this case, makes a mess of it. It is the truest, highest purpose of language to make things clear and help us see; when words are used to do the opposite you know you're in trouble and maybe that there's a cover-up."

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Amber Hurdle

"He had been thinking of how landscape moulds a language. It was impossible to imagine these hills giving forth anything but the soft syllables of Irish, just as only certain forms of German could be spoken on the high crags of Europe; or Dutch in the muddy, guttural, phlegmish lowlands."

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Amber Hurdle

"And why does he talk so funny? Doesn't he mean squashed tomatoes?I don't think that they had tomatoes when he comes from, said Bod. And that's just how they talk then."

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Amber Hurdle

"In my dream, it was the tongue of what is, and anything spoken in it becomes real, because nothing said in that language can be a lie. It is the most basic building brick of everything."

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Amber Hurdle

"The London dialect as it is spoken in educated circles."

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Amber Hurdle

"What's the point of using words nobody knows or can say comfortably?"

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Amber Hurdle

"Everything in writing begins with language. Language begins with listening."

Explore more quotes by Robert Rauschenberg

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Robert Rauschenberg
"Well, I like way downtown near the Battery. I lived down there at this time and for, I guess, the following well, this is where I moved to uptown and I've been here for four years and this is 1965."
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Robert Rauschenberg
"I'm sure we don't read old paintings the way they were intended."
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Robert Rauschenberg
"You begin with the possibilities of the material."
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Robert Rauschenberg
"Very quickly a painting is turned into a facsimile of itself when one becomes so familiar with with it that one recognizes it without looking at it."
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Robert Rauschenberg
"One can see that a canvas is six feet by eight feet, say, quite accurately. But you can spend two minutes and think it's five, or thirty seconds and it's just a different bed for activities there."
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Robert Rauschenberg
"And I think that even today, New York still has more of this unexpected quality around every corner than any place else. It's something quite extraordinary."
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Robert Rauschenberg
"So that ideas of sort of relaxed symmetry have been something for years that I have been concerned with because I think that symmetry is a neutral shape as opposed to a form of design."
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Robert Rauschenberg
"I did a twenty foot print and John Cage is involved in that because he was the only person I knew in New York who had a car and who would be willing to do this."
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Robert Rauschenberg
"I got so I was really just sick of sculpture."
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Robert Rauschenberg
"And also the new excitement and variety of ways that the abstract expressionists were applying paint. You could put it on as though it were colored air and it would be painting."
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