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"Ageing is not easy, Sennhora Castro. It's a terrible, incurable pathology. And great love is another pathology. It starts well. It's a most desirable disease. One wouldn't want to do without it. It's like yeast that corrupts the juice of grapes. One loves, one loves, one persists in loving-the incubation period can be very long- and then, with death, comes the heart break. Love must always meet its unwanted end."
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"Age is always advancing and I'm fairly sure it's up to no good."
"Granny Weatherwax had a primal snore. It had never been tamed. No one had ever had to sleep next to it, to curb its wilder excesses by means of a kick, a prod in the small of the back, or a pillow used as a bludgeon. It had had years in a lonely bedroom to perfect the knark, the graaah, and the gnoc, gnoc, gnoc unimpeded by the nudges, jabs, and occasional attempts at murder that usually moderate the snore impulse over time."
"He sat watching what went forward with the quiet outward glance of healthy old age."
"You can cover the wrinkles of age by becoming more cheerful and enthusiastic."
"Lines and greyness are nature's way of telling you not to fuck with someone - the equivalent of yellow and black lines on a wasp, or the markings on the back of a black widow spider."
"How obvious can it be? ... The purpose of makeup is to defy the degradations of time, and time is just a synonym for death."
"When you're twenty-one, life is a roadmap. It's only when you get to twenty-five or so that you begin to suspect you've been looking at the map upside down, and not until you're forty are you entirely sure. By the time you're sixty, take it from me, you're fucking lost."
Explore more quotes by Yann Martel
"For fear, real fear, such as shakes you to your foundation, such as you feel when you are brought face to face with your mortal end, nestles in your memory like a gangrene: it seeks to rot everything, even the words with which to speak of it. So you must fight hard to express it. You must fight hard to shine the light of words upon it. Because if you don't, if your fear becomes a wordless darkness that you avoid, perhaps even manage to forget, you open yourself to further attacks of fear because you never truly fought the opponent who defeated you."
"These people walk by a widow deformed by leprosy...walk by children dressed in rags living in the street, and they think, 'Business as usual.' But if they perceive a slight against God, it is a different story. Their faces go red, their chests heave mightily, they sputter angry words. The degree of their indignation is astonishing. Their resolve is frightening."
"You might think I lost all hope at that point. I did. And as a result I perked up and felt much better."
"So tell me, since it makes no factual difference to you and you can't prove the question either way, which story do you prefer? Which is the better story, the story with animals or the story without animals?"
"Trees were not hard, irritable things, but discreetly orgasmic beings moaning at a level too deep for our brutish ears. And flowers were quick explosive orgasms, like making love in the shower."
"Henry had written a novel because there was a hole in him that needed filling, a question that needed answering, a patch of canvas that needed painting-that blend of anxiety, curiosity and joy that is at the origin of art-and he had filled the hole, answered the question, splashed colour on the canvas, all done for himself, because he had to. Then complete strangers told him that his book had filled a hole in them, had answered a question, had brought colour to their lives. The comfort of strangers, be it a smile, a pat on the shoulder or a word of praise, is truly a comfort."
"There are animals we haven't stopped by. Don't think they're harmless. Life will defend itself no matter how small it is."
"To her, writing is making stock and reading is sipping broth, but only the spoken word is the full roasted chicken."
"Love is hard to believe, ask any lover. Life is hard to believe, ask any scientist. God is hard to believe, ask any believer."
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