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"My favorite laser disk ever was the laser disk for The Graduate, which had a commentary track that wasn't even the filmmakers, it was a professor, some film criticism guy who just happen to be this amazing commentator who went off into the whole theory of comedy."
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"Make it dark, make it grim, make it tough, but then, for the love of God, tell a joke."
"Uh-oh, I hope he doesn't start rattling off dirty limericks next; she'll probably burn the hotel down."
"Are you out of your goddamn mind? You think we can take on two hundred soldiers? I know I am an extremely attractive man, J, but I am not Bruce Lee."Who's Bruce Lee?"Who's Bruce Lee? Kenji asks, horrified. "Oh my God. We can't even be friends anymore."Why? Was he a friend of yours?"You know what, he says, "just stop. Just-I can't even talk to you right now."
"I had to stop myself from laughing. Who needs help taking a pill?"
"Sometimes Spiro missed the times when a troublesome worker was thrown out of a high window and that was the end of him. These days, if you threw someone out of a window, they'd phone their lawyer on the way down."
"I mean, I guess I started during the comedy boom, so it was literally like, on Sunday you could decide you wanted to be a comic, and on Monday, you could be on stage."
Explore more quotes by Jay Roach
"I do love DVD and I've always taken them seriously. You know, on the Austin things, we really put a ton of work into them because there's so much design involved. And in this one, we thought a lot about it and what could go in."
"Because I actually find the next take after they've controlled it a little bit and repressed the laughter is actually a really interesting take, because that's still going on underneath the surface. That struggle to maintain composure becomes part of the joy of the scene."
"I really enjoy the consolation when I'm having to cut loose stuff I love, of saying 'Well, at least it will make it onto DVD.' There's a couple of scenes which I liked very much, but couldn't fit them into the film that are on there."
"I love making people laugh. It's an addiction and it's probably dysfunctional, but I am addicted to it and there's no greater pleasure for me than sitting in a theater and feeling a lot of people losing control of themselves."
"The success of the second 'Austin Powers' caught us by surprise a little bit. We had decided not to do even a second one, unless the audience wanted it and we could do something better."
"You could get in rehearsals, pre-production, anything that would actually contribute to the understanding of how a film gets made. I actually find those things increase people's interest in a movie and like that better than worrying about showing the tricks behind the curtain."
"I learn so much from watching films like that with commentary and then when you get to hear another filmmaker talk about their films it's a really great experience."
"The commentary track became a lot like the movie and there are some funny, long, awkward pauses that you can tell we're just trying to find stuff to say. None of us had gotten to really talk about the movie until that moment and they were in New York and we were in L.A."
"When I'm shooting, really the audience I'm thinking the hardest about is that first test screening audience who I want to like the film and that first opening weekend audience."
"It was an interesting process trying to get Bob to talk about the film because he's such a shy person. He generally likes to talk when he really knows he has something to say."
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