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Quotes by Artist

"The work of art is a scream of freedom."
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Christo
"The work of art is a scream of freedom."
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52
"I think in the corridors of power these dangerous kinds of orders are issued in a much more vague way, passed down two or three levels of command before they're given to the assassin."
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Eddie Campbell
"I think in the corridors of power these dangerous kinds of orders are issued in a much more vague way, passed down two or three levels of command before they're given to the assassin."
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52
"Today we are searching for things in nature that are hidden behind the veil of appearance... We look for and paint this inner, spiritual side of nature."
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Franz Marc
"Today we are searching for things in nature that are hidden behind the veil of appearance... We look for and paint this inner, spiritual side of nature."
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52
"The freedom of every artist is essential."
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Christo
"The freedom of every artist is essential."
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51
"Because we do not sell photographs, we have no royalties on books, posters, postcards."
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Christo
"Because we do not sell photographs, we have no royalties on books, posters, postcards."
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51
"Don't bother about being modern. Unfortunately it is the one thing that, whatever you do, you cannot avoid."
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Salvador Dali
"Don't bother about being modern. Unfortunately it is the one thing that, whatever you do, you cannot avoid."
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50
"I paint self-portraits because I am so often alone, because I am the person I know best."
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Frida Kahlo
"I paint self-portraits because I am so often alone, because I am the person I know best."
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50
"In the final analysis, a drawing simply is no longer a drawing, no matter how self-sufficient its execution may be. It is a symbol, and the more profoundly the imaginary lines of projection meet higher dimensions, the better."
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Paul Klee
"In the final analysis, a drawing simply is no longer a drawing, no matter how self-sufficient its execution may be. It is a symbol, and the more profoundly the imaginary lines of projection meet higher dimensions, the better."
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50
"I felt very strongly the whole social impact of that depression, you know, and I felt very strongly about the efforts that this Resettlement Administration was trying to accomplish; resettling people, helping them, and so on."
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Ben Shahn
"I felt very strongly the whole social impact of that depression, you know, and I felt very strongly about the efforts that this Resettlement Administration was trying to accomplish; resettling people, helping them, and so on."
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50
"To keep that absolute freedom we cannot be obliged to anyone."
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Christo
"To keep that absolute freedom we cannot be obliged to anyone."
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50
"When a man returned from the field and we'd look at the work, we'd criticize each other very genuinely and never offensively. And we would avoid all tricks, angle shots were just horrible to us."
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Ben Shahn
"When a man returned from the field and we'd look at the work, we'd criticize each other very genuinely and never offensively. And we would avoid all tricks, angle shots were just horrible to us."
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49
"And for every project, because it takes years, you can see the early drawings and collages as just a simple, vague idea, and through the years and through the negotiations of getting the permit, you see that every detail is now clarified."
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Christo
"And for every project, because it takes years, you can see the early drawings and collages as just a simple, vague idea, and through the years and through the negotiations of getting the permit, you see that every detail is now clarified."
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49
"Germany is an economic giant but a political midget, and with the end of the Cold War she has started to muscle her presence throughout Europe and the world."
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Christo
"Germany is an economic giant but a political midget, and with the end of the Cold War she has started to muscle her presence throughout Europe and the world."
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49
"You can't do a machine without knowing something about how it's going to work. As for the romantics, the costumes bored me and I don't enjoy doing period clothes."
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Boris Vallejo
"You can't do a machine without knowing something about how it's going to work. As for the romantics, the costumes bored me and I don't enjoy doing period clothes."
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49
"From such a gentle thing, from such a fountain of all delight, my every pain is born."
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Michelangelo
"From such a gentle thing, from such a fountain of all delight, my every pain is born."
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48
"The only place where people in Manhattan walk for leisure is in the park."
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Christo
"The only place where people in Manhattan walk for leisure is in the park."
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48
"The time when I had desire to go to the United States I didn't have a penny. It was in the middle of the depression, you know. I couldn't get as far as Hoboken at that time."
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Ben Shahn
"The time when I had desire to go to the United States I didn't have a penny. It was in the middle of the depression, you know. I couldn't get as far as Hoboken at that time."
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48
"Our work is a scream of freedom."
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Christo
"Our work is a scream of freedom."
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48
"People think our work is monumental because it's art, but human beings do much bigger things: they build giant airports, highways for thousands of miles, much, much bigger than what we create."
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Christo
"People think our work is monumental because it's art, but human beings do much bigger things: they build giant airports, highways for thousands of miles, much, much bigger than what we create."
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47
"If I hadn't started painting, I would have raised chickens."
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Grandma Moses
"If I hadn't started painting, I would have raised chickens."
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47
"Colors, like features, follow the changes of the emotions."
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Pablo Picasso
"Colors, like features, follow the changes of the emotions."
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47
"Any ground subtracts its own hue from the colors which it carries and therefore influences."
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Josef Albers
"Any ground subtracts its own hue from the colors which it carries and therefore influences."
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47
"Aloneness is nearer God, nearer reality."
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Gwen John
"Aloneness is nearer God, nearer reality."
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46
"I didn't care where my works were published."
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Ben Shahn
"I didn't care where my works were published."
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46
"In spite of everything I shall rise again: I will take up my pencil, which I have forsaken in my great discouragement, and I will go on with my drawing."
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Vincent Van Gogh
"In spite of everything I shall rise again: I will take up my pencil, which I have forsaken in my great discouragement, and I will go on with my drawing."
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45
"You can not do what you want to do unless you know the correct technique. The only other way you can learn how to do it is by doing it yourself, which would take twice as long than if you went to school."
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Boris Vallejo
"You can not do what you want to do unless you know the correct technique. The only other way you can learn how to do it is by doing it yourself, which would take twice as long than if you went to school."
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45
"It is not only one person's work, it's really a partnership and collaboration during all these years."
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Christo
"It is not only one person's work, it's really a partnership and collaboration during all these years."
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45
"It was always my intention that The Frieze should be housed in a room which would provide a suitable architectural frame for it."
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Edvard Munch
"It was always my intention that The Frieze should be housed in a room which would provide a suitable architectural frame for it."
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44
"Now, to describe the process of the Wrapped Reichstag, which went from 1971 to '95, there is an entire book about that, because each one of our projects has its own book. The book is not an art book, meaning it's not written by an art historian."
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Christo
"Now, to describe the process of the Wrapped Reichstag, which went from 1971 to '95, there is an entire book about that, because each one of our projects has its own book. The book is not an art book, meaning it's not written by an art historian."
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44
"It's a little bit like my inability to read a guide book before I go anywhere. I can read it after I've been there and by the same logic I refuse to accept any technical stunts from anybody. I refused to learn more than I knew and I confess I missed a great deal."
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Ben Shahn
"It's a little bit like my inability to read a guide book before I go anywhere. I can read it after I've been there and by the same logic I refuse to accept any technical stunts from anybody. I refused to learn more than I knew and I confess I missed a great deal."
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44
"There are infinite shadings of light and shadows and colors... it's an extraordinarily subtle language. Figuring out how to speak that language is a lifetime job."
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Conrad Hall
"There are infinite shadings of light and shadows and colors... it's an extraordinarily subtle language. Figuring out how to speak that language is a lifetime job."
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44
"Oh, yes. I knew I was weird by the time I was four. I knew I wasn't like other boys. I knew I was more fearful. I didn't like the rough and tumble most boys were into. I knew I was a sissy."
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Robert Crumb
"Oh, yes. I knew I was weird by the time I was four. I knew I wasn't like other boys. I knew I was more fearful. I didn't like the rough and tumble most boys were into. I knew I was a sissy."
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43
"There have been many different artists that have been inspirational. I suppose the question is directed to what was the reason why I went into fantasy illustration."
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Boris Vallejo
"There have been many different artists that have been inspirational. I suppose the question is directed to what was the reason why I went into fantasy illustration."
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43
"I will make up for it now, I have not a moment to lose."
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Evelyn de Morgan
"I will make up for it now, I have not a moment to lose."
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43
"That could stay, not forever, because we believe that nothing exists that is forever, not even the dinosaurs, but if well maintained, it could remain for four to five thousand years. And that is definitely not forever."
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Christo
"That could stay, not forever, because we believe that nothing exists that is forever, not even the dinosaurs, but if well maintained, it could remain for four to five thousand years. And that is definitely not forever."
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42
"Time extracts various values from a painter's work. When these values are exhausted the pictures are forgotten, and the more a picture has to give, the greater it is."
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Henri Matisse
"Time extracts various values from a painter's work. When these values are exhausted the pictures are forgotten, and the more a picture has to give, the greater it is."
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42
"Children also have artistic ability, and there is wisdom in there having it! The more helpless they are, the more instructive are the examples they furnish us; and they must be preserved free of corruption from an early age."
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Paul Klee
"Children also have artistic ability, and there is wisdom in there having it! The more helpless they are, the more instructive are the examples they furnish us; and they must be preserved free of corruption from an early age."
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42
"Right at the beginning, I didn't know if Miffy was a boy or girl."
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Dick Bruna
"Right at the beginning, I didn't know if Miffy was a boy or girl."
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42
"Very quickly a painting is turned into a facsimile of itself when one becomes so familiar with with it that one recognizes it without looking at it."
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Robert Rauschenberg
"Very quickly a painting is turned into a facsimile of itself when one becomes so familiar with with it that one recognizes it without looking at it."
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41
"I feel, having the choices I had, I felt I had more control over my own medium than I did over photography."
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Ben Shahn
"I feel, having the choices I had, I felt I had more control over my own medium than I did over photography."
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41
"The modern artist... is working and expressing an inner world - in other words - expressing the energy, the motion, and other inner forces."
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Jackson Pollock
"The modern artist... is working and expressing an inner world - in other words - expressing the energy, the motion, and other inner forces."
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41
"But the moment you use an ordinary camera, you are not seeing the picture, remember, meaning, you had to remember what you've taken. Now you could see it of course, with a digital thing, but remember in 1982 you couldn't."
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David Hockney
"But the moment you use an ordinary camera, you are not seeing the picture, remember, meaning, you had to remember what you've taken. Now you could see it of course, with a digital thing, but remember in 1982 you couldn't."
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41
"Between my head and my hand, there is always the face of death."
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Francis Picabia
"Between my head and my hand, there is always the face of death."
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40
"And I think a painting has such a limited life anyway."
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Robert Rauschenberg
"And I think a painting has such a limited life anyway."
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40
"I confess that Roy was a little bit dictatorial in his editing and he ruined quite a number of my pictures, which he stopped doing later. He used to punch a hole through a negative. Some of them were incredibly valuable. He didn't understand at the time."
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Ben Shahn
"I confess that Roy was a little bit dictatorial in his editing and he ruined quite a number of my pictures, which he stopped doing later. He used to punch a hole through a negative. Some of them were incredibly valuable. He didn't understand at the time."
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40
"Talent does whatever it wants to do. Genius does only what it can."
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Eugene Delacroix
"Talent does whatever it wants to do. Genius does only what it can."
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40
"The thermometer of success is merely the jealousy of the malcontents."
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Salvador Dali
"The thermometer of success is merely the jealousy of the malcontents."
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40
"Let my enemies devour each other."
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Salvador Dali
"Let my enemies devour each other."
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40
"Some people have been kind enough to call me a fine artist. I've always called myself an illustrator. I'm not sure what the difference is. All I know is that whatever type of work I do, I try to give it my very best. Art has been my life."
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Norman Rockwell
"Some people have been kind enough to call me a fine artist. I've always called myself an illustrator. I'm not sure what the difference is. All I know is that whatever type of work I do, I try to give it my very best. Art has been my life."
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40
"We adore chaos because we love to produce order."
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M. C. Escher
"We adore chaos because we love to produce order."
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39
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