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Ben Shahn

"It's a little bit like my inability to read a guide book before I go anywhere. I can read it after I've been there and by the same logic I refuse to accept any technical stunts from anybody. I refused to learn more than I knew and I confess I missed a great deal."

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"It's a little bit like my inability to read a guide book before I go anywhere. I can read it after I've been there and by the same logic I refuse to accept any technical stunts from anybody. I refused to learn more than I knew and I confess I missed a great deal."

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Amber Hurdle

"When future archaeologists dig up the remains of California, they're going to find all of those gyms their scary-looking gym equipment, and they're going to assume that we were a culture obsessed with torture."

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Amber Hurdle

"The culture industry not so much adapts to the reactions of its customers as it counterfeits them."

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"Most of the monsters... are based on some sort of mythology. Every culture and even some geographical areas have monsters and mythology that is their own."

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Amber Hurdle

"Soft addictions are an alluring, seductive aspect of our culture - they are easy to attain and socially acceptable, they are even encouraged in many cases. Yet they are lethal to the spirit."

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Amber Hurdle

"Regardless of whether you speak the language or are familiar with a culture, the picture should hold up."

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Amber Hurdle

"I don't think anyone could write about another culture and get it 100 percent accurate."

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Amber Hurdle

"The capacity to be intrinsic and vulgar is American."

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Amber Hurdle

"Under popular culture's obsession with a naive inclusion, everything is O.K."

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Amber Hurdle

"Nevada has a world-class economy. It will only build a world-class culture with world-class research universities coupled with the Desert Research Institute."

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Amber Hurdle

"Culture and possessions, there is the bourgeoisie for you."

Explore more quotes by Ben Shahn

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Ben Shahn
"Of course I realize that photography is not the technical facility as much as it is the eye, and this decision that one makes for the moment at which you are going to snap, you know."
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Ben Shahn
"I didn't care where my works were published."
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Ben Shahn
"In '38, this time I did a job for Mr. Stryker. I went on his payroll at about half the salary I was getting before, to cover what he called Harvest in Ohio."
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Ben Shahn
"I feel, having the choices I had, I felt I had more control over my own medium than I did over photography."
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Ben Shahn
"I was brought in, not in the photographic department at all, I was brought in on a thing called Special Skills. I was to do posters, pamphlets, murals, propaganda in general, you know."
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Ben Shahn
"I did take my camera along, as I felt there wouldn't be enough time to draw the things I wanted to do. I did some drawing and did a lot of photography but I was not part of Stryker's outfit at all."
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Ben Shahn
"I was so impressed with the work we were doing and I was very involved ideologically in photography - that I arranged an exhibition at the College Art Association. The first exhibition I picked the photographs and so on and we had an exhibition in New York."
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Ben Shahn
"I still love to look at photographs but I couldn't do it myself anymore."
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Ben Shahn
"Some time ago, we went to Asia and took a camera along, and I began to do what I'd done even years ago doing people. I couldn't get interested in it. And I did hundreds of photographs of details of the monuments as sculpture."
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Ben Shahn
"Now, when I came on to Washington to begin my job, I was so interested in photography at that time that I really would have preferred to work with Stryker than with my department, which was more artistic if you wish."
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