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Christo

"Now, to describe the process of the Wrapped Reichstag, which went from 1971 to '95, there is an entire book about that, because each one of our projects has its own book. The book is not an art book, meaning it's not written by an art historian."

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"Now, to describe the process of the Wrapped Reichstag, which went from 1971 to '95, there is an entire book about that, because each one of our projects has its own book. The book is not an art book, meaning it's not written by an art historian."

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Amber Hurdle

"And it seemed at last that there were two musics progressing at one time before the seat of IlAovatar, and they were utterly at variance. The one was deep and wide ad beautiful, but slow and blended with an immeasurable sorrow from which its beauty chiefly came."

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Amber Hurdle

"The kind of poem I produced in those days was hardly anything more than a sign I made of being alive, of passing or having passed, or hoping to pass, through certain intense human emotions. It was a phenomenon of orientation rather than of art, thus comparable to stripes of paint on a roadside rock or to a pillared heap of stones marking a mountain trail. But then, in a sense, all poetry is positional: to try to express one's position in regard to the universe embraced by consciousness, is an immemorial urge. Tentacles, not wings, are Apollo's natural members. Vivian Bloodmark, a philosophical friend of mine, in later years, used to say that while the scientist sees everything that happens in one point of space, the poet feels everything that happens in one point of time."

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Amber Hurdle

"The discipline of creation, be it to paint, compose, write, is an effort towards wholeness."

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Amber Hurdle

"Let music ignite your vivid inner colors and bring you harmony inside and out."

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Amber Hurdle

"I have always noticed that in portraits of really great writers the mouth is always firmly closed."

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Amber Hurdle

"A work of art has no importance whatever to society. It is only important to the individual."

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Amber Hurdle

"Rules and models destroy genius and art."

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Amber Hurdle

"The effort of art is to keep what is interesting in existence, to recreate it in the eternal."

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Christo
"Therefore, when we arrive in a place and talk to new people about a new image, it is very hard for them to visualize it. That's where the drawings are very important, because at least we can show a projection of what we believe it will look like."
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Christo
"It is not only one person's work, it's really a partnership and collaboration during all these years."
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Christo
"It appears to be monumental only because it's art."
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Christo
"You see, we are not machines and we do not have lots of ideas in a drawer."
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Christo
"We have created indoor installations inside museums, like the Wrapped Floor at the Museum of Contemporary Art in Chicago in 1968, and not monumental at all by any standards."
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Christo
"Therefore we have to go over the fact that all human beings are afraid by what is new. It is our work to convince them that they will enjoy it, and even if they don't, to allow us just for 14 days to create that work of art."
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Christo
"That could stay, not forever, because we believe that nothing exists that is forever, not even the dinosaurs, but if well maintained, it could remain for four to five thousand years. And that is definitely not forever."
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Christo
"If some of our works are symphonies, then wrapped walkways was chamber music."
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Christo
"The decision to use only the name Christo was made deliberately when we were young because it is difficult for one artist to get established and we wanted to put all the chances on our side."
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Christo
"New York is our home."
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