Stephen King, an American author, is one of the most prolific and influential writers of horror and suspense fiction. His ability to craft deeply engaging narratives that explore the human psyche, fear, and morality has earned him a devoted global following. King's dedication to his craft and his unyielding work ethic inspire writers to pursue their passions, conquer self-doubt, and create stories that resonate deeply with readers, no matter the genre. His success serves as a reminder that persistence and creativity lead to lasting impact.
"A hurt body and mind aren't just like a dictatorship; they are a dictatorship. There is no tyrant as merciless as pain, no despot so cruel as confusion. That my mind had been as badly hurt as my body was a thing I only came to realize once I was alone and all other voices dropped away."
"Outlines are the last resource of bad fiction writers who wish to God they were writing masters' theses."
"Sometimes home is where the heart is, Eddie thought randomly. I believe that. Old Bobby Frost said home's the place where, when you have to go there, they have to take you in. Unfortunately, it's also the place where, once you're in there, they don't ever want to let you out."
"Only God gets it right the first time and only a slob says, "Oh well, let it go, that's what copyeditors are for."
"It was the possibility of darkness that made the day seem so bright."
"It is completely raw, the sort of thing I feel free to do with the door shut-it's the story undressed, standing up in nothing but its socks and undershorts."
"It was bad, but what in high school is not? At the time we're stuck in it, like hostages locked in a Turkish bath, high school seems like the most serious business in the world to just about all of us. It's not until the second or third class reunion that we start realizing how absurd the whole thing was."
"As always, the blessed relief of starting, a feeling that was like falling into a hole filled with bright light.As always, the glum knowledge that he would not write as well as he wanted to write. As always the terror of not being able to finish, of accelerating into a brick wall. As always, the marvelous joyful nervy feeling of journey begun."
"Flakes of snow swirled and danced across the porch. The Overlook faced it as it had for nearly three-quarters of a century, its darkened windows now bearded with snow, indifferent to the fact it was now cut off from the world. Inside its shell the three of them went about their early evening routine, like microbes trapped in the intestine of a monster."
"I love the movies, and when I go to see a movie that's been made from one of my books, I know that it isn't going to be exactly like my novel because a lot of other people have interpreted it. But I also know it has an idea that I'll like because that idea occurred to me, and I spent a year, or a year and a half of my life working on it."
"He felt as he always did when he finished a book - queerly empty, let down, aware that for each little success he had paid a toll of absurdity."
"The young man was sort of ... well ... peering at this shovel, and Lisey knew not by his face but by the whole awkward this-way-n-that jut of his lanky body that he didn't have any idea what he was seeing. It could have been an artillery shell, a bonsai tree, a radiation detector, or a china pig with a slot in its back for spare silver; it could have been a whang-dang-doodle, a phylactery testifying to the pompetus of love, or a cloche hat made out of coyote skin. It could have been the penis of the poet Pindar. This guy was too far gone to know."
"When certain seeds are planted, they nearly always grow."
"Driving a desk was sometimes lonely, but Eddie had been in the drivers'-seat himself more than once, his aspirator riding there with him on the dashboard, its trigger reflected ghostly in the windshield (and a bucket-load of pills in the glove compartment), and he knew that real loneliness was a smeary red: the color of the taillights of the car ahead of you reflected on wet hottop in a driving rain."
"Start with a blank surface. It doesn't have to be paper or canvas, but I feel it should be white. We call it white because we need a word, but its true name is nothing. Black is the absence of light, but white is the absence of memory, the color of can't remember."
"I suspect that fright, like pain, is one of those things that slip our minds once they have passed. What I do remember is a feeling I'd had before when I was down here, especially when I was walking this road by myself. It was a sense that reality is thin. I think it is thin, you know, thin as lake ice after a thaw, and we fill our lives with noise and light and motion to hide that thinness from ourselves."
"How to Draw a Picture (XII)Know when you're finished, and when you are, put your pencil or your paintbrush down. All the rest is only life."
"But the pistol, this Walther...it was as if it had been made for the express purpose of shooting people. With a chill Richie realized that was why it had been made. What else could you do with a pistol? Use it to light your cigarettes?"
"If you're just starting out as a writer, you could do worse than strip your television's electric plug-wire, wrap a spike around it, and then stick it back into the wall. See what blows, and how far. Just an idea."
"Writers remember everything...especially the hurts. Strip a writer to the buff, point to the scars, and he'll tell you the story of each small one. From the big ones you get novels. A little talent is a nice thing to have if you want to be a writer, but the only real requirement is the ability to remember the story of every scar.Art consists of the persistence of memory."
"Sometimes stories cry out to be told in such loud voices that you write them just to shut them up."
"Let's get one thing clear right now, shall we? There is no Idea Dump, no Story Central, no Island of the Buried Bestsellers; good story ideas seem to come quite literally from nowhere, sailing at you right out of the empty sky: two previously unrelated ideas come together and make something new under the sun. Your job isn't to find these ideas but to recognize them when they show up."
"The energy you drew on so extravagantly when you were a kid, the energy you thought would never exhaust itself - that slipped away somewhere between eighteen and twenty-four, to be replaced by something much duller, something as bogus as a coke high: purpose, maybe, or goals, or whatever rah-rah Junior Chamber of Commerce word you wanted to use. It was no big deal; it didn't go all at once, with a bang. And maybe, Richie thought, that's the scary part. How you didn't stop being a kid all at once, with a big explosive bang, like one of that clown's trick balloons. The kid in you just leaked out, like the air of a tire."
"It's in The Lord of the Rings, I think, where one of the characters says that "way leads on to way"; that you could start at a path leading nowhere more fantastic than from your own front steps to the sidewalk, and from there you could go . . . well, anywhere at all. It's the same way with stories. One leads to the next, to the next, and to the next; maybe they go in the direction you wanted to go, but maybe they don't. Maybe in the end it's the voice that tells the stories more than the stories themselves that matters."
"If you write books, you go on one page at a time. We turn from all we know and all we fear. We study catalogues, watch football games, choose Sprint over AT&T. We count the birds in the sky and will not turn from the window when we hear the footsteps behind as something comes up the hall; we say yes, I agree that clouds often look like other things - fish and unicorns and men on horseback - but they are really only clouds. Even when the lightning flashes inside them we say they are only clouds and turn our attention to the next meal, the next pain, the next breath, the next page.This is how we go on."