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"I received a grant from The Ford Foundation to write a book for kids about urban perception, or how people experience cities, but I kept putting off writing it. Instead I started to write what became The Phantom Tollbooth."
"And when I'm writing, I write a lot anyway. I might write pages and pages of conversation between characters that don't necessarily end up in the book, or in the story I'm working on, because they're simply my way of getting to know the characters."
"The only other thing which I think is important is: Don't write a book or start a book with the expectation of communicating a message in a very important way."
"People always ask about my influences, and they cite a bunch of people I've never heard of."
"When you're very young and you learn something - a fact, a piece of information, whatever - it doesn't connect to anything."
"But I find the best things I do, I do when I'm trying to avoid doing something else I'm supposed to be doing. You know, you're working on something. You get bugged, or you lose your enthusiasm or something. So you turn to something else with an absolute vengeance."