Julian Barnes, an acclaimed English writer, has captivated readers with his elegant prose and incisive explorations of memory, identity, and the human condition. With novels such as "The Sense of an Ending" and "Arthur & George," Barnes has established himself as a master storyteller, earning literary awards and widespread critical acclaim for his profound insights into the complexities of life and literature.
"I am more optimistic, both about reading and about books. There will always be non-readers, bad readers, lazy readers " there always were. Reading is a majority skill but a minority art. Yet nothing can replace the exact, complicated, subtle communion between absent author and entranced, present reader."
"He always thought that Touie's long illness would somehow prepare him for her death. He always imagined that grief anf guilt, if they followed, would be more clear-edged, more defined, more finite. Instead they seem like weather, like clouds constantly re-forming into new shapes, blown by nameless, unidentifiable winds."
"And perhaps it was also the case that, for all a lifetime's internal struggling, you were finally no more than what others saw you as. That was your nature, whether you liked it or not."
"What was the point of having a situation worthy of fiction if the protagonist didn't behave as he would have done in a book?"
"I remember what Old Joe Hun said when arguing with Adrian: that mental states can be inferred from actions. That's in history-Henry VIII and all that. Whereas in the private life, I think the converse is true: that you can infer past actions from current mental states."
"When I was still quite young I had a complete presentiment of life. It was like the nauseating smell of cooking escaping from a ventilator: you don't have to have eaten it to know that it would make you throw up."
"Time...give us enough time and our best-supported decisions will seem wobbly, our certainties whimsical."
"If the writer were more like a reader, he'd be a reader, not a writer. It's as uncomplicated as that."
"How do we seize the past? Can we ever do so? When I was a medical student some pranksters at the end-of-the-term dance released into the hall a piglet which had been smeared with grease. It squirmed between legs, evaded capture, squealed a lot. People fell over trying to grasp it, and were made to look ridiculous in the process. The past often seems to behave like that piglet."
"Life versus Death becomes, as Montaigne pointed out, Old Age versus Death."
"The best form of government is one that is dying, because that means it's giving way to something else."
"He thought of trying to explain something he had recently noticed about himself: that if anyone insulted him, or one of his friends, he didn't really mind--or not much, anyway. Whereas if anyone insulted a novel, a story, a poem that he loved, something visceral and volcanic occurred within him. He wasn't sure what this might mean--except perhaps that he had got life and art mixed up, back to front, upside down."
"Our parents thought we might be corrupted by one another into becoming whatever it was they most feared: an incorrigible masturbator, a winsome homosexual, a recklessly impregnatory libertine. On our behalf they dreaded the closeness of adolescent friendship, the predatory behaviour of strangers on trains, the lure of the wrong kind of girl. How far their anxieties outran our experience."
"You can't love someone without imaginative sympathy, without beginning to see the world from another point of view. You can't be a good lover, a good artist or a good politician without this capacity (you can get away with it, but that's not what I mean). Show me the tyrants who have been great lovers."
"The greatest patriotism is to tell your country when it is behaving dishonorably, foolishly, viciously."
"Irony - The modern mode: either the devil's mark or the snorkel of sanity."
"The final tormenting, unanswerable question: what is 'success' in mourning?"
"It had been a slow and painful business, discovering that the theory of love did not match the reality of life. It was like expecting to be able to write a symphony because you had once read a handbook of composition."
"I feel sorry for novelists when they have to mention women's eyes: there's so little choice, and whatever colouring is decided upon inevitably carries banal implications. Her eyes are blue: innocence and honesty. Her eyes are black: passion and depth. Her eyes are green: wildness and jealousy. Her eyes are violet: the novel is by Raymond Chandler."
"History isn't what happened, history is just what historians tell us."
"What could be put up against the noise of time? Only that music which is inside ourselves - the music of our being - which is transformed by some into real music. Which, over the decades, if it is string and true and pure enough to drown out the noise of time, is transformed into the whisper of history."
"I blushed. You haven't seen a bald man in his sixties blush? Oh, it happens, just as it does to a hairy, spotty fifteen-year-old. And because it's rarer, it sends the blusher tumbling back to that time when life felt like nothing more than one long sequence of embarrassments."
"In my terms, I settled for the realities of life, and submitted to its necessities: if this, then that, and so the years passed. In Adrian's terms, I gave up on life, gave up on examining it, took it as it came. And so, for the first time, I began to feel a more general remorse - a feeling somewhere between self-pity and self-hatred - about my whole life. All of it. I had lost the friends of my youth. I had lost the love of my wife. I had abandoned the ambitions I had entertained. I had wanted life not to bother me too much, and had succeeded - and how pitiful that was."
"Was this their exact exchange? Almost certainly not. Still, it is my best memory of their exchange."
"Memories of childhood were the dreams that stayed with you after you woke."
"If you turned your back on irony, it curdled into sarcasm. And what good was it then? Sarcasm was irony which had lost its soul."
"Love may not lead where we think or hope, but regardless of outcome it should be a call to seriousness and truth. If it is not that - if it is not moral in its effect - then love is no more than an exaggerated form of pleasure."
"Because just as all political and historical change sooner or later disappoints, so does adulthood. So does life. Sometimes I think the purpose of life is to reconcile us to its eventual loss by wearing us down, by proving, however long it takes, that life isn t all it s cracked up to be."
"Is there anything more plausible than a second hand? And yet it takes only the smallest pleasure or pain to teach us time's malleability. Some emotions speed it up, others slow it down; occasionally, it seems to go missing--until the eventual point when it really does go missing, never to return."
"We live with such easy assumptions, don't we? For instance, that memory equals events plus time. But it's all much odder than this. Who was it said that memory is what we thought we'd forgotten? And it ought to be obvious to us that time doesn't act as a fixative, rather as a solvent. But it's not convenient--- it's not useful--- to believe this; it doesn't help us get on with our lives; so we ignore it."
"(on grief) And you do come out of it, that's true. After a year, after five. But you don't come out of it like a train coming out of a tunnel, bursting through the downs into sunshine and that swift, rattling descent to the Channel; you come out of it as a gull comes out of an oil-slick. You are tarred and feathered for life."
"Pride makes us long for a solution to things " a solution, a purpose, a final cause; but the better telescopes become, the more stars appear."
"What was the point of scientific advance without moral advance? The railway would merely permit more people to move about, meet and be stupid together."
"Back then, things were plainer: less money, no electronic devices, little fashion tyranny, no girlfriends. There was nothing to distract us from our human and filial duty which was to study, pass exams, use those qualifications to find a job, and then put together a way of life unthreateningly fuller than that of our parents, who would approve, while privately comparing it to their own earlier lives, which had been simpler, and therefore superior."
"Throw off your grief,' doubters imply, 'and we can all go back to pretending death doesn't exist, or at least is comfortably far away."
"Remember the botched brothel-visit in L'Education sentimentale and remember its lesson. Do not participate: happiness lies in the imagination, not the act. Pleasure is found first in anticipation, later in memory."
"Music escapes from words: that is its purpose, and its majesty."
"History is that certainty produced at the point where the imperfections of memory meet the inadequacies of documentation."
"Was it the case that colours dimmed as the eye grew elderly? Or was it rather that in youth your excitement about the world transferred itself onto everything you saw and made it brighter?"
"A pier is a disappointed bridge, yet stare at it for long enough and you can dream it to the other side of the Channel."
"In an oppressive society the truth-telling nature of literature is of a different order, and sometimes valued more highly than other elements in a work of art."
"He didn't really like travel, of course. He liked the idea of travel, and the memory of travel, but not travel itself."