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"How do we seize the past? Can we ever do so? When I was a medical student some pranksters at the end-of-the-term dance released into the hall a piglet which had been smeared with grease. It squirmed between legs, evaded capture, squealed a lot. People fell over trying to grasp it, and were made to look ridiculous in the process. The past often seems to behave like that piglet."
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"Every time the long-forgotten people of the past are remembered, they are born again!"
"To forget is to blithely toss aside the hard lessons that were hard won by others before us, thereby needlessly dooming us to endure the hard lessons that are likely to be forgotten by those who will follow us. And it is altogether reasonable that in order to avoid this repetitive trouncing, God graciously granted us memories."
"Precipitate as weather, she appeared from somewhere, then evaporated, leaving only memory."
"It is said that nothing in our lives is ever lost, that nothing can prevent its having been. That is why, so very often the weight of the past lies ineluctably upon the present. But that is why it is so real in memory, so wholly itself, so far beyond replacement."
"Memory is a few lines snipped from a larger story that we are privileged to tuck away between the pages of our minds."
"Your first words will outlive your conversations and impact how you are remembered, liked, or regarded. Wouldn't you enjoy opening conversations with ease and mutual recognition? The challenging part is that it can be . . . awkward!"
"That's a nice song,' said young Sam, and Vimes remembered that he was hearing it for the first time. It's an old soldiers' song,' he said. Really, sarge? But it's about angels.' Yes, thought Vimes, and it's amazing what bits those angels cause to rise up as the song progresses. It's a real soldiers' song: sentimental, with dirty bits. As I recall, they used to sing it after battles,' he said. 'I've seen old men cry when they sing it,' he added. Why? It sounds cheerful.' They were remembering who they were not singing it with, thought Vimes. You'll learn. I know you will."
Explore more quotes by Julian Barnes
"What does the novel do? It tells beautiful, shapely lies which enclose hard, exact truths."
"Flaubert didn't just hate the railway as such; he hated the way it flattered people with the illusion of progress. What was the point of scientific advance without moral advance? The railway would merely permit more people to move about, meet and be stupid together."
"The best life for a writer is the life which helps him write the best books he can."
"Throw off your grief,' doubters imply, 'and we can all go back to pretending death doesn't exist, or at least is comfortably far away."
"His air of failure had nothing desperate about it; rather, it seemed to stem from an unresented realisation that he was not cut out for success, and his duty was therefore to ensure only that he failed in the correct and acceptable fashion."
"When you're young you prefer the vulgar months, the fullness of the seasons. As you grow older you learn to like the in-between times, the months that can't make up their minds. Perhaps it's a way of admitting that things can't ever bear the same certainty again."
"The imagination doesn't crop annually like a reliable fruit tree. The writer has to gather whatever's there: sometimes too much, sometimes too little, sometimes nothing at all. And in the years of glut there is always a slatted wooden tray in some cool, dark attic, which the writer nervously visits from time to time; and yes, oh dear, while he's been hard at work downstairs, up in the attic there are puckering skins, warning spots, a sudden brown collapse and the sprouting of snowflakes. What can he do about it?"
"You can define a net two ways, depending on your point of view. Normally you would say it is a meshed instrument designed to catch fish. But you could, with no great injury to logic, reverse the image and define the net as a jocular lexicographer once did: he called it a collection of holes tied together with string."
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