Jonathan Safran Foer is a celebrated American novelist known for his deeply innovative and emotionally resonant explorations of memory, love, and loss. Through his award-winning literature, he masterfully weaves together the fragments of human experience, finding profound meaning in the spaces between grief and joy, connection and isolation. His work encourages readers to look closely at their own lives and relationships, reminding us that our personal and collective histories are powerful narratives waiting to be understood and cherished. He inspires a courageous engagement with the world and the people in it.
"I don't think that there are any limits to how excellent we could make life seem."
"In my dream, people apologized for things that were about to happen, and lit candles by inhaling."
"It was not the feeling of completeness I so needed, but the feeling of not being empty."
"Because sometimes people who seem goodend up being not as good as you might have hoped."
"I thought maybe if she could express herself rather than suffer herself, if she had a way to relieve the burden, she lived for nothing more than living, with nothing to get inspired by, to care for, to call her own, she helped out at the store, then came home and sat in her big chair and stared at her magazines, not at them but through them, she let the dust accumulate on her shoulders."
"Kids are a great analogy. You want your kids to grow up, and you don't want your kids to grow up. You want your kids to become independent of you, but it's also a parent's worst nightmare: That they won't need you. It's like the real tragedy of parenting."
"I said, 'I need to know how he died.'He flipped back and pointed at, 'Why?'So I can stop inventing how he died. I'm always inventing."
"The disgraced Usurer Yankel D took the baby girl home that evening... He made a bed of crumpled newspaper in a deep baking pan and gently tucked it in the oven, so that she wouldn't be disturbed by the noise of the small falls outside... When he pulled her out to feed her or just hold her, her body was tattooed with the newsprint... Sometimes he would rock her to sleep in his arms, and read her left to right, and know everything he needed to know about the world. If it wasn't written on her, it wasn't important to him."
"People care about animals. I believe that. They just don't want to know or to pay. A fourth of all chickens have stress fractures. It's wrong. They're packed body to body, and can't escape their waste, and never see the sun. Their nails grow around the bars of their cages. It's wrong. They feel their slaughters. It's wrong, and people know it's wrong. They don't have to be convinced. They just have to act differently. I'm not better than anyone, and I'm not trying to convince people to live by my standards of what's right. I'm trying to convince them to live by their own."
"She took the posters downtown that afternoon. She filled a rolling suitcase with them ... she took a stapler. And a box of staples. And hope. I think of those things. The paper, the stapler, the staples, the tape, the hope. It makes me sick. Physical things. Forty years of loving someone becomes staples and hop."
"When I was a girl, my life was music that was always getting louder. Everything moved me. A dog following a stranger. That made me feel so much. A calender that showed the wrong month. I could have cried over it. I did. Where the smoke from the chimney ended. How an overturned bottle rested at the edge of a table. I spent my life learning to feel less. Every day I felt less. Is that growing old? Or is it something worse? You cannot protect yourself from sadness without protecting yourself from happiness."
"Needless to say, jamming deformed, drugged, overstressed birds together in a filthy, waste-coated room is not very healthy. Beyond deformities, eye damage, blindness, bacterial infections of bones, slipped vertebrae, paralysis, internal bleeding, anemia, slipped tendons, twisted lower legs and necks, respiratory diseases, and weakened immune systems are frequent and long-standing problems on factory farms."
"I imagine a line, a white line, painted on the sand and on the ocean, from me to you."
"She was like a drowning person, flailing, reaching for anything that might save her. Her life was an urgent, desperate struggle to justify her life."
"I thought about all of the things that everyone ever says to each other, and how everyone is going to die, whether it's in a millisecond, or days, or months, or 76.5 years, if you were just born. Everything that's born has to die, which means our lives are like skyscrapers. The smoke rises at different speeds, but they're all on fire, and we're all trapped."
"It has shown me that everything is illuminated in the light of the past. It is always along the side of us...on the inside, looking out."
"I am always sad, I think. Perhaps this signifies that I am not sad at all, because sadness is something lower than your normal disposition, and I am always the same thing. Perhaps I am the only person in the world, then, who never becomes sad. Perhaps I am lucky."
"So many people enter and leave your life! Hundreds of thousands of people! You have to keep the door open so they can come in! But it also means you have to let them go!"
"Touch had always saved them in the past. No matter the anger or hurt, no matter the depth of the aloneness, a touch, even a light and passing touch, reminded them of their long togetherness. A palm on a neck: it all flooded back. A head leaned upon a shoulder: the chemicals surged, the memory of love. At times, it was almost impossible to cross the distance between their bodies, to reach out. At times, it was impossible. Each new the feeling so well, in the silence of a darkened bedroom, looking at the same ceiling: If I could open my fingers, my heart's fingers could open."
"Nothing goes away. Not on its own. You deal with it, or it deals with you."
"He saw what they either couldn't see or couldn't allow themselves to see, and that only made him more pissed, because being less stupid than one's parents is repulsive, like taking a gulp from a glass of milk that you thought was orange juice."
"It shouldn't be the consumer's responsibility to figure out what's cruel and what's kind, what's environmentally destructive and what's sustainable. Cruel and destructive food products should be illegal. We don't need the option of buying children's toys made with lead paint, or aerosols with chlorofluorocarbons, or medicines with unlabeled side effects. And we don't need the option of buying factory-farmed animals."
"You cannot protect yourself from sadness without protecting yourself from happiness."
"I can forgive you for leaving, but not for coming back."
"From space, astronauts can see people making love as a tiny speck of light. Not light, exactly, but a glow that could be confused for light - a coital radiance that takes generations to pour like honey through the darkness to the astronaut's eyes.In about one and a half centuries - after the lovers who made the glow will have long since been laid permanently on their backs - the metropolitan cities will be seen from space. They will glow all year. Smaller cities will also be seen, but with great difficulty. Towns will be virtually impossible to spot. Individual couples invisible."
"She extended a hand that I didn't know how to take, so I broke its fingers with my silence."
"He chose illness, because he knew of no other way to be seen. Not even by those looking at him."
"There were things I wanted to tell him. But I knew they would hurt him. So I buried them, and let them hurt me."
"AND IF WE ARE TO STRIVE FOR A BETTER FUTURE, MUSTN'T WE BE FAMILIAR AND RECONCILED WITH OUR PAST?"
"Succotash my cocker spaniel, you fudging crevasse-hole dipshiitake!"
"She was a prism through with sadness could be divided into its infinite spectrum."
"She was a genius of sadness, immersing herself in it, separating its numerous strands, appreciating its subtle nuances. She was a prism through which sadness could be divided into its infinite spectrum."