Haruki Murakami, a Japanese writer, is celebrated worldwide for his unique blend of surrealism, philosophy, and human emotion in novels such as Norwegian Wood and 1Q84. His thought-provoking storytelling, which often explores themes of loneliness and self-discovery, inspires readers to embrace the complexity of human life and to reflect on the deeper aspects of existence. Murakami's ability to blend the ordinary with the extraordinary has earned him a loyal following and encouraged other writers to explore the boundaries of reality.
"Colors shone with exceptional clarity in the rain. The ground was a deep black, the pine branches a brilliant green, the people wrapped in yellow looking like special spirits that were allowed to wander over the earth on rainy mornings only."
"Every one of us is losing something precious to us. Lost opportunities, lost possibilities, feelings we can never get back again. That's part of what it means to be alive."
"I never had what it takes to make a first-rate anything.''That's wrong,' she declared. 'Everyone must have one thing that they can excel at. It's just a matter of drawing it out, isn't it?' But school doesn't know how to draw it out. It crushes the gift. It's no wonder most people never get to be what they want to be. They just get ground down."
"I think memory is the most important asset of human beings. It's a kind of fuel; it burns and it warms you. My memory is like a chest: There are so many drawers in that chest, and when I want to be a fifteen-year-old boy, I open up a certain drawer and I find the scenery I saw when I was a boy in Kobe. I can smell the air, and I can touch the ground, and I can see the green of the trees. That's why I want to write a book."
"Words left their mouths to hang frozen in midair."
"If you remember me, then I don't care if everyone else forgets."
"It's basically the same in all periods of societies. If you belong to the majority, you can avoid thinking about lots of troubling things.''And those troubling things are all you /can/ think about when you're one of the few.''That's about the size of it,' she said mournfully. 'But maybe, if you're in a situation like that, you learn to think for yourself.''Yes, but maybe what you end up thinking for yourself /about/ is all those troubling things."
"People sometimes sneer at those who run every day, claiming they'll go to any length to live longer. But don't think that's the reason most people run. Most runners run not because they want to live longer, but because they want to live life to the fullest. If you're going to while away the years, it's far better to live them with clear goals and fully alive then in a fog, and I believe running helps you to do that. Exerting yourself to the fullest within your individual limits: that's the essence of running, and a metaphor for life - and for me, for writing as whole. I believe many runners would agree."
"Time does not expand.""But time is actually expanding, isn't it? You yourself said that time adds up.""That's only because time needed for transit has decreased. The sum total of time doesn't change. It's only that you can see more movies."
"Slowly like a movie fade out, the real world evaporates. I'm alone, inside the world of the story. My favorite feeling in the world."
"Our faces were no more than ten inches apart, but she was light years away from me."
"I mean, public libraries like this one were always short of money, so building even the tiniest of labyrinths had to be beyond their means."
"I have a million things to talk to you about. A million things we have to talk about. All I want in this world is you. I want to see you and talk. I want the two of us to begin everything from the beginning."
"They had stolen my memories from me! Nobody had that right. Nobody! My memories belonged to me. Stealing memories was stealing time. I got so mad, I lost all fear. I didn't care what happened. I want to live! I told myself. I will live. I will get out of this insane netherworld and get back my stolen memories back and live. Forget the end of the world, I was ready to reclaim my whole self."
"Dreaming is the day job of novelists, but sharing our dreams is a still more important task for us. We cannot be novelists without this sense of sharing something."
"As a teacher, Tengo pounded into his students' heads how voraciously mathematics demanded logic. Here things that could not be proven had no meaning, but once you had succeeded in proving something, the world's riddles settled into the palm of your hand like a tender oyster."
"I don't deserve a girl like Hatsumi," Nagasawa once said to me. I had to agree with him."
"People have their own reasons for dying. It might look simple, but it never is. It's just like a rock. What's above ground is only a small part of it. But if you start pulling, it keeps coming and coming. The human mind dwells deep in darkness. Only the person himself knows the real reason, and maybe not even then."
"(When asked "Was the model for Midori (a character in Norwegian Wood) modeled after your wife?) I showed your message to my wife. She got mad and yelled: "What would make them think I was the model for Midori?! She told me to fix the misunderstanding immediately, so that's why I'm writing this reply now. Please stop causing problems in my household. Thank you."
"His mind floated in the amniotic fluid of memory, listening for echoes of the past. His father, meanwhile, had no idea that such a vivid scene was burned into Tengo's brain or that, like a cow in the meadow, Tengo was endlessly regurgitating fragments of the scene to chew on, a cud from which he obtained essential nutrients. Father and son: each was locked in a deep, dark embrace with his secrets."
"There's a need, too, for a special name in order to distinguish between this present world and the former world in which the police carried old-fashioned revolvers. ... 1Q84 - that's what I'll call this new world. Q is for 'question mark'. A world that bears a question."
"There's no such thing as perfect writing, just like there's no such thing as perfect despair."
"So that's how we live our lives. No matter how deep and fatal the loss, no matter how important the thing that's stolen from us--that's snatched right out of our hands--even if we are left completely changed, with only the outer layer of skin from before, we continue to play out our lives this way, in silence. We draw ever nearer to the end of our allotted span of time, bidding it farewell as it trails off behind. Repeating, often adroitly, the endless deeds of the everyday. Leaving behind a feeling of immeasurable emptiness."
"It's just a feeling I have. What you see with your eyes is not necessarily real. My enemy is, among other things, the me inside me."
"As I suspect is true of many who write for a living, as I write I think about all sorts of things. I don't necessarily write down what I'm thinking; it's just that as I write I think about things. As I write, I arrange my thoughts. And rewriting and revising takes my thinking down even deeper paths."
"Good style happens in one of two ways: the writer either has an inborn talent or is willing to work herself to death to get it."
"No, I don't think I've been defiled. But I haven't been saved, either. There's nobody who can save me right now, Mr. Wind-Up Bird. The world looks totally empty to me. Everything I see around me looks fake. The only thing thay isn't fake is that gooshy thing inside me."
"Tengo had a gift for such work. He was a born technician, possessing both the intense concentration of a bird sailing through the air in search of prey and the patience of a donkey hauling water, playing always by the rules of the game."
"Anyway, I forgot all about him once I graduated. So quickly and easily, it was weird. What was it about him that had made the seventeen-year-old me fall so hard? Try as I might, I couldn't remember. Life is strange, isn't it? You can be totally entranced by something one minute, be willing to sacrifice everything to make it yours, but then a little time passes, or your perspective changes a bit, and all of a sudden you're shocked at how its glow has faded. What was I looking at? you wonder. So that's the story of my 'breaking-and-entering' period."
"Because sometimes I have a need for human warmth, I answered honestly. Sometimes, if I can't feel something like the warmth of a woman's skin, I get so lonely I can't stand it."
"For me- and for everybody else, probably- this is my first experience growing old, and the emotions I'm having, too, are all first-time feelings. If it were something I'd experienced before, then I'd be able to understand it more clearly, but this is the first time, so I can't. For now all I can do is put off making any detailed judgments and accept things as they are. Just like I accept the sky, the clouds, and the river. And there's also something kind of comical about it all, something you don't want to discard completely."
"As if a great creature had grown old without being able to express its feelings. Not that it didn't know how to express them, but rather it didn't know what to express."
"You're wrong. The mind is not like raindrops. It does not fall from the skies, it does not lose itself among other things. If you believe in me at all, then believe this: I promise you I will find it. Everything depends on this." "I believe you," she whispers after a moment. "Please find my mind."
"She was seriously in love, but she never made demands."