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"It's basically the same in all periods of societies. If you belong to the majority, you can avoid thinking about lots of troubling things.''And those troubling things are all you /can/ think about when you're one of the few.''That's about the size of it,' she said mournfully. 'But maybe, if you're in a situation like that, you learn to think for yourself.''Yes, but maybe what you end up thinking for yourself /about/ is all those troubling things."
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"A society becomes a breeding ground of violence and terrorism when it closes its door to new ideas and forces the citizens to live in the prison of conforming thoughts."
"Oh shit did you just dis the feminine genderI'll pummel your ass then stick you in a blenderYou think I like Tori and Ani so I can't rhymeBut I got flow like Ghostbusters got slimeObjectify women and it's fuckin' onYou'll be dead and gone like ancient Babylon."
"I was pure, before you defiled me, and don't you forget it. As though the concept of purity is anything more than the construct of selfish, competitive men stampeding toward the women to call dibs. I'll be damned if I'm not worth stampeding toward, but the prize had better be me, hymen or no hymen."
"It's strange how money seems to silence a neighborhood," I say quietly. "On my street, where no one has money, it's so loud. Sirens blaring, people shouting, car doors slamming, stereos thumping. There's always someone, somewhere, making noise."
Explore more quotes by Haruki Murakami
"Something will work out tomorrow, I thought. And if not, then tomorrow I'll do some thinking. Ob-la-di, ob-la-da, life goes on."
"When I write about a 15-year old, I jump, I return to the days when I was that age. It's like a time machine. I can remember everything. I can feel the wind. I can smell the air. Very actually. Very vividly."
"It seemed unreasonable, unfair, that a woman so young and beautiful should be so exhausted. Of course, it was neither unreasonable nor unfair. Exhaustion pays no mind to age and beauty. Like rain and earthquakes and hail and floods."
"But like a boat with a twisted rudder, I kept coming back to the same place. I wasn't going anywhere. I was myself, waiting on the shore for me to return. Was that so depressing?Who knows? Maybe that was 'despair.' What Turgenev called 'disillusionment.' Or Dostoyevsky, 'hell.' Or Somerset Maugham, 'reality.' Whatever the label, I figured it was me."
"I am 55 years old now. It takes three years to write one book. I don't know how many books I will be able to write before I die. It is like a countdown. So with each book I am praying - please let me live until I am finished."
"Like Naokuo, I'm not really sure what it means to love another person. Though she meant it a little differently. I do want to try my best though. I have to, or else I won't know where to go. Like you said before, Naoko and I have to save each other. It's the only was for us to be saved!"
"The most important thing we ever learn at school is the fact that the most important things can't be learned at school."
"I think most readers would say the same. Most would choose Midori. And the protagonist, of course, chooses her in the end. But some part of him is always in the other world and he cannot abandon it. It's a part of him, an essential part. All human beings have a sickness in their minds. That space is a part of them."
"It was""how shall I put it?""a painfully solitary building. Let me explain. Say we have a concept. It goes without saying that there will be slight exceptions to that norm. Now, over time these exceptions spread like stains until finally they form a separate concept. To which other exceptions crop up. It was that kind of building, some ancient life form that had evolved blindly, toward who knows what end."
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