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"Because isn't that the point of every relationship: to be known by someone else, to be understood? He gets me. She gets me. Isn't that the simple magic phrase?"
"She released her grievances like handfuls of birdseed: They are there, and they are gone."
"Compromise, communicate, and never go to bed angry - the three pieces of advice gifted and regifted to all newlyweds."
"And you drink a little too much and try a little too hard. And you go home to a cold bed and think, 'That was fine'. And your life is a long line of fine."
"The old Amy, the girl of the big laugh and the easy ways, literally shed herself, a pile of skin and soul on the floor, and stepped this new, brittle, bitter Amy ... a razor-wire knot daring me to unloop her, and I was not up to the job with my thick, numb, nervous fingers. Country fingers. Flyover fingers untrained in the intricate, dangerous work of 'solving Amy'. When I'd hold up the bloody stumps, she'd sigh and turn to her secret mental notebooks on which she tallied all my deficiencies, forever noting disappointments, frailties, shortcomings."
"I prepared to get out of bed, tossing the covers aside, the sheets dank-smelling, gray from my body. I wondered how long it had been since I'd changed them. And then I wondered how often you were supposed to change them. These were the kinds of things you didn't learn. I changed bedclothes after sex, now, finally, and that I only learned a few years ago from a movie on TV: Glenn Close, some thriller, and she'd just had sex and is changing the sheets and I can't remember the rest, because all I was thinking was: Oh, I guess people change sheets after they have sex. It made sense, but I'd never thought of it. I was raised feral, and I mostly stayed that way."
"The secondhand experience is always better. The image is crisper, the view is keener, the camera angle and the soundtrack manipulate my emotions in a way reality can't anymore. I don't know that we are actually human at this point, those of us who are like most of us, who grew up with TV and movies and now the Internet. If we are betrayed, we know the words to say; when a loved one dies, we know the words to say. If we want to play the stud or the smart-ass or the fool, we know the words to say. We are all working from the same dog-eared script."
"My father, [was] a mid-level phonecompany manager who treated my mother at best like an incompetent employee. At worst? He never beat her, but his pure, inarticulate fury would fill the house for days, weeks, at a time, making the air humid, hard to breathe, my father stalking around with his lower jaw jutting out, giving him the look of a wounded, vengeful boxer, grinding his teeth so loud you could hear it across the room I'm sure he told himself: 'I never hit her'. I'm sure because of this technicality he never saw himself as an abuser. But he turned our family life into an endless road trip with bad directions and a rage-clenched driver, a vacation that never got a chance to be fun."
"Natalie was buried in the family plot, next to a gravestone that already bore her parents' names. I know the wisdom, that no parents should see their child die, that such an event is like nature spun backward. But it's the only way to truly keep your child. Kid grow up, they forge more potent allegiances. They find a spouse or a lover. They will not be buried with you. The Keenes, however, will remain the purest form of family. Underground."
"Can you imagine, finally showing your true self to your spouse, your soul mate, and having him not like you?"
"Yes, I am finally a match for Amy. The other morning I woke up next to her, and I studied the back of her skull. I tried to read her thoughts. For once I didn't feel like I was staring into the sun. I'm rising to my wife's level of madness. Because I can feel her changing me again: I was a callow boy, and then a man, good and bad. Now at last I'm the hero. I am the one to root for in the never-ending war story of our marriage. It's a story I can live with. Hell, at this point, I can't imagine my story without Amy. She is my forever antagonist.We are one long frightening climax."
"He wears his cockiness like an ironic T-shirt, but it fits him better."
"So are there any asshole guys here I can start dating?' she says. 'That's, like, my pattern."
"Don't fret, we'll sort this out: the true and the not true and the might as well be true."
"There will be days you wish you'd never done it. And thosewill be the good times, when it's only days of regret and notmonths."
"I didn't think past the first step of anything, that was the key. I drank a Coke and didn't worry about how to recycle the can or about the acid puddling in my belly, acid so powerful it could strip clean a penny. We went to a dumb movie and I didn't worry about the offensive sexism or the lack of minorities in meaningful roles. I didn't even worry about anything that came next. Nothing had consequence, I was living in the moment, and I could feel myself getting shallower and dumber. But also happy."
"I know a little bit about trying to do the right thing and fucking up completely.' I added.'You talking about mom?' Ben said'I was talking about me.''You could have been talking about all of us. Ben pressed his hand against the glass and my brother and I matched palms."
"I'd developed an inability to demonstrate much negative emotion at all. It was another thing that made me seem like a dick - my stomach could be all oiled eels, and you would get nothing from my face and less from my words. It was a constant problem: too much control or no control at all."
"A theme that has always interested me is how women express anger, how women express violence. That is very much part of who women are, and it's so unaddressed. A vast amount of literature deals with cycles of violence about men, antiheroes. Women lack that vocabulary."
"Like walking through a door. Our relationship immediately attained a sepia tone: the past."