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Gillian Flynn

"The secondhand experience is always better. The image is crisper, the view is keener, the camera angle and the soundtrack manipulate my emotions in a way reality can't anymore. I don't know that we are actually human at this point, those of us who are like most of us, who grew up with TV and movies and now the Internet. If we are betrayed, we know the words to say; when a loved one dies, we know the words to say. If we want to play the stud or the smart-ass or the fool, we know the words to say. We are all working from the same dog-eared script."

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"The secondhand experience is always better. The image is crisper, the view is keener, the camera angle and the soundtrack manipulate my emotions in a way reality can't anymore. I don't know that we are actually human at this point, those of us who are like most of us, who grew up with TV and movies and now the Internet. If we are betrayed, we know the words to say; when a loved one dies, we know the words to say. If we want to play the stud or the smart-ass or the fool, we know the words to say. We are all working from the same dog-eared script."

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Amber Hurdle

"It is far more difficult to murder a phantom than a reality."

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"We are nauseated by the sight of trivial personalities decomposing in the eternity of print."

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Amber Hurdle

"Madison Avenue is a very powerful aggression against private consciousness. A demand that you yield your private consciousness to public manipulation."

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Amber Hurdle

"We have no authoritative figure, no Walter Cronkite or Edward R. Murrow whom we all listen to and trust to sort out contradictory claims. Instead, the media is splintered into a thousand fragments, each with its own version of reality, each claiming the loyalty of a splintered nation."

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Amber Hurdle

"When the name of Gail Wynand became a threat in the publishing world, a group of newspaper owners took him aside-at a city charity affair which all had to attend-and reproached him for what they called hid debasement of the public taste."It is not my function" said Wynand, "to help people preserve a self-respect they haven't got. You give them what they profess to like in public, I give them what they really like. Honesty is the best policy, gentlemen, though not quite in the sense you were taught to belive"."

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Amber Hurdle

"So sad "Criminal Minds: Suspect Behavior" the series ended open and it was made in 2011 and it ended in 2011!"

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Amber Hurdle

"In journalism just one fact that is false prejudices the entire work. In contrast, in fiction one single fact that is true gives legitimacy to the entire work. That's the only difference, and it lies in the commitment of the writer. A novelist can do anything he wants so long as he makes people believe in it."

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Amber Hurdle

"The fault I find with our journalism is that it forces us to take an interest in some fresh triviality or other every day, whereas only three or four books in a lifetime give us anything that is of real importance."

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Amber Hurdle

"There's not a branch of publishing or broadcasting that doesn't depend in some way on advertising. It'd be like an aquarium without water. Why, ninety-five percent of the information that reaches you has already been preselected and paid for."

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Amber Hurdle

"We have more choice than ever before about where and how we buy and read books."

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Gillian Flynn
"I am, after all, an adult, a grown man, a useful human being, even though I lost the career that made me all these things. I won't make that mistake again."
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Gillian Flynn
"You can like an immoral character because she's interesting, not because you want to have her over for dinner."
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Gillian Flynn
"I'd developed an inability to demonstrate much negative emotion at all. It was another thing that made me seem like a dick - my stomach could be all oiled eels, and you would get nothing from my face and less from my words. It was a constant problem: too much control or no control at all."
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Gillian Flynn
"The old Amy, the girl of the big laugh and the easy ways, literally shed herself, a pile of skin and soul on the floor, and stepped this new, brittle, bitter Amy ... a razor-wire knot daring me to unloop her, and I was not up to the job with my thick, numb, nervous fingers. Country fingers. Flyover fingers untrained in the intricate, dangerous work of 'solving Amy'. When I'd hold up the bloody stumps, she'd sigh and turn to her secret mental notebooks on which she tallied all my deficiencies, forever noting disappointments, frailties, shortcomings."
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Gillian Flynn
"My father, [was] a mid-level phonecompany manager who treated my mother at best like an incompetent employee. At worst? He never beat her, but his pure, inarticulate fury would fill the house for days, weeks, at a time, making the air humid, hard to breathe, my father stalking around with his lower jaw jutting out, giving him the look of a wounded, vengeful boxer, grinding his teeth so loud you could hear it across the room I'm sure he told himself: 'I never hit her'. I'm sure because of this technicality he never saw himself as an abuser. But he turned our family life into an endless road trip with bad directions and a rage-clenched driver, a vacation that never got a chance to be fun."
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Gillian Flynn
"I was raised feral, and I mostly stayed that way."
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Gillian Flynn
"So are there any asshole guys here I can start dating?' she says. 'That's, like, my pattern."
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Gillian Flynn
"He wears his cockiness like an ironic T-shirt, but it fits him better."
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Gillian Flynn
"I know a little bit about trying to do the right thing and fucking up completely.' I added.'You talking about mom?' Ben said'I was talking about me.''You could have been talking about all of us. Ben pressed his hand against the glass and my brother and I matched palms."
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Gillian Flynn
"Like walking through a door. Our relationship immediately attained a sepia tone: the past."
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