Esa-Pekka Salonen is a Finnish conductor and composer renowned for his dynamic leadership and innovative musical compositions. As the former Music Director of the Los Angeles Philharmonic, Salonen significantly influenced the classical music scene with his fresh interpretations and commitment to contemporary works. His contributions to music extend to his own compositions, which are known for their bold and imaginative qualities.

"I'm still disturbed if a chord isn't together, but your priorities change as you get older."


4

"This conducting thing happened. In 1983 I was sucked into this international career, which was a very scary experience."



"The underlying process in Northern music tends to be slower and continuous, whatever's happening on the surface; in Southern music the underlying process is always faster."



"My music wouldn't sound the way it does if I hadn't had the experience of conducting."



"Stravinsky is masterly: his harmony is conceived so precisely that it can only be the way it is."



"The Northern idea of form is more of a process. The various units of the form overlap. You can't tell where some things stop and new things start. This is typical of Sibelius."



"Anyone who composes and conducts at the same time is immediately suspect, because he must be faking one or the other."



"The sound was my greatest concern. There were certain difficulties getting used to the way every musician can hear his or herself, the way each of them relates to the musician in the next seat."



"Pulse as an active means of expression, Stravinsky and Beethoven are the two masters of that."



"As we watch TV or films, there are no organic transitions, only edits. The idea of A becoming B, rather than A jumping to B, has become foreign."



"There is more openness in LA to possibilities than on the East Coast of America. There is a pioneering spirit there that stems from the reason people went out there in the first place-to find something new."



"This continuity of sound and form was something that I became really interested in from working with Ligeti. He was always going on about how form has to be continuous."



"I can't imagine how many first performances I've done, perhaps 500. Some of them have been very good, and some of course very bad."



"There will have to be times when I'm not conducting because I'm composing. I haven't solved that problem, and perhaps I never will."



"If the seams are showing, there is something wrong with the performance or the construction of the piece. This idea is completely at odds with our modern visual experience, because everything today is based on montage."


12

"With American orchestras, in particular, because they play in such huge halls, getting a true pianissimo is very hard."


7

"Every day we make more progress toward understanding the concert hall."


28

"Orchestras have become used to the emphasis on the separation of layers, of the ultimate precision and clarity."


16

"This country, and the West Coast, especially, is bad at preserving any cultural legacy."


14

"I discovered that the people of the North are different and there's no way you can make a person from the North similar to a Southerner. They're two different worlds."

