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Exlpore more Art quotes
"The aim of all commentary on art now should be to make works of art - and, by analogy, our own experience - more, rather than less, real to us. The function of criticism should be to show how it is what it is, even that it is what it is, rather than to show what it means."
"Those who find ugly meanings in beautiful things are corrupt without being charming. This is a fault. Those who find beautiful meanings in beautiful things are the cultivated. For these there is hope. They are the elect to whom beautiful things mean only Beauty. There is no such thing as a moral or an immoral book. Books are well written, or badly written. That is all."
"Freedom and fullness of expression are of the essence of the art."
"And it seemed at last that there were two musics progressing at one time before the seat of IlAovatar, and they were utterly at variance. The one was deep and wide ad beautiful, but slow and blended with an immeasurable sorrow from which its beauty chiefly came."
"Most critics, fond of subservient artstill make the whole depend upon a part.They talk of principles, but notions prizeAnd all to one loved folly sacrifice."
"One should be a painter. As a writer, I feel the beauty, which is almost entirely colour, very subtle, very changeable, running over my pen, as if you poured a large jug of champagne over a hairpin."
"Art and the artist meet in stages, slowly revealing themselves until both are satisfied with what the other has become."
"A picture is a voiceless poem, a poem is a vocal picture."
"It starts with this: put your desk in the corner, and every time you sit down there to write, remind yourself why it isn't in the middle of the room. Life isn't a support system for art. It's the other way around."
Explore more quotes by Esa-Pekka Salonen
"The Northern idea of form is more of a process. The various units of the form overlap. You can't tell where some things stop and new things start. This is typical of Sibelius."
"The sound was my greatest concern. There were certain difficulties getting used to the way every musician can hear his or herself, the way each of them relates to the musician in the next seat."
"As we watch TV or films, there are no organic transitions, only edits. The idea of A becoming B, rather than A jumping to B, has become foreign."
"There will have to be times when I'm not conducting because I'm composing. I haven't solved that problem, and perhaps I never will."
"When we're at the end of The Rite of Spring or of a Bruckner symphony, I want people to feel the music physically."
"This continuity of sound and form was something that I became really interested in from working with Ligeti. He was always going on about how form has to be continuous."
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