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"I love a visceral sound, the kind that hits you in the belly."
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"Wellsted will remember this moment for the rest of his life. It is the first time he desires something for himself that is not dedicated to his own advancement. It is the moment he falls in love."

"Were I to fall in love, indeed, it would be a different thing! but I have never been in love; it is not my way, or my nature; and I do not think I ever shall. And, without love, I am sure I should be a fool to change such a situation as mine."

"How'd you know he was the one?""I didn't know. I don't think either of us knew."Heather rolled her eyes. "Neal knew - he proposed to you.""It's not like that," Georgie said. "You'll see. It's more like you meet someone, and you fall in love, and you hope that that person is the one - and then at some point, you have to put down your chips. You just have to make a commitment and hope that you're right."

"When love is roaming in our mind, looping in the deepest fringes of our heart, undreamt spaciousness emerges, repealing the constraints of triviality and letting stifling narrowness fade away. While our mindset is besieged by a revolving burst of emotion, our world is ultimately opening up. ['Cape of good hope']"
Explore more quotes by Esa-Pekka Salonen

"The underlying process in Northern music tends to be slower and continuous, whatever's happening on the surface; in Southern music the underlying process is always faster."

"The Northern idea of form is more of a process. The various units of the form overlap. You can't tell where some things stop and new things start. This is typical of Sibelius."

"Anyone who composes and conducts at the same time is immediately suspect, because he must be faking one or the other."

"The act of conducting in itself, of waving my arms in the air and being in charge, I didn't miss. I missed the sensual pleasure of being in contact with music."

"The sound was my greatest concern. There were certain difficulties getting used to the way every musician can hear his or herself, the way each of them relates to the musician in the next seat."

"As we watch TV or films, there are no organic transitions, only edits. The idea of A becoming B, rather than A jumping to B, has become foreign."

"I can't imagine how many first performances I've done, perhaps 500. Some of them have been very good, and some of course very bad."

"There will have to be times when I'm not conducting because I'm composing. I haven't solved that problem, and perhaps I never will."
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