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"Pulse as an active means of expression, Stravinsky and Beethoven are the two masters of that."
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"There are poets,there are philosophers, there are spiritualists and me. I try to foot the bill of these mighty three."

"I've given offense by saying I'd as soon write free verse as play tennis with the net down."

"Words make known. But we live in the unknown."

"There are many things which can not be expressed by words. There are many words which can not be spelled by human tongue. There are many tongues which utter one single truth."

"Hunger is a wayOf standing outside windowsThe entering takes away."

"Neither Aristotelian nor Russellian rules give the exact logic of any expression of ordinary language; for ordinary language has no exact logic."

"Actions are the first tragedy in life, words are the second. Words are perhaps the worst. Words are merciless."

"The truth is that fullness of soul can sometimes overflow in utter vapidity of language, for none of us can ever express the exact measure of his needs or his thoughts or his sorrows; and human speech is like a cracked kettle on which we tap crude rhythms for bears to dance to, while we long to make music that will melt the stars."

"When your speaking style is clear, confident, and concise, your listeners will perceive you as such."
Explore more quotes by Esa-Pekka Salonen

"The underlying process in Northern music tends to be slower and continuous, whatever's happening on the surface; in Southern music the underlying process is always faster."

"The Northern idea of form is more of a process. The various units of the form overlap. You can't tell where some things stop and new things start. This is typical of Sibelius."

"Anyone who composes and conducts at the same time is immediately suspect, because he must be faking one or the other."

"The act of conducting in itself, of waving my arms in the air and being in charge, I didn't miss. I missed the sensual pleasure of being in contact with music."

"The sound was my greatest concern. There were certain difficulties getting used to the way every musician can hear his or herself, the way each of them relates to the musician in the next seat."

"As we watch TV or films, there are no organic transitions, only edits. The idea of A becoming B, rather than A jumping to B, has become foreign."

"I can't imagine how many first performances I've done, perhaps 500. Some of them have been very good, and some of course very bad."

"There will have to be times when I'm not conducting because I'm composing. I haven't solved that problem, and perhaps I never will."
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