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"If the seams are showing, there is something wrong with the performance or the construction of the piece. This idea is completely at odds with our modern visual experience, because everything today is based on montage."
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"There is a huge difference between learning about truth and experiencing truth. Touch the source."

"All theory is against freedom of the will; all experience for it."

"No matter how loud the sirens or how numerous the hazard signs, we all touch the flames at least once to prove they're hot."

"I wear my wrinkles like battle scars, having earned every last one slaying life's dragons. They boast of my victories and some defeats while their beauty is a wealth of wisdom gained."

"Experience which was once claimed by the aged is now claimed exclusively by the young."

"Masterpieces are not single and solitary births; they are the outcome of many years of thinking in common, of thinking by the body of the people, so that the experience of the mass is behind the single voice."

"Just because a person successfully steers a voyage through hell doesn't mean he ever wants to sail that route again."

"Experience is by industry achiev'd,And perfected by the swift course of time."

"What is the good of drawing conclusions from experience? I don't deny we sometimes draw the right conclusions, but don't we just as often draw the wrong ones?"

"There is more experience on the field of justification than on the camp of training. Sometimes, you got to take actions to learn more."
Explore more quotes by Esa-Pekka Salonen

"The underlying process in Northern music tends to be slower and continuous, whatever's happening on the surface; in Southern music the underlying process is always faster."

"The Northern idea of form is more of a process. The various units of the form overlap. You can't tell where some things stop and new things start. This is typical of Sibelius."

"Anyone who composes and conducts at the same time is immediately suspect, because he must be faking one or the other."

"The act of conducting in itself, of waving my arms in the air and being in charge, I didn't miss. I missed the sensual pleasure of being in contact with music."

"The sound was my greatest concern. There were certain difficulties getting used to the way every musician can hear his or herself, the way each of them relates to the musician in the next seat."

"As we watch TV or films, there are no organic transitions, only edits. The idea of A becoming B, rather than A jumping to B, has become foreign."

"I can't imagine how many first performances I've done, perhaps 500. Some of them have been very good, and some of course very bad."

"There will have to be times when I'm not conducting because I'm composing. I haven't solved that problem, and perhaps I never will."
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