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Esa-Pekka Salonen

"The Northern idea of form is more of a process. The various units of the form overlap. You can't tell where some things stop and new things start. This is typical of Sibelius."

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"The Northern idea of form is more of a process. The various units of the form overlap. You can't tell where some things stop and new things start. This is typical of Sibelius."

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A.E. Samaan

"From the port of ideas, not only the most clever ones put out to sea and conquer the world but also the most stupid ones do this!"

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A.E. Samaan

"Give people films, they will forget after a few weeks, but give people ideas, they will assimilate them into their consciousness."

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A.E. Samaan

"Through your ideas, you open the window of your mind and say a hello to the world."

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A.E. Samaan

"There is no battle or engagement with any institution, company or government; it is always an engagement of ideas."

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A.E. Samaan

"A celibate clergy is an especially good idea, because it tends to suppress any hereditary propensity toward fanaticism."

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A.E. Samaan

"An idea can change your fate in a wonderful way but you must first let the idea to touch your mind and your heart! No closed book can ever be your hero!"

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A.E. Samaan

"Many things about our bodies would not seem to us so filthy and obscene if we did not have the idea of nobility in our heads."

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A.E. Samaan

"Unless you close your door to other ideas, you will never remain idealess!"

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A.E. Samaan

"I don't know what makes a guy want to write songs and sing, but if you've got a message, you want to get it across. When I come up with an idea about the way I feel, I can really state it strongly in a song."

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A.E. Samaan

"Drop the idea that you are Atlas carrying the world on your shoulders. The world would go on even without you. Don't take yourself so seriously."

Explore more quotes by Esa-Pekka Salonen

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Esa-Pekka Salonen
"The underlying process in Northern music tends to be slower and continuous, whatever's happening on the surface; in Southern music the underlying process is always faster."
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Esa-Pekka Salonen
"The players never think they project enough. In a hall that seats 3,300 people, it's a very scary thing to play so quietly that you can barely hear yourself."
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Esa-Pekka Salonen
"Pulse as an active means of expression, Stravinsky and Beethoven are the two masters of that."
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Esa-Pekka Salonen
"I can't imagine how many first performances I've done, perhaps 500. Some of them have been very good, and some of course very bad."
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Esa-Pekka Salonen
"Once you get over the first hill, there is always a new, higher one lurking, of course."
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Esa-Pekka Salonen
"In the range of music that we play - roughly 300 years' worth-there really are more similarities than differences."
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Esa-Pekka Salonen
"There will have to be times when I'm not conducting because I'm composing. I haven't solved that problem, and perhaps I never will."
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Esa-Pekka Salonen
"Stravinsky is masterly: his harmony is conceived so precisely that it can only be the way it is."
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Esa-Pekka Salonen
"The Royal Festival Hall in London is nice; people hang out there. I think this inviting, non-exclusive character is very important."
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Esa-Pekka Salonen
"If the seams are showing, there is something wrong with the performance or the construction of the piece. This idea is completely at odds with our modern visual experience, because everything today is based on montage."
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