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Anais Nin, a trailblazing American author and diarist, explored themes of love, desire, and identity through her candid and introspective writing. Her groundbreaking diaries, spanning decades of her life, offer a revealing glimpse into her innermost thoughts and emotions, making her a literary icon of personal expression and self-discovery.
"I must be a mermaid, Rango. I have no fear of depths and a great fear of shallow living."
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"I must be a mermaid, Rango. I have no fear of depths and a great fear of shallow living."

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"He failed to see that it contained at once all of Djuna's wishes which had been denied, and these wishes had flown from all directions to meet at this intersection and to plead once more for understanding."
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"He failed to see that it contained at once all of Djuna's wishes which had been denied, and these wishes had flown from all directions to meet at this intersection and to plead once more for understanding."

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"At night too, she puzzled the mystery of her desperate need of kindness. As other girls prayed for handsomeness in a lover, or for wealth, or for power, or for poetry, she had prayed fervently: let him be kind."
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"At night too, she puzzled the mystery of her desperate need of kindness. As other girls prayed for handsomeness in a lover, or for wealth, or for power, or for poetry, she had prayed fervently: let him be kind."

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"What I cannot love, I overlook. Is that real friendship?"
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"What I cannot love, I overlook. Is that real friendship?"

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"When you make a world tolerable for yourself, you make a world tolerable for others."
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"When you make a world tolerable for yourself, you make a world tolerable for others."

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"I stopped loving my father a long time ago. What remained was the slavery to a pattern."
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"I stopped loving my father a long time ago. What remained was the slavery to a pattern."

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"What can I do with my happiness? How can I keep it, conceal it, bury it where I may never lose it? I want to kneel as it falls over me like rain, gather it up with lace and silk, and press it over myself again."
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"What can I do with my happiness? How can I keep it, conceal it, bury it where I may never lose it? I want to kneel as it falls over me like rain, gather it up with lace and silk, and press it over myself again."

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"What can I say Rango? What can I do to prove to you that I belong to you?"
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"What can I say Rango? What can I do to prove to you that I belong to you?"

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"We did not touch each other. We were both leaning over the abyss."
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"We did not touch each other. We were both leaning over the abyss."

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"Reality doesn't impress me. I only believe in intoxication, in ecstasy, and when ordinary life shackles me, I escape, one way or another. No more walls."
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"Reality doesn't impress me. I only believe in intoxication, in ecstasy, and when ordinary life shackles me, I escape, one way or another. No more walls."

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"The man who was once starved may revenge himself upon the world not by stealing just once, or by stealing only what he needs, but by taking from the world an endless toll in payment of something irreplaceable, which is the lost faith."
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"The man who was once starved may revenge himself upon the world not by stealing just once, or by stealing only what he needs, but by taking from the world an endless toll in payment of something irreplaceable, which is the lost faith."

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"Life is truly known only to those who suffer, lose, endure adversity and stumble from defeat to defeat."
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"Life is truly known only to those who suffer, lose, endure adversity and stumble from defeat to defeat."

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"Anxiety is love's greatest killer. It makes others feel as you might when a drowning man holds on to you. You want to save him, but you know he will strangle you with his panic."
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"Anxiety is love's greatest killer. It makes others feel as you might when a drowning man holds on to you. You want to save him, but you know he will strangle you with his panic."

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"Sex does not thrive on monotony. Without feeling, inventions, moods,no surprises in bed. Sex must be mixed with tears, laughter, words, promises, scenes, jealousy, envy, all the spices of fear, foreign travel, new faces, novels, stories, dreams, fantasies, music, dancing, opium, wine."
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"Sex does not thrive on monotony. Without feeling, inventions, moods,no surprises in bed. Sex must be mixed with tears, laughter, words, promises, scenes, jealousy, envy, all the spices of fear, foreign travel, new faces, novels, stories, dreams, fantasies, music, dancing, opium, wine."

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"He was now in that state of fire that she loved. She wanted to be burnt."
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"He was now in that state of fire that she loved. She wanted to be burnt."

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"Do you have regrets that we were so overwhelmed? Do you ever wish to live those hours over again and differently, with more confidence."
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"Do you have regrets that we were so overwhelmed? Do you ever wish to live those hours over again and differently, with more confidence."

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"Am I creating my own isolation? It seems to me that most of my acts are acts of integrity. So much takes place within me each day that by comparison I find a paucity, a stinginess, a silence in people which drives me to excess."
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"Am I creating my own isolation? It seems to me that most of my acts are acts of integrity. So much takes place within me each day that by comparison I find a paucity, a stinginess, a silence in people which drives me to excess."

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"In the world of the dreamer there was solitude: all the exaltations and joys came in the moment of preparation for living. They took place in solitude. But with action came anxiety, and the sense of insuperable effort made to match the dream, and with it came weariness, discouragement, and the flight into solitude again. And then in solitude, in the opium den of remembrance, the possibility of pleasure again."
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"In the world of the dreamer there was solitude: all the exaltations and joys came in the moment of preparation for living. They took place in solitude. But with action came anxiety, and the sense of insuperable effort made to match the dream, and with it came weariness, discouragement, and the flight into solitude again. And then in solitude, in the opium den of remembrance, the possibility of pleasure again."

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"Truth is something which can't be told in a few words. Those who simplify the universe only reduce the expansion of its meaning."
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"Truth is something which can't be told in a few words. Those who simplify the universe only reduce the expansion of its meaning."

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"Love reduces the complexity of living. It amazes me that when Henry walks towards the cafe table where I wait for him, or opens the gate to our house, the sight of him is sufficient to exult me. No letter from anyone, even in praise of my book, can stir me as much as a note from him."
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"Love reduces the complexity of living. It amazes me that when Henry walks towards the cafe table where I wait for him, or opens the gate to our house, the sight of him is sufficient to exult me. No letter from anyone, even in praise of my book, can stir me as much as a note from him."

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"A leaf fluttered in through the window this morning, as if supported by the rays of the sun, a bird settled on the fire escape, joy in the task of coffee, joy accompanied me as I walked."
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"A leaf fluttered in through the window this morning, as if supported by the rays of the sun, a bird settled on the fire escape, joy in the task of coffee, joy accompanied me as I walked."

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"He, who had done more than any human being to draw her out of the caves of her secret, folded life, now threw her down into deeper recesses of fear and doubt. The fall was greater than she had ever known, because she had ventured so far into emotion and had abandoned herself to it."
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"He, who had done more than any human being to draw her out of the caves of her secret, folded life, now threw her down into deeper recesses of fear and doubt. The fall was greater than she had ever known, because she had ventured so far into emotion and had abandoned herself to it."

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"This diary is my kief, hashish and opium pipe. This is my drug and my vice."
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"This diary is my kief, hashish and opium pipe. This is my drug and my vice."

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"I can elect something I love and absorb myself in it."
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"I can elect something I love and absorb myself in it."

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"And the time came when the risk to remain tight in a bud was more painful than the risk it took to blossom."
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"And the time came when the risk to remain tight in a bud was more painful than the risk it took to blossom."

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"Ali Baba protects the lovers! Gives them the luck of bandits, and no guilt, for love fills certain people and expands them beyond all laws; there is no time, no place for regrets, hesitations, cowardices. Love runs free and reckless, and all the gentle trickeries perpetrated to protect others from its burns-those who are not the lovers but who might be the victims of this love's expansion."
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"Ali Baba protects the lovers! Gives them the luck of bandits, and no guilt, for love fills certain people and expands them beyond all laws; there is no time, no place for regrets, hesitations, cowardices. Love runs free and reckless, and all the gentle trickeries perpetrated to protect others from its burns-those who are not the lovers but who might be the victims of this love's expansion."

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"And silence. She liked the silence most of all. The silence in which the body, senses, the instincts, are more alert, more powerful, more sensitized, live a more richly perfumed and intoxication life, instead of transmuting into thoughts, words, into exquisite abstractions, mathematics of emotion in place of violent impact, the volcanic eruptions of fever, lust and delight."
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"And silence. She liked the silence most of all. The silence in which the body, senses, the instincts, are more alert, more powerful, more sensitized, live a more richly perfumed and intoxication life, instead of transmuting into thoughts, words, into exquisite abstractions, mathematics of emotion in place of violent impact, the volcanic eruptions of fever, lust and delight."

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"Men from the mountains always dream of the sea, and above all things I love to travel."
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"Men from the mountains always dream of the sea, and above all things I love to travel."

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"It's all right for a woman to be, above all, human. I am a woman first of all."
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"It's all right for a woman to be, above all, human. I am a woman first of all."

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"The writer is the duelist who never fights at the stated hour, who gathers up an insult, like another curious object, a collector's item, spreads it out on his desk later, and then engages in a duel with it verbally. Some people call it weakness. I call it postponement. What is weakness in the man becomes a quality in the writer. For he preserves, collects what will explode later in his work. That is why the writer is the loneliest man in the world; because he lives, fights, dies, is reborn always alone; all his roles are played behind a curtain. In life he is an incongruous figure."
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"The writer is the duelist who never fights at the stated hour, who gathers up an insult, like another curious object, a collector's item, spreads it out on his desk later, and then engages in a duel with it verbally. Some people call it weakness. I call it postponement. What is weakness in the man becomes a quality in the writer. For he preserves, collects what will explode later in his work. That is why the writer is the loneliest man in the world; because he lives, fights, dies, is reborn always alone; all his roles are played behind a curtain. In life he is an incongruous figure."

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"The origin of illness may be in the past, but the virulent crisis must be dynamically tackled. I believe in attacking the core of the illness, through its present symptoms, quickly, directly. The past is a labyrinth. One does not have to step into it and move step by step through every turn and twist. The past reveals itself instantly, in today's fever or abscess of the soul."
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"The origin of illness may be in the past, but the virulent crisis must be dynamically tackled. I believe in attacking the core of the illness, through its present symptoms, quickly, directly. The past is a labyrinth. One does not have to step into it and move step by step through every turn and twist. The past reveals itself instantly, in today's fever or abscess of the soul."

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"Then at certain moments I remember one of his words and I suddenly feel the sensual woman flaring up, as if violently caressed. I say the word to myself, with joy. It is at such a moment that my true body lives."
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"Then at certain moments I remember one of his words and I suddenly feel the sensual woman flaring up, as if violently caressed. I say the word to myself, with joy. It is at such a moment that my true body lives."

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"When you're in my arms, I know you're mine. But your feet are so swift, so swift, they carry you as lightly as wings, I never know where, too fast, too fast away from me."
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"When you're in my arms, I know you're mine. But your feet are so swift, so swift, they carry you as lightly as wings, I never know where, too fast, too fast away from me."

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"We write to lure and enchant and console others. We write to serenade our lovers. We write to taste life twice, in the moment, and in retrospection... We write to be able to transcend our life, to reach beyond it... We write to expand our world when we feel strangled, or constricted, or lonely."
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"We write to lure and enchant and console others. We write to serenade our lovers. We write to taste life twice, in the moment, and in retrospection... We write to be able to transcend our life, to reach beyond it... We write to expand our world when we feel strangled, or constricted, or lonely."

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"She lacks the core of sureness, she craves admiration insatiably. She lives on reflections of herself in others' eyes. She does not dare to be herself."
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"She lacks the core of sureness, she craves admiration insatiably. She lives on reflections of herself in others' eyes. She does not dare to be herself."

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"You sought to preserve your creative instincts and what would nourish them. But neurosis itself does not nourish the artist, you know; he creates in spite of it, out of anything, any material given to him. The torments and hells of [crazy men], are not for you."
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"You sought to preserve your creative instincts and what would nourish them. But neurosis itself does not nourish the artist, you know; he creates in spite of it, out of anything, any material given to him. The torments and hells of [crazy men], are not for you."

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"When your beauty struck me, it dissolved me. Deep down, I am not different from you. I dreamed you, I wished for your existence. I see in you that part of me which is you. I surrender my sincerity because if I love you it means we share the same fantasies, we share the same madness."
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"When your beauty struck me, it dissolved me. Deep down, I am not different from you. I dreamed you, I wished for your existence. I see in you that part of me which is you. I surrender my sincerity because if I love you it means we share the same fantasies, we share the same madness."

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"So many broken promises, each day an aborted wish, a lost object, a misplaced unread book, cluttering the room like an attic with discarded possessions."
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"So many broken promises, each day an aborted wish, a lost object, a misplaced unread book, cluttering the room like an attic with discarded possessions."

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"Our age has need of violence," he writes. And he is violence."
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"Our age has need of violence," he writes. And he is violence."

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"All those who try to unveil the mysteries always have tragic lives. At the end they are always punished."
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"All those who try to unveil the mysteries always have tragic lives. At the end they are always punished."

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"Throw your dreams into space like a kite, and you do not know what it will bring back, a new life, a new friend, a new love, a new country."
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"Throw your dreams into space like a kite, and you do not know what it will bring back, a new life, a new friend, a new love, a new country."

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"And the day came when the risk to remain tight in a bud was more painful than the risk it took to blossom."
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"And the day came when the risk to remain tight in a bud was more painful than the risk it took to blossom."

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"If all of us acted in unison as I act individually there would be no wars and no poverty. I have made myself personally responsible for the fate of every human being who has come my way."
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"If all of us acted in unison as I act individually there would be no wars and no poverty. I have made myself personally responsible for the fate of every human being who has come my way."

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"There are women's voices that sound like poetic, unearthly echoes. Then they change. The eyes change. I believe that all these legends about people changing into animals at night " like the stories of the werewolf, for instance " were invented by men who saw women transformed at night " from idealized, worshipful creatures into animals and thought that they were possessed."
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"There are women's voices that sound like poetic, unearthly echoes. Then they change. The eyes change. I believe that all these legends about people changing into animals at night " like the stories of the werewolf, for instance " were invented by men who saw women transformed at night " from idealized, worshipful creatures into animals and thought that they were possessed."

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"The only abnormality is the incapacity to love."
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"The only abnormality is the incapacity to love."

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"There are very few human beings who receive the truth, complete and staggering, by instant illumination. Most of them acquire it fragment by fragment, on a small scale, by successive developments, cellularly, like a laborious mosaic."
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"There are very few human beings who receive the truth, complete and staggering, by instant illumination. Most of them acquire it fragment by fragment, on a small scale, by successive developments, cellularly, like a laborious mosaic."

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"For too many centuries women have been being muses to artists. I wanted to be the muse, I wanted to be the wife of the artist, but I was really trying to avoid the final issue - that I had to do the job myself."
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"For too many centuries women have been being muses to artists. I wanted to be the muse, I wanted to be the wife of the artist, but I was really trying to avoid the final issue - that I had to do the job myself."

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"Something is always born of excess: great art was born of great terror, great loneliness, great inhibitions, instabilities, and it always balances them."
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"Something is always born of excess: great art was born of great terror, great loneliness, great inhibitions, instabilities, and it always balances them."

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"There came a time when the risk to remain tight in the bud was more painful than the risk it took to blossom."
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"There came a time when the risk to remain tight in the bud was more painful than the risk it took to blossom."

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"I am lonely, yet not everybody will do. I don't know why, some people fill the gaps and others emphasize my loneliness."
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"I am lonely, yet not everybody will do. I don't know why, some people fill the gaps and others emphasize my loneliness."

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