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Anais Nin

"All those who try to unveil the mysteries always have tragic lives. At the end they are always punished."

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"All those who try to unveil the mysteries always have tragic lives. At the end they are always punished."

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Amber Hurdle

"His eyes were that colour you can't see in the rainbow. Indigo."

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Amber Hurdle

"Your opinions about doesn't matter, I know who I am."

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Amber Hurdle

"That one smooth black eye stared, and reflected in it I fancied I could see the cyclopeon city, and the endless column of the marching dead."

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Amber Hurdle

"To understand the mysteries of God we must move past the logic of men."

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Amber Hurdle

"Don't ask about my past. And never expect a future."

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Amber Hurdle

"When you read any great mystery, recorded in holy Writ, you are to prostrate your Reason to Divine Revelation."

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Amber Hurdle

"Have you ever come across something you couldn't explain?""Explain in what way? I could explain a ghost by saying, 'yes, that's a ghost.' I take it, that's not what you mean."

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Amber Hurdle

"Hazel frowned. "Why that one?""You don't see the ghost?" Frank asked."Ghost?" Nico asked.Okay... if Frank was seeing a ghost that the Underworld kids couldn't see, something was definitely wrong."

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Amber Hurdle

"I woke up in bed with a man and a cat. The man was a stranger, the cat was not."

Explore more quotes by Anais Nin

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Anais Nin
"We write to lure and enchant and console others. We write to serenade our lovers. We write to taste life twice, in the moment, and in retrospection... We write to be able to transcend our life, to reach beyond it... We write to expand our world when we feel strangled, or constricted, or lonely."
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Anais Nin
"In our twenties we have conflicts. We think everything is either-or, black or white: we are caught between them and we lose all our energy in the conflicts. My answer, later on in maturity, was to do them all. Not to exclude any, not to make a choice. I wanted to be everything. And I took everything in, and the more you take in, the more strength you find waiting to accomplish things and to expand your life, instead of the other (which is what we have been taught to do) which is to look for structure and to fear change, above all to fear change. Now I didn't fear change."
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Anais Nin
"Each friend represents a world in us, a world not born until they arrive, and it is only by this meeting that a new world is born."
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Anais Nin
"Then at certain moments I remember one of his words and I suddenly feel the sensual woman flaring up, as if violently caressed. I say the word to myself, with joy. It is at such a moment that my true body lives."
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Anais Nin
"It's all right for a woman to be, above all, human. I am a woman first of all."
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Anais Nin
"There are very few human beings who receive the truth, complete and staggering, by instant illumination. Most of them acquire it fragment by fragment, on a small scale, by successive developments, cellularly, like a laborious mosaic."
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Anais Nin
"The monster I kill every day is the monster of realism. The monster who attacks me every day is destruction. Out of the duel comes the transformation. I turn destruction into creation over and over again."
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Anais Nin
"She lacks confidence, she craves admiration insatiably. She lives on the reflections of herself in the eyes of others. She does not dare to be herself."
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Anais Nin
"Everything with me is either worship and passion or pity and understanding. I hate rarely, though when I hate, I hate murderously. For example now, I hate the bank and everything connected with it. I also hate Dutch paintings, penis-sucking, parties, and cold rainy weather. But I am much more preoccupied with loving."
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Anais Nin
"Even when they did not look at each other or speak to each other, he could feel a powerful current between them."
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