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"It's just a way of trying to get to a third thing that's not particular to any quote-unquote genre. It's been great for me; it's really opened me up and gotten me to use that part of my imagination. It's very scary in a lot of ways, and just as exciting."
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"What the future held for spirit, Emily could only imagine."
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Personal Development
"Do you know what the best and worst thing about a book is? The author can't answer all your questions, only your imagination can."
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Personal Development
"When you are very rational, you may not be able to dream or live in a fairy tale."
Author Name
Personal Development
"O, then I see Queen Mab hath been with you. . . .She is the fairies' midwife, and she comesIn shape no bigger than an agate stoneOn the forefinger of an alderman,Drawn with a team of little atomiAthwart men's noses as they lie asleep."
Author Name
Personal Development
"Music enables mind to compose things in the outer limit of logic."
Author Name
Personal Development
"When the imagination takes over, the second hand could be the hour hand to a creator of stories."
Author Name
Personal Development
"With astonishing wonder, I have seen the magic of life, the power of thoughts, and the beauty of imagination."
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Personal Development
"Too many questions can cripple imagination, for how can you apply logical questions to something that is not real?"
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Personal Development
"We are blessed with a finite life, but our imaginations are infinite."
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Personal Development
"My imagination persisted in sticking horrors into the dark- so I stuck my imagination into the dark instead, and let it look out at me."
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Personal Development
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"But I just think we've got such a continuity with what we're doing that most people come in and fill in the blanks. And sometimes we leave a lot of blanks to be filled."
People
"Anyone playing with you is going to change where your direction is."
Change
"Now, when we first started, I would be playing something good and then feel like I wasn't doing the right thing and launch into some idiotic cliche. Luckily for me, Bobby was patient."
First
"Yeah, it's more like playing what you think is appropriate for the moment. It's not about trying to force any particular style within the parameters - and the parameters we play in are pretty large!"
Force
"If we really wanted to be cool, and everyone in the world had Pro Tools, we could just put it up on the internet and everyone could make their own record out of it."
Internet
"Ultimately, at the end of it, it's just trying to get into that space where you feel like you're hitting the right thing and you're making music. And it feels intuitive rather than being counterintuitive."
Music
"And then as we played more and more as a trio, it became more and more of a situation where we realized we really knew how to use the fourth member of the group - that space. The thing about the trio is that it's the biggest sound you can have with the smallest unit."
Sound
"Bobby is really the one who did all the editing on that stuff. And he did all the mixing. I particularly like the record we did with Logic because Scott Harding did a great job mixing it. He's really a killing engineer."
Job
"That's the thing that we said about the horn before: it's a focus issue. It's like a singer versus a drummer. If a drummer's playing a drum beat, and a singer starts singing, what do you think the audience is going to do?"
Focus
"Everything we did, we did live - and then Bobby took it home and chopped it up and edited it. Which is pretty much what they did with every jazz record you've ever heard."
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