Barbara Kingsolver is an acclaimed American novelist known for her compelling exploration of social, environmental, and political themes. Works like The Poisonwood Bible and Animal, Vegetable, Miracle showcase her ability to intertwine personal stories with broader societal issues. Kingsolver's commitment to environmental sustainability and social justice continues to inspire individuals to live thoughtfully and advocate for positive change in their communities and the world.
"Empathy is really the opposite of spiritual meanness. It's the capacity to understand that every war is both won and lost. And that someone else's pain is as meaningful as your own."
"The giant beech next door intends to shiver off every hair of its pelt."
"The longer I think about a food industry organized around an animal that cannot reproduce itself without technical assistance, the more I mistrust it. Poultry, a significant part of the modern diet, is emblematic of the whole dirty deal. Having no self-sustaining bloodlines to back up the industry is like having no gold standard to underpin paper currency. Maintaining a natural breeding poultry flock is a rebellion, at the most basic level, against the wholly artificial nature of how foods are produced."
"A first child is your own best foot forward, and how you do cheer those little feet as they strike out. You examine every turn of flesh for precocity, and crow it to the world. But the last one: the baby who trails her scent like a flag of surrender through your life when there will be no more coming after--oh, that' s love by a different name."
"How does an artist learn enough about life to fill a thimble?""Soli, I'm going to tell you. He needs to go rub his soul against life. ..."
"This manuscript of yours that has just come back from another editor is a precious package. Don't consider it rejected. Consider that you've addressed it 'to the editor who can appreciate my work' and it has simply come back stamped 'Not at this address'. Just keep looking for the right address."
"You know what the issue is? Do you want to know? It's what these guys have decided to call America. They have the audacity to say, 'There, you sons of bitches, don't lay a finger on it. That is a finished product.'""But any country is still in the making. Always. That's just history, people have to see that."
"In Kilanga, people knew nothing of things they might have had - a Frigidaire? a washer-dryer combination? Really, they'd sooner imagine a tree that could pull up its feet and go bake bread. It didn't occur to them to feel sorry for themselves."
"If chained is where you have been, your ams will always bear marks of the shackles. What you have to lose is your story, your own slant. You'll look at the scars on your arms and see mere ugliness, or you'll take great care to look away from them and see nothing. Either way, you have no words for the story of where you came from."
"I do understand that they fall when I'm least able to pay attention because poems fall not from a tree, really, but from the richly pollinated boughs of an ordinary life, buzzing, as lives do, with clamor and glory. They are easy to miss but everywhere: poetry just is, whether we revere it or try to put it in prison. It is elementary grace, communicated from one soul to another."
"A single-file army of ants biting a mammoth tree into uniform grains and hauling it down to the dark for their ravenous queen. and, in reply, a choir of seedlings arching their necks out of rotted tree stumps, sucking life out of death. this forest eats itself and lives forever."
"Humans are in love with the idea of our persisting,' he said. 'We fetishize it, really. Our retirement funds, our genealogies. Our so-called ideas for the ages."
"Until that moment I'd thought I could have it both ways; to be one of them, and also my husband's wife. What conceit! I was his instrument, his animal. Nothing more. How we wives and mothers do perish at the hands of our own righteousness. I was just one more of those women who clamp their mouths shut and wave the flag as their nation rolls off to conquer another in war. Guilty or innocent, they have everything to lose. They are what there is to lose. A wife is the earth itself, changing hands, bearing scars."
"A journalist's job is to collect information," Ovid said to Pete. "Nope," Pete said. "That's what we do. It's not what they do." Dellarobia was unready to be pushed out of the conversation just like that. "Then what do you think the news people drive their Jeeps all the way out here for?" "To shore up the prevailing view of their audience and sponsors." "Pete takes a dim view of his fellow humans," Ovid said. "He prefers insects. Dellarobia turned her chair halfway around to face Pete, scraping noisily against the cement floor. "You're saying people only tune in to news they know they're going to agree with?" "Bingo," said Pete."
"There is no point treating a depressed person as though she were just feeling sad, saying, 'There now, hang on, you'll get over it.' Sadness is more or less like a head cold- with patience, it passes. Depression is like cancer."
"She is too absorbed in the difficulties of being seventeen to want to hear the confusions of forty-four."
"Pay attention to your dreams; when you go on a trip, in your dreams you will still be home. Then after you've come home you'll dream of where you were. It's a kind of jet lag of the consciousness."
"Outside in the sun the Holy Mother stood on her pedestal in the garden, sorry but unsympathetic. The usual position of mothers."
"While we watched without comprehension, she moved away to where none of us wanted to follow. Ruth May shrank back through the narrow passage between this brief fabric of light and all the rest of what there is for us: the long waiting. Now she will wait the rest of the time. It will be exactly as long as the time that passed before she was born."
"Your blood for mine. If not these, then those. War is the supreme mathematics problem. It strains our skulls, yet we work out the sums, believing we have pressed the most monstrous quantities into a balanced equation."
"I know what it is: it's a green mamba snake away up in the tree. You don't have to be afraid of them anymore because you are one. They lie so still on the tree branch; they are the same everything as the tree. You could be right next to one and not even know. It's so quiet there. That's just exactly what I want to go and be, when I have to disappear. Your eyes will be little and round but you are so far up there you can look down and see the whole world, Mama and everybody. The tribes of Ham, Shem, and Japheth all together. Finally you are the highest one of all."
"Spring is made of solid, fourteen-karat gratitude, the reward for the long wait. Every religious tradition from the northern hemisphere honors some form of April hallelujah, for this is the season of exquisite redemption, a slam-bang return to joy after a season of cold second thoughts."
"Solitude is a human presumption. Every quiet step is thunder to beetle life underfoot, a tug of impalpable thread on the web pulling mate to mate and predator to prey, a beginning or an end."
"That means you're my kid," I explained, "and I'm your mother, and nobody can say it isn't so."
"She watched the dark highway and entertained me with her vegetable-soup song, except that now there were people mixed in with the beans and potatoes: Dwayne Ray, Mattie, Esperanza, Lou Ann and all the rest. And me. I was the main ingredient."
"There is a strange moment in time, after something horrible happens, when you know it's true, but you haven't told anyone yet."